COMPLETE MUSIC · YOUR OWN PACE

Under lamps and moons

Rain, starlight, dark seas and thoughts beside a window meet here.

460 complete songsChoose a song ↓

Audio and MV doors share this exact playlist. Browsing does not interrupt your current music; choose a song or film to switch.

Choose your first song.

Play here to keep listening through this topic, or open a song’s story. Nothing starts automatically. Alternate recordings and visual editions keep their exact identities.

Choose in the audio playlist, or play on a song page; continue through this topic.
  1. 01
    Atlantic MoonA lighthouse, an old harbor and a letter in a sailor’s coat set longing adrift. English lyrics bring fado-inspired saudade into a Bollywood duet, with guitars answering the tide and a love still finding its way home.Full recording & story ↗
  2. 02
    The Old Station by the GangesDusk stretches the shadows of an old station, and unfinished words turn into a flute melody. Mary’s warm lower register meets sitar, sarangi and a gentle tabla pulse, carrying a Mandarin love song toward the Ganges at evening.Full recording & story ↗
  3. 03
    Ne Ferme Pas Le Matin · MaryBefore the rain clears, coffee still warms yesterday’s letter. Mary moves between French and Mandarin, letting an unhurried goodbye linger among accordion, piano and cello.Full recording & story ↗
  4. 04
    Plum Blossom and Lantern Night · 02ELi Qingzhao’s divided longing meets Xin Qiji’s backward glance beyond the lantern crowds. A Bollywood-inspired duet carries the two Song-dynasty poems through sitar, flute and sweeping strings.Full recording & story ↗
  5. 05
    Vain Longing · LingwanA moon in water and a flower in a mirror become an English encounter that cannot be held. Lingwan’s delicate voice meets piano, guzheng and xiao as Red Chamber sorrow passes through the seasons in a new melody.Full recording & story ↗
  6. 06
    Under the Nanzhao Moon · BajiaoWind from Erhai brushes white walls and gray roofs as bracelets ring and the old town lights awaken. Bajiao brings southwestern folk warmth and soft Bollywood colors to a swaying moonlit memory.Full recording & story ↗
  7. 07
    Embroidered River · LingwanA stitch of moonlight and a thread of Jiangnan: a name is embroidered into the river. Guzheng, erhu and bamboo flute cradle Lingwan’s graceful ornaments, choosing lasting tenderness over vocal spectacle.Full recording & story ↗
  8. 08
    Flower Spirit in Wu Chinese · New ArrangementFlowered eaves, willow banks and rain-dark lanes unfold through Wu Chinese. A gentle female voice and fingerpicked guitar turn the closeness of the dialect into a dream scented with Jiangnan rain.Full recording & story ↗
  9. 09
    Shui Gu Niang · Male VocalsRainforest paths, the edge of the sea and quiet moonlight gather in a call to Shui Gu Niang. This male-vocal version lets warm acoustic guitar and unhurried singing carry affection like flowing water.Full recording & story ↗
  10. 10
    Shui Gu Niang · Female Vocal RemixThe longing for Shui Gu Niang returns through a female voice. Rainforest and moonlight remain, but this separately preserved remix offers another way to hear the familiar words alongside the male-vocal edition.Full recording & story ↗
  11. 11
    An Invitation to the Moon · Version 2A cup of wine and an invitation to the moon turn parting into a long journey. A male voice over acoustic guitar sings across distant mountains, holding moonlight as an answer to enduring love.Full recording & story ↗
  12. 12
    After the Storm · BajiaoRain scatters old dreams, but a voice finds its footing before dawn. Bajiao brings a folk-ballad warmth to a slow rock anthem, with acoustic guitar, flute and electric guitars lifting the refrain: I am still singing. The scars remain, and so does the road toward light.Full recording & story ↗
  13. 13
    Plantain Rain in the Old LaneA paper umbrella holds a backward glance in a rain-dark lane. Pipa, acoustic guitar and soft flute cradle a clear female voice as each drop falls into waiting. The melody stays close to a goodbye that cannot quite be spoken.Full recording & story ↗
  14. 14
    Moonlight on the GangesA riverside far from home, an old station and a whispered goodnight turn wandering toward someone beloved. Sitar, tabla and bansuri lend Bollywood warmth to a Mandarin love song. Moonlight does not hurry the journey; it lights the waiting.Full recording & story ↗
  15. 15
    No One Leaves the Fire Alone · ROUGH-04A drink raised on an old street corner becomes a toast to getting up and going on. A weathered voice, piano, organ and answering choir give everyday courage a warm, unhurried shape. These Mandarin lyrics do not erase old wounds; they let them become a small light for tomorrow.Full recording & story ↗
  16. 16
    Ne Rentre Pas Trop Tard · JAZZ-03Coffee, a turning record and a taxi in the street hold the shape of someone missing. Accordion, muted trumpet and an intimate lower female voice turn “don’t come home too late” into a lamp left burning. This French jazz chanson asks for no promise—only a little room for a return.Full recording & story ↗
  17. 17
    Rain at Two in the Morning · JAZZ-01Cold coffee, a coat on the sofa and headlights turning a corner begin to speak at two in the morning. A close female voice sways with piano and upright bass; muted trumpet leaves room for unfinished words. Some goodbyes are so quiet that only a later rainy night makes them audible.Full recording & story ↗
  18. 18
    The Unclaimed BicycleThe third bicycle outside the station is still locked in place. Two seasons of rain have gathered in its basket; even the sweepers leave it room. A clear soprano, fingerpicked guitar, mandolin and dobro turn an abandoned object into a patient act of waiting. When the wind touches its bell, someone seems to answer.Full recording & story ↗
  19. 19
    The Empty ShoreA departing boat, a mother who waits through forty winters and a lamp turned toward the shore. Mandarin storytelling unfolds through the free breath of Irish sean-nós-inspired singing: ornamented long notes, plain pauses and an almost unaccompanied voice. Waiting needs no recurring chorus; it asks for one breath held to the end.Full recording & story ↗
  20. 20
    The Rain on the Tiles Has StoppedAfter the rain stops, the eaves still drip. The bridge and willow remain; the person expected on the bridge does not. Long erhu lines, soft bamboo-flute replies and sparse pipa figures surround an intimate female alto. A broken umbrella behind the door keeps a memory that outlasts the weather.Full recording & story ↗
  21. 21
    This River Has Never ChangedRain-soaked mud on a stone lane, hot water added to cold tea and white magnolias sold at the alley entrance: thirty years of waiting live in small routines rather than grand declarations. Guzheng and erhu open the song; bamboo flute answers the clear lead voice. “Come back” returns again and again to the bank of an unchanged river.Full recording & story ↗
  22. 22
    Somebody Else Is UpA few windows are still lit. The bakery starts before dawn; the night bus keeps making its round. Strangers remain awake in separate rooms, yet the refrain offers quiet company: you are not doing this alone. Fingerpicked guitar, upright bass, organ and brushed drums hold a male–female duet, turning the sleepless city into a warm, unforced harmony.Full recording & story ↗
  23. 23
    The Ladder Is Her OwnShe turns eighty-one in April and still takes her own ladder out to wash the windows, slowly. Someone once offered to do the top; after he left, she did it all again. This compact, complete ballad locates dignity in an ordinary task she has never put down. Fingerpicked nylon guitar and sparse cello leave room for a steady, gently worn female voice.Full recording & story ↗
  24. 24
    More Than Loving You · Mandarin editionFreckles, the corners of a smile, the endearing way someone gets a serious sentence wrong: this Mandarin love song gathers affection from everyday details rather than distant vows. A bright, finely ornamented female folk voice rests on nylon guitar, guzheng, warm strings and brushed drums. The refrain keeps its simple promise: liking you, again and again, as we grow old.Full recording & story ↗
  25. 25
    Anna Maria, Don’t Cry · Morna“Your happiness is my happiness.” The simple promise of staying beside someone finds an ocean-soft tenderness in a slow Cape Verdean morna sway. Cavaquinho, two nylon guitars and walking acoustic bass make room for sighing violin and answering clarinet. A tender female alto with a grainy low register turns consolation into a harbor where the listener can linger.Full recording & story ↗
  26. 26
    The Stars Are Close Tonight · Hawaiian slack-key editionThe magpie bridge of Qixi arrives in a seaside night. Open-tuned slack-key guitar, soft ukulele and answering lap steel bring the stars close, giving a long-awaited meeting an easy, unhurried sway. A warm Mandarin lead voice rises gently into falsetto at the chorus, joined by close harmony. Even the longest road can become shorter through longing.Full recording & story ↗
  27. 27
    Autumn Wind, Don’t Grieve for Me · Rock balladWind at a familiar street corner carries promises that could not be kept. Clean guitar begins with restrained recollection; distorted twin guitars, live drums and strings gradually lift a high tenor into a broad rock climax. The complete six-minute unfolding leaves room for devotion, trembling and silence—and for the realization that letting go can also be tenderness.Full recording & story ↗
  28. 28
    Eternal Summer · Lute-and-harp editionWind can strip the flowers of May, and summer has its brief lease; the beloved in a poem can remain bright through each new singing. Lute, Celtic harp, warm strings and soft piano give the opening question—how to compare you to summer—a spacious evening setting. Mandarin verses unfold in a solo voice, with brief English closing lines answering across languages.Full recording & story ↗
  29. 29
    Moon Road of Tea and Horses · Celtic folk editionHorse bells fall into moonlight, and tea fragrance travels along a mountain road. A traveller passes an old post station to hear a voice brighten the night beside a village. Harp, low whistle and fingerpicked guitar surround a clear female lead, while soft fiddle and strings leave room to breathe. A gentle six-beat sway lets longing linger like tea and gives the journey home its own time.Full recording & story ↗
  30. 30
    Under the Nanzhao Moon · Southwestern theatre editionWind from Erhai brushes white walls and gray roofs. Old-town lamps awaken, a silver bracelet rings, and a distant place begins to feel like home. Sighing erhu, light pipa, guzheng and bamboo flute support a clear female voice, bringing southwestern folk colors into contact with Chinese-opera ornament. Unhurried phrase endings, an interlude and a lingering outro keep a backward glance and a stone street alive in song.Full recording & story ↗
  31. 31
    The White Sail Goes On · Celtic folk editionA white sail passes through dusk without looking back, but the harbor steps remember two people’s silence. “Don’t see me off” leaves farewell between a coat sleeve and the sea breeze; years later, streetlights still recall that final turn. A clear female voice unfolds over harp, whistle and fingerpicked guitar, with fiddle and warm strings holding the words left unsaid. The sail moves away; the song remains.Full recording & story ↗
  32. 32
    Moonlight on the Lake · Theatre edition IRipples break the moon into memories, while a pavilion waits for someone carrying an umbrella. A stone bridge, willow branches and a remembered night unfold through the open spaces of erhu, pipa and guzheng. A clear female voice brings classical ornament and unhurried phrase endings. Two distinct recordings share these lyrics in the gold album; this first edition gives the lake its own breath.Full recording & story ↗
  33. 33
    Moonlight on the Lake · Theatre edition IIAcross thousands of miles, the moon brings you back here. This second, distinct recording of the lakeside love song entrusts longing to moonlight, wind and a name written on water. Sighing erhu, light pipa and rippling guzheng accompany a female voice with classical colors. It remains beside edition I, inviting consecutive listening or a single-song loop—a familiar lyric finding life in another singing.Full recording & story ↗
  34. 34
    Songs of Innocence and NightA lamb in morning light and a tiger burning through a forest night gaze toward one another in a single song. Lines from William Blake’s The Lamb and The Tyger meet newly written refrains, carrying innocence, fear and the question of creation through a complete musical journey. Harp, fiddle, warm strings and soft choir textures bring Nordic and Celtic colors to two voices; tenderness answers flame, leaving wonder rather than a final answer.Full recording & story ↗
  35. 35
    Fireflies · Adaptation IFireflies, a lotus pond and pale moonlight turn longing into a quiet waterscape. A clear, slightly breathy female voice follows acoustic-guitar arpeggios, with piano and strings answering softly. Across the seasons, the singer keeps a first hope alive for the same returning gaze—a brief, complete ballad to hear again on the road home.Full recording & story ↗
  36. 36
    Last Rose in the GardenSummer retreats, leaving one rose in the garden, yet its fragrance keeps a light for old friends. Drawing on Thomas Moore’s The Last Rose of Summer, this English song turns solitude toward companionship through new refrains. Celtic harp, fiddle, tin whistle and warm strings surround two voices, leaving a garden where no heart need bloom alone.Full recording & story ↗
  37. 37
    April FragmentsA cup of rain, a faceless city clock and names fading on a station wall become April fragments. Modernist-poetry colors settle into a singable melody: soft piano, muted strings and gentle clarinet gather scattered memories around two voices. The song does not hurry to mend every crack; a warm voice simply crosses the city night toward dawn.Full recording & story ↗
  38. 38
    Palm Wine Moon · IThe market closes, but lanterns still shine. Bright highlife guitar, warm bass and soft percussion meet a Bollywood-inflected duet, giving the road home a gentle dancing pulse. Palm wine, red dust and firefly skies become intimate memories: every little rhythm turns back to you.Full recording & story ↗
  39. 39
    Palm Wine Moon · IIThe same moonlit courtyard opens into another independent performance. Highlife guitar and restrained polyrhythms stay close to the love song, leaving room for voices and melody to breathe. Beyond the night scenery lies a quiet promise: however many people sing in the town, one familiar face can still be found beneath the firefly skies.Full recording & story ↗
  40. 40
    When You Are Old · Fireside Poetry DuetFirelight, an old book and stars overhead bring W. B. Yeats’s When You Are Old into a quiet evening. Celtic harp, soft piano, warm strings and low whistle surround a duet, weaving the poem through a new Pilgrim Soul refrain. Beauty changes with time; the song remembers the sorrows of a changing face, and the soul travelling through a lifetime.Full recording & story ↗
  41. 41
    Low Voice 2 · Cover EditionAn empty street, a coat sleeve and an unspoken goodbye bring regret close. Acoustic-guitar arpeggios and piano answer an intimate male voice, letting each refrain rise gently without turning farewell into a demand. After memories and changing seasons, the song leaves a thank-you for a love that once moved the heart.Full recording & story ↗
  42. 42
    The World Is Too Much · Gold EditionWordsworth’s lament over worldly noise turns toward waves, moonlight and a listening soul. New English lyrics make a morning not for sale and a quieter music into returning refrains. Celtic harp, soft tabla, bansuri and warm strings surround a duet: the world may be crowded, but sea wind still leaves the heart a path.Full recording & story ↗
  43. 43
    A White Sail Passes through Dusk · Mary Gold EditionThe sail does not look back, but the harbor steps remember two people’s silence. Mary’s warm lower register meets tin whistle, fiddle, cello and acoustic guitar, setting farewell in a misty harbor at dusk. A spacious introduction and interlude let the sea breeze pass slowly. Years later, streetlights still recall a tender turning-away: the sail has gone, but the song remains.Full recording & story ↗
  44. 44
    The Little Shop by the River · Gold EditionThe shopkeeper has changed, but the wind chime has not: one soft ring brings youthful wishes back. Sitar, tabla and bansuri open a slow river beneath a duet, whose voices answer through old windows, sweet soup and a cup of tea not yet cold. Love cannot always sail home, but a shore can keep its memory. Spacious instrumental passages lead toward a lamp that stays lit until dawn.Full recording & story ↗
  45. 45
    Olympic Night of Nations · Lingwan Gold EditionOne flame, many voices: Lingwan joins Esperanto, English, Mandarin and Spanish in a gentle song of nations. Piano, soft strings, flute and restrained ceremonial drums make an opening night feel both spacious and close. Before medals, the lyrics see the people behind the flags: travelers, different mother tongues and hearts willing to listen beneath one sky. A childlike chorus gently lifts the final hope.Full recording & story ↗
  46. 46
    Vain Longing · Lingwan Gold EditionA flower from an immortal garden and jade in the mortal world meet in English song. A moon in water and a flower in a mirror cannot hold a love destined to dissolve. Lingwan’s delicate voice joins piano, guzheng, xiao and soft strings, carrying sighs at an autumn window and tears through the seasons. The refrain asks how much sorrow one heart can bear. The lamp remembers, the curtain listens, and the Red Chamber keeps singing.Full recording & story ↗
  47. 47
    Lantern Search · Lingwan Gold EditionThe east wind opens trees of light and stars fall like rain: Xin Qiji’s Lantern Festival moves from splendor toward a quiet turn. Lingwan sings the original Chinese ci, then answers in English through lanterns, passing faces and a search. “Suddenly I knew” meets the Chinese refrain in one melody. Piano, guzheng, xiao and soft strings let the crowds recede. The person sought waits not in the loudest brightness, but at the fading edge of the lights.Full recording & story ↗
  48. 48
    Moon over the Mountain Road · Long Gold EditionThe moon crosses a mountain road, silver ornaments ring, and a bamboo house keeps a traveler’s longing close to home. Hulusi, bansuri, sitar and gentle tabla meet an ornamented female voice, bringing the moonlight of the Lancang and the Ganges into the same song. More than six unhurried minutes give flute and strings room to linger: part southern homeland, part memory, with love singing beyond the mountains.Full recording & story ↗
  49. 49
    The Wolf Really Came (live)“It is only a rumor” and “it will never happen” meet a blunt reply: look again. Distorted guitars, heavy drums and three-part voices pull screens, office towers, code and driverless wheels into one rock soundscape. The refrain is short and forceful: the future kicks the door in, without knocking or waiting. A lowered bridge opens into rising final chants. This is @liwei’s Mandarin rock response to technological upheaval, answering its English companion.Full recording & story ↗
  50. 50
    Fireflies Keep You Company · Lingwan Gold EditionFireflies, a lotus pond and an open window make a summer night feel clear and gentle. Lingwan moves with acoustic guitar, piano and glockenspiel, while soft strings add a little moonlight to each ending. The seasons pass through the water, but longing still waits for an answer. Rather than a dramatic leap, the song offers a small melodic light for the road home.Full recording & story ↗
  51. 51
    The Old Cinema’s Last Screening · Lin JuyiThe lovers finally united on screen illuminate a departure outside it. Lin Juyi’s distinctive low mezzo voice turns Cantonese words for staying, leaving and rewinding into a night reluctant to end. Piano, cello, muted trumpet and a faint projector texture give the old cinema its own breath. The ticket remains in a pocket as the credits rise; an unspoken name still longs to light the room.Full recording & story ↗
  52. 52
    The Alley Lamp Still Burns · Male SlowRain brightens a stone alley; an umbrella, white walls, a wooden doorway and an old radio make a small town audible at night. Male Slow’s warm bass voice does not hurry after the passing figure. It lets a simple wish linger: if the lane were long enough, walk together until morning. When the rain stops, moonlight climbs the wall and lanterns come on, one by one. One light remains for a backward glance.Full recording & story ↗
  53. 53
    Eternal Summer · Duet Gold Edition“Shall I compare thee to a summer’s day?” enters a tender duet through Chinese verse and a brief English response. Renaissance lute, Celtic harp, piano and warm strings bring May flowers, a fleeting season and lasting love into the same evening. The closing answer makes the poem’s promise singable: a life carried onward by words and memory. This distinct recording takes its place beside the other Eternal Summer editions.Full recording & story ↗
  54. 54
    Go Ahead, I’ll Turn Out the LightChairs are stacked on tables; cups leave rings, and two places still hold the shape of an evening. “Go ahead, I’ll turn out the light” is not a grand farewell, but a quiet offer to look after what remains. A close, low voice sways in six-eight time among sparse piano, low strings and brushed drums. When the accompaniment falls away and the door closes, the person who stayed can finally go home too.Full recording & story ↗
  55. 55
    Born for YouA name is written across a heart; mornings, breath and prayers gather around one love. Born for You places Chinese love lyrics inside a South Asian romantic duet, where supple melodic turns meet a bright rhythmic pulse. Its center is not a grand declaration but the simple discovery of a home in another person’s heart. Desire and belonging return together each time the refrain comes around.Full recording & story ↗
  56. 56
    The Angel in WhiteBefore the corridor is lit, she has already opened its first window. Set in Beijing in the 1990s, the song follows a caregiver who remembers the names in each room, restores calm in moments of fear and stays awake through the night. Warm solo piano grows into a gospel-pop choir, with strings and layered voices lifting duty and compassion. The miracle is not something that falls from the sky: it is someone who keeps showing up.Full recording & story ↗
  57. 57
    Wind from AfarWind loosens a ribbon; a vast crowd leads two people into the same embrace. Wind from Afar sings a gentle meeting in Chinese, with a close, warm alto resting on a soft tabla pulse and a harmonium drone. The brief refrain does not hurry to explain a lifetime. It returns instead to a future glimpsed in someone’s eyes, letting moonlight, waiting and “don’t go away” linger in delicate Indian folk colors.Full recording & story ↗
  58. 58
    The Lamp at the Alley · Extended Edition 2Dusk crosses an old wall, and one amber lamp holds a memory of a shoulder and words never spoken. Stone paving, a weathered house number and fallen blossoms make home a place where someone keeps the light on. This extended edition gives the return more time: after distant journeys and countless windows, the lamp at the old alley still shines differently. “The light is on; I’m still waiting” leaves a homeward path open in the wind.Full recording & story ↗
  59. 59
    Golden Coast · Gold Edition 4bA sky too blue, a sea like a dream, waves writing the words left unsaid: the horizon opens, yet the song returns to one person’s eyes and silhouette. Edition 4b brings orchestral breadth to sunrise, rain-washed sand and an afternoon breeze. The world’s vast scenery cannot quite displace a small, persistent memory. However many coastlines lie ahead, one meeting still changes the light on the water.Full recording & story ↗
  60. 60
    The Way HomeAs moonlight grows brighter, a bowl of hot soup, a mother’s smile and old photographs return to mind. The Way Home makes family love something small enough to touch: a lamp that stays on wherever life takes us. A soft female voice rests among sparse guitar and warm strings, singing quietly of the storms someone else helped us weather. Years turn like pages, but the way home remains in the breath, welcomed by a familiar scent.Full recording & story ↗
  61. 61
    Passing Through 2 · Country Female EditionA small town at dusk, someone lingering by a wooden door, a road pointing north: a brief song holds the quietest stop on a journey. Banjo and acoustic guitar do not hurry the traveler; a low female voice tells the story as if from a porch. “What do we leave in the places we pass?” gathers earth, conversation and an old tune into one question. The scenery moves on, but the song keeps singing inside us.Full recording & story ↗
  62. 62
    A Beautiful MeetingA meeting in morning light turns an empty street into a road worth coming home along. From stars in a pair of eyes to hot tea on a rainy day and a familiar tune, this ballad finds love in ordinary details. Its tender center is simple: wherever you are feels like home. Companionship becomes a quiet place within a noisy world, a light that stays close as spring gives way to autumn.Full recording & story ↗
  63. 63
    Depths and ShallowsDepths and shallows, closeness and distance: repeating words ripple across the surface of an unsettled heart. Clean electric-guitar arpeggios and soft strings hold a gentle female voice, with no drums to hurry it. Words drift away in the wind and a shadow thins beneath the moon. At time’s landing place, waiting yields only mist; a lamp still keeps watch over a promise left unfinished.Full recording & story ↗
  64. 64
    Slow Song · Dizi EditionLi Qingzhao’s searching words emerge slowly between acoustic-guitar chords. A dizi answers a gentle female voice, while brushed drums and bass give the Song-dynasty poem a soft contemporary pulse. Evening wind, familiar geese, yellow flowers and rain on the parasol tree draw dusk toward the window. Grief carries its weight through sustained notes and pauses, leaving the melody hanging like rain that has not quite ended.Full recording & story ↗
  65. 65
    Together Through CaptivityThe path leads south and the wind of home falls behind, but two voices keep turning toward each other. This very slow duet makes refusing to let go a weighty act of waiting. Alternating verses meet in a shared chorus; low registers carry “I do not regret it; I will not turn back” without shouting. Love and freedom, homecoming and fate question one another inside the close-held melody.Full recording & story ↗
  66. 66
    Evening Breeze over the BridgeOars are put away, lamplight sways on the water, and an evening breeze turns a small bridge into a doorway to longing. A delicate Yue-opera-inspired voice meets guzheng and bowed strings, with no drums to hurry the words. Mossy steps, embroidery by lamplight and a willow at the bridge arrive slowly. “If longing were a bridge, I would come every day” lets a thought drift outward and rest beneath the moon.Full recording & story ↗
  67. 67
    A Light for YouRather than promising the whole world, this song leaves a little light in a long night. A warm low male voice stays close to the piano, with soft female harmony answering from a distance. Without drums, gratitude and companionship unfold slowly. Walking together through mountains and rivers becomes both a love song and a quiet promise. The ending lets farewell travel on the wind while leaving the loved one courage to go forward.Full recording & story ↗
  68. 68
    Moon over Misty WatersThis extended solo does not hurry toward a chorus: each phrase ending becomes somewhere to linger. A delicate Yue-opera-inspired voice unfolds beside sparse bowed strings, pipa and guzheng, without drums or layered vocals. Misty water and moonlight become room for the melody to breathe. One phrase reaches outward, another turns home, bringing theatrical delicacy close to the intimacy of a slow song.Full recording & story ↗
  69. 69
    Until Forever“Let me stay beside you one more day” turns forever into loving a little more each day. Acoustic guitar arpeggios and warm bass hold a male-female duet, bringing hymn-like devotion into an intimate folk ballad. Gratitude and forgiveness pass between the alternating voices before they meet in a promise of companionship beneath the stars. A simple wish to stay grows deeper without a loud declaration.Full recording & story ↗
  70. 70
    The Paper UmbrellaA paper umbrella, wet stone and lilac stretch a rainy encounter across more than seven minutes. Sung passages from Dai Wangshu’s Rainy Alley open into new verses about the memory that remains after someone has gone. The melody makes room for the poem’s recurring images before the lilac refrain slowly blossoms. Rather than rushing away from sadness, the song stays in the rain and walks a little farther beside an old dream.Full recording & story ↗
  71. 71
    Rainy Alley LightsAnother rainy alley, but this time its lamps are warm. Rain brightens a white wall, supper drifts through a wooden doorway, and an old radio brings the past gently back. Plucked strings and a clear voice follow a flowered umbrella at an unhurried pace. When the moon climbs the wall, someone is waiting where she turns to look. This little folk song feels like a lamp left on at the end of the journey home.Full recording & story ↗
  72. 72
    Moon over the LakeA ripple breaks the moon into memories. A lakeside pavilion, a stone bridge and willows in the rain still remember two people who once watched the moon together. A graceful Yue-opera solo lets each question linger over the water, accompanied by sparse erhu, gentle pipa and guzheng. A name written in the lake drifts toward someone far away. When the wind finally brings a familiar voice, distance gives way to reunion: the full moon becomes a promise of coming home.Full recording & story ↗
  73. 73
    Qixi · The Stars Are CloseTonight the stars are close: the distant Qixi legend returns to an ordinary evening when two people finally meet. After a long journey through the crowd, missed rains find an echo and a window light reaches years of loneliness. This love ballad does not rush to turn romance into a miracle. Its bridge across the Milky Way becomes the patient walk toward another person, and eternity becomes a willingness to share everyday life. Whatever weather tomorrow brings, companionship offers a way home.Full recording & story ↗
  74. 74
    Always Remembering MotherLamplight over a mended sleeve and steam from supper on a window are the ordinary things a child once thought would never end. Luggage, distance and a hospital corridor later turn the plea for mother to stay into words that cannot be finished. This slow song moves gently through memory. It does not resolve loss with an easy farewell; it learns to live in a world without her while carrying her words forward. Pain remains, alongside a tenderness that time cannot take away.Full recording & story ↗
  75. 75
    Rain on the Plane-Tree Road · LingwanAfter the rain, a plane-tree road shines with water. Ink scents the school gate, and someone beneath a blue umbrella softly calls your name. Lingwan’s delicate voice brings guitar, piano, light strings and flute into an atmosphere of 1980s school memories. A small lamp at the gatehouse, newspapers on the window and an essay called My Dream belong to a time when the future was still a blurred horizon. Years later, rain against a window brings that road back, and youth brightens again in the sound of a name.Full recording & story ↗
  76. 76
    Moon over the Old Trade RoadCamel bells, sand and a lamp beneath a city gate set longing along a long road. Colours of oud, santur, ney flute and frame drum open a wider night sky around a Chinese ballad. A spacious introduction and instrumental interlude give the journey time to breathe. The lyric imagines a meeting beyond mountains and rivers, but love is not a loud declaration: it is a quiet flame, and a wish to follow the moonlight back to someone’s side.Full recording & story ↗
  77. 77
    The Light of HomeA bowl of warm soup, a mother’s smile and old photographs become lights that remain after leaving home. Piano and bowed strings move slowly and steadily, with occasional low cello tones making room for a restrained lead and distant harmonies. The song does not rush family affection into a grand climax. It holds home within the heart, and finds direction in the people who carried us through difficult weather.Full recording & story ↗
  78. 78
    A Tenderness That Does Not IntrudeThe last train is about to leave. A phone lights up and goes dark, while a journey never taken remains between two people. Sparse piano, reversed electric-guitar overtones and a slow bass pulse turn loss into intimate dream pop. A breathy mezzo stops asking for answers without pretending to have let go. It learns, slowly, to keep tenderness without intruding. Hazy harmonies widen the room, but farewell still rests in a message window that no longer answers.Full recording & story ↗
  79. 79
    Evening Wind over the Bridge · September Yueju EditionThe boatman puts away his oar, lamplight rocks on the water, and mossy steps and a candlelit window make the night feel gentle. Bowed fiddle, pipa and guzheng surround a solo voice. Yueju-shaped phrase endings leave room for silence and the closeness of a small theatre. This edition does not press longing for an answer: it casts a thought into the water, listens to the moon remember its own youth, and returns to a bridge that still holds the sound of laughter.Full recording & story ↗
  80. 80
    Passing Through 2 · The Right-Hand Seat (Rustic Folk Edition)At dusk in a small town, cooking smoke rises and someone by a wooden door points north: the road ends at the home you are looking for. Banjo and restrained acoustic guitar follow a slow sway, giving the idea of passing through the warmth of old wood and a nearby room. Mud beneath the feet, words once spoken and a summer that cannot return all move gently past. What remains is an old song still singing within. This distinct rendition keeps its own place beside the other Passing Through 2 editions.Full recording & story ↗
  81. 81
    Ya Layl Al-QamarA call to night and moon leads to an old doorway and a sandy road. Lingwan opens this world-folk journey with Arabic words and a quiet invitation to listen.Full recording & story ↗
  82. 82
    Ay IsigindaWind from an old road carries a name once more. In this Turkish-language song, Lingwan brings moonlight, memory and a trembling heart close together.Full recording & story ↗
  83. 83
    Dalbit GanggaeseoA voice calls from a moonlit riverbank, and the water seems to answer. Korean lyrics give Lingwan's journey a quiet place to pause and remember.Full recording & story ↗
  84. 84
    Shabe NiloufarNight settles at the window; a name trembles softly in the rain. This Persian-language world-folk song brings distance close enough for a quiet exchange.Full recording & story ↗
  85. 85
    Doi Mua NhoLight rain falls over an old river, where someone waits on the bank. Lingwan follows Vietnamese words through a rain-soaked landscape, leaving a moment of waiting in the river breeze.Full recording & story ↗
  86. 86
    Khuen Chan RakA declaration of love keeps company with streetlights still awake in the rain. Lingwan's Thai-language song leaves a little warmth at the end of this journey through moonlight and rain roads.Full recording & story ↗
  87. 87
    Moonlight Before My BedMoonlight and homesickness cross languages in an English-sung encounter with Tang poetry.Full recording & story ↗
  88. 88
    A Return in the Night RainA complete 3:54 original Mandarin slow song and on-site film about an old city, return and change.Full recording & story ↗
  89. 89
    The Stars Are NearA complete 3:20 Mandarin × Esperanto Qixi song and on-site film with its pending language-review status kept visible.Full recording & story ↗
  90. 90
    Le Vent Nous RamèneA complete 4:29 French-language cinematic ballad and on-site film of sea wind, rain-lit streets and return, with language review visibly pending.Full recording & story ↗
  91. 91
    La pluie près de toiBreathy Female brings Mandarin and French into a close-mic Paris night across a complete 2:37 song and source-native lyric film, with the language-review boundary kept visible.Full recording & story ↗
  92. 92
    A Soul RebornLin Juyi carries a complete 4:58 dark-romantic Qixi ballad in a deep androgynous register, with the version split between its title and sung refrain documented in public.Full recording & story ↗
  93. 93
    The Stars Are Near · ForeverForever Female turns Qixi starlight into enduring companionship and wedding vows across a complete 4:33 01K version and source-native lyric film.Full recording & story ↗
  94. 94
    Rainforest Night SongBajiao brings southwest rainforest imagination into a careful collision with South Asian cinematic melody across a complete 5:03 work and source-native lyric film, with living-community boundaries intact.Full recording & story ↗
  95. 95
    The Nameless · On the RoadMary spends a complete 4:03 beside night drivers, late shifts, factory lights and people missing home—the first fully verified on-site master from the Four-Lead Suites.Full recording & story ↗
  96. 96
    Lights of the Human World · The First LampAcross a complete 4:04, Lingwan turns an opened window, a warm meal, an old photograph and helping hands into shared light—the second fully verified on-site Four-Lead Suite chapter.Full recording & story ↗
  97. 97
    The Stars Are Near · Mediterranean Moon BridgeAcross a complete 4:47, Mediterranean Male carries a Mandarin Qixi bridge motif to a moonlit harbour while separating disclosed Arab-Andalusian colour from claims about living tradition.Full recording & story ↗
  98. 98
    The South Wind Knows My HeartAcross a complete 4:12, Dai Amei sings twenty-six lines from Xizhou Qu with a disclosed contemporary refrain, preserving the boundaries among original poem, adaptation and virtual voice.Full recording & story ↗
  99. 99
    Moon over the MekongAcross a complete 4:08, Dai Amei turns the Lancang–Mekong into a moonlit letter while keeping the Mandarin centre, one Lao greeting and regional-colour boundaries visible.Full recording & story ↗
  100. 100
    Moonlit Bamboo HouseAcross a complete 5:00, Dai Amei gathers stilt house, peacock and hulusi around one waiting lamp while keeping real cultural roots distinct from the contemporary AI-assisted song.Full recording & story ↗
  101. 101
    Rainy Night Tavern · Breathy FemaleAcross a complete 3:49, Breathy Female sings a restrained two-person reunion—the exact 01C work and first complete doorway into a one-song / four-voice benchmark.Full recording & story ↗
  102. 102
    Incense from the Jade Burner · LingwanHear Lingwan's Incense from the Jade Burner, 01D: red candle, wutong rain and a long night in a delicate setting of Wen Tingyun, with a complete lyric film.Full recording & story ↗
  103. 103
    Could Jiangnan Ever Be Forgotten? · Dai AmeiAcross a complete 3:24, Dai Amei opens Classical Waterside II with all fifteen lines of Bai Juyi's three lyrics, repetitions, two textual-variant loci, a contemporary refrain and the film's stale flag kept distinct.Full recording & story ↗
  104. 104
    The Last Row Is Singing Too · LingwanAcross a complete 4:20, Lingwan carries schoolyard wind, rain on a desk and a paper plane into a crowd chorus, with the public Persona, two-version catalogue record, complete media and progressing captions all evidenced at work level.Full recording & story ↗
  105. 105
    Sing the Wound into Light · MaryAcross a complete 4:28, Mary's warm mezzo grounds a wheatfield at dusk, figures disappearing into rain and a lamp toward home before a gospel-like choir answers; the public Persona, two-version catalogue record, complete media and progressing captions are evidenced at work level.Full recording & story ↗
  106. 106
    The Stars Are Near · Cyber Choir FinaleAcross a complete 4:50, Cyber's clear tenor carries one Qixi love melody into a bright choir finale. The public 01D B label, original Qixi cover root, complete media and progressing captions are evidenced at work level; the source has no Persona field.Full recording & story ↗
  107. 107
    The Final DialogueAcross a complete 5:03, Cinematic Female carries an old platform, sea, afterglow and city lamps through Mandarin verses before the English chorus crosses wind, rain and end credits. The public Persona, v5.5 source, complete media and progressing captions are evidenced at work level.Full recording & story ↗
  108. 108
    Lights of the Human World · After DaybreakAcross a complete 3:58, Cyber Tenor carries a storm-marked town, dreams still needing to be held and household lights from one voice into a collective 02D finale. The exact Suno work, v5.5 source, complete media, conflicting Persona fields and progressing captions are evidenced at work level.Full recording & story ↗
  109. 109
    Café under the Near StarsAcross a complete 3:44, Mary brings Mandarin, French and one English couplet beside rain, coffee, accordion and cello. Source notes define this 02A work as a new life for the Qixi hook, not a cover.Full recording & story ↗
  110. 110
    Meeting at NightAcross a complete 3:45, Bollywood Male sings both Browning stanzas before clearly marked new intro, refrain, bridge and outro turn grey sea, yellow moon, sand and matchlight into one night journey.Full recording & story ↗
  111. 111
    The Stars Are Near · Lin JuyiAcross a complete 4:52, Lin Juyi brings the Milky Way, magpie bridge and Qixi from legend into ordinary companionship while the exact 03C cover relation, four-version family and source-lyric film remain visible.Full recording & story ↗
  112. 112
    The Galaxy Remains · Bollywood MaleAcross a complete 4:47, Bollywood Male carries the same full lyric and 七夕 parent as Lingwan 03B and Lin Juyi 03C, with the exact 03A cover, two-version family and three-voice comparison kept public.Full recording & story ↗
  113. 113
    The Stars Are Near · Bajiao South Asian CrossingAcross a complete 4:54, Bajiao carries the shared Qixi lyric. An entry-by-entry audit of 01A–01K and 03A–03C verifies 14 source recordings across 11 singers; 14 recordings by 11 singers now play in full on site. The exact 01I cover, public 七夕 parent, cultural boundary and roughly two-second quiet tail remain public.Full recording & story ↗
  114. 114
    The Stars Are Near · Breathy NocturneAcross a complete 4:19, Breathy Female brings a close-listening Qixi performance fully public. Exact works 01A–01K and 03A–03C form a verified 14-recording / 11-singer source lineage; 14 recordings by 11 singers now play completely on site. The exact 01H cover, two-version family, Persona, no-long-silence master and abstract source-nebula film remain public.Full recording & story ↗
  115. 115
    The Stars Are Near · Widescreen End ThemeAcross a complete 4:29, Cinematic Female carries a same-lyric, same-parent Qixi ballad into piano, cello, sweeping strings and a gentle choir lift. Exact works 01A–01K and 03A–03C form a verified 14-recording / 11-singer lineage; 14 recordings by 11 singers now play completely on site. Exact 01G variant B, the two-version family, Persona root, no-long-silence master and cyanotype-like star-arc source film remain public.Full recording & story ↗
  116. 116
    The Stars Are Near · Lin Juyi Cinematic TakeAcross a complete 4:49, Lin Juyi places the lyric, 七夕 parent and Persona shared with 03C inside piano, cello, soft strings and a lamplit rain window. The verified lineage holds 11 singers across 14 recordings, with 14 takes by 11 singers now playing in full. Exact 01F B / 03C retain the only proven same-Persona A/B study.Full recording & story ↗
  117. 117
    The Stars Are Near · Male Slow Moonlit BassAcross a complete 4:59, Male Slow lowers the shared lyric and 七夕 parent into a restrained bass voice. Exact 01E B belongs to a verified lineage of 11 singers and 14 complete recordings, with 14 takes by 11 singers now playing in full. It returns no Persona object, and that boundary stays visible.Full recording & story ↗
  118. 118
    The Stars Are Near · Lingwan by the Window LampAcross a complete 4:53, Lingwan carries the shared Qixi lyric through a delicate clear voice, soft acoustic country-pop, campus nostalgia and a misted window lamp. Exact 01C B belongs to the verified 11-singer / 14-recording lineage, with 14 takes by 11 singers now playing in full. It matches 03B in singer attribution, lyric and 七夕 parent, but exact 01C has no Persona object, so the archive does not call it a proven same-Persona A/B.Full recording & story ↗
  119. 119
    The Stars Are Near · Mary's Country-Pop WarmthAcross a complete 4:50, Mary carries the shared Qixi lyric through warm mezzo, acoustic guitar, cello, soft strings and country-pop tenderness. Exact 01B Mary-country B belongs to the verified 11-singer / 14-recording lineage; 14 takes by 11 singers now play in full. The work returns no Persona object, so no ID is borrowed from Mary's other works.Full recording & story ↗
  120. 120
    The Stars Are Near · Bollywood Duet BridgeAcross a complete 4:55, Bollywood Male carries the shared Qixi lyric through a source-tagged Bollywood duet, gentle strings and a lilac night bridge. Exact 01A completes the public verified lineage at 14 recordings by 11 singers. It shares catalogue singer attribution, lyric and parent with 03A, but 01A has no Persona or second-singer field, so the archive claims neither a same-Persona A/B nor an invented partner.Full recording & story ↗
  121. 121
    Across the Water · JianjiaAcross a complete 4:28, Dai Amei sings all three stanzas of the Book of Songs poem Jianjia while keeping the classical text distinct from a new intro, two contemporary refrains and an outro. Hulusi, bamboo flute and Dai colour are source arrangement cues, not claims to represent a living community.Full recording & story ↗
  122. 122
    Lotus Songs at Southern PondAcross a complete 4:14, Dai Amei joins Wang Changling's four-line Lotus-Picking Song to Li Bai's eight-line poem of the same title. The repeated ancient couplet, two textual-variant loci and new refrains remain visibly distinct.Full recording & story ↗
  123. 123
    Bamboo House AntiphonAcross a complete 4:08, Dai Amei carries a contemporary call-and-response original through bamboo-house lamplight, waiting across water and a homeward path. The source labels female, male and shared parts, while the catalogue and public Persona register Dai Amei alone; no second virtual singer is invented.Full recording & story ↗
  124. 124
    Silver Jewelry and the Ganges MoonAcross a complete 4:22, Bajiao carries two moons—one over a bamboo house, one over the Ganges—through a contemporary ballad. The 34-line Chinese lyric/caption payload, public Persona, two-version family and complete media are verified; southwest and South Asian tags remain composition cues, not living-tradition claims.Full recording & story ↗
  125. 125
    Moon over the Mountain RoadAcross a complete 5:38, Bajiao turns departure, an old settlement, bamboo house, city crowds and one backward glance into a road-loop ballad. The 33-line Chinese lyric, public Persona, two-version family and complete media are verified; southwest and South Asian tags remain composition cues.Full recording & story ↗
  126. 126
    Lights of the Human World · Waiting for You to Come HomeAcross a complete 4:39, Mary carries food warming on the stove, moonlight at the door, a road of mud and frost and one lamp finding another through Lights of the Human World 02B. Twenty-seven contemporary lines, a public Mary-country Persona, a two-version family and complete media are verified; healing and homecoming are not presented as disaster documentation.Full recording & story ↗
  127. 127
    The Same Beam of Light · StormAcross a complete 4:43, Lin Juyi carries a night road, a small fire in the chest, iron gates and high walls toward “the same beam of light” in The Same Beam of Light 01C. Twenty-seven contemporary original lines, an embedded public Persona, a two-version family and complete media are verified; storm, city and crowd remain creative metaphors rather than claims of a real disaster, rally, political event or field recording.Full recording & story ↗
  128. 128
    The Same Beam of Light · Long RoadAcross a complete 4:28, Mary carries headlights, a lit window, wheat at dusk, an old letter and “the same beam of light” through The Same Beam of Light 01B. Twenty-eight contemporary original lines, an embedded public Mary-country Persona, a public voice root, a two-version family and complete media are verified; the road, homecoming and healing remain creative images rather than folklore, personal testimony or field recording.Full recording & story ↗
  129. 129
    Rainy Night Tavern · Cinematic FemaleAcross a complete 3:49, Cinematic Female carries the same twenty-five reunion lines as Breathy Female 01C into a wider yet restrained 01B ballad. The exact work, public Persona and voice root, four-work / eight-version benchmark, complete media and has_vocal conflict are verified; cinematic scale is not presented as a human performer, studio or real tavern.Full recording & story ↗
  130. 130
    Rainy Night Tavern · Forever FemaleAcross a complete 3:38, Forever Female carries the same twenty-five reunion lines as 01B and 01C into a steadier 01A voice. The exact work, public Persona and voice root, four-work / eight-version benchmark, complete media, Persona-ID 404 and has_vocal conflict are verified. “Forever” is a virtual-singer character scale—not a real marriage, documented café or biographical testimony.Full recording & story ↗
  131. 131
    Ten Thousand Voices beneath the Stars · Lin JuyiAcross a complete 3:54, Lin Juyi moves from one person's weather into the answer of the final row. Thirty-six distinct original lines, two same-title generations, the exact 02C work, complete media and conflicting Persona-status fields are documented. It shares one starry hook with The Stars Are Near but does not join that verified 14-take same-lyric suite.Full recording & story ↗
  132. 132
    Magpie Bridge Air · LingwanAcross a complete 3:36, Lingwan turns moonlight, embroidery thread, water sleeves and the Magpie Bridge into a contemporary Qixi sister song. Twenty-eight original lines, two same-millisecond same-title generations, exact 02B work, Lingwan Persona voice root, complete media and source-film caption defects are documented. Huangmei- and Yue-opera references are generation cues—not a traditional repertory, classical-poem or live-opera claim.Full recording & story ↗
  133. 133
    Gold Flickers over Painted Hills · LingwanAcross a complete 3:15, Lingwan sings all eight lines of Wen Tingyun's Pusa Man while the four-line contemporary refrain, repetitions and mixed-script source captions remain separately identified. Exact 01C Suno work, two-version catalogue boundary, public Persona, complete media and mirror film are documented; Late-Tang palace-ballad, pipa and guqin language remains a generation brief rather than an ancient-score or human-performance claim.Full recording & story ↗
  134. 134
    Great Master of Fate · Dark Clouds at Heaven's GateAcross a complete 2:44, Dai Amei sings nine of fourteen couplet-lines—eighteen clauses—from Qu Yuan's Da Siming, with four contemporary intro/refrain lines and five omitted couplets separately identified. The exact Suno work, two-version catalogue boundary with only one verifiable ID, embedded public Persona, voice root, complete media and rain-cloud stone-gate source-lyric film are documented. Hulusi and Dai-voice language remain contemporary cross-cultural generation cues—not a Chu rite, real heritage-site or living Dai-tradition claim.Full recording & story ↗
  135. 135
    Mountain Spirit · A Spirit Dwells in the MountainAcross a complete 3:34, Dai Amei sings twelve of twenty-seven received clauses from Mountain Spirit; three source clauses repeat and seven recomposed or contemporary lines remain explicit. The exact Suno work has a blank source title while the catalogue registers two versions as 山鬼 inside 楚辞神话祭歌. The public Persona, voice root, complete media and forest-rain source-lyric film are documented. The female voice is not treated as proof of the spirit's identity or gender, and Dai-voice language is not a Chu-rite or living-tradition claim.Full recording & story ↗
  136. 136
    After New Rain in the Empty MountainsAcross a complete 3:27, Dai Amei sings all eight lines of Wang Wei's Autumn Evening in the Mountains, while five verbatim reprises and nine recomposed or contemporary lines remain explicitly separate. The exact Suno work, public Persona, independently readable voice root, complete MP3, full source-lyric film and painted post-rain stream artwork are evidenced. “Dai folk colour” remains a contemporary design cue—not a Tang score, human performance or living-tradition claim.Full recording & story ↗
  137. 137
    Sun and Rain in a Bamboo-Branch SongAcross a complete 2:48, Dai Amei resets the first of Liu Yuxi's Two Bamboo-Branch Lyrics: three source lines remain verbatim, 唱歌聲 becomes 踏歌聲 in the second, and nine recomposed or contemporary lines stay explicit. The exact Suno work, public Persona and voice root, complete MP3, full source-lyric film and painted waterside artwork are evidenced. “Dai ethnic female voice” remains a contemporary cross-cultural cue—not a Tang score, Bayu folk reconstruction, human performance or living Dai tradition.Full recording & story ↗
  138. 138
    Moon over Mount EmeiAcross a complete 3:32, Dai Amei resets Li Bai's Moon over Mount Emei: all four poem lines remain across eight exact performed positions, while ten recomposed or contemporary positions stay explicit. The exact Suno work, public Persona and voice root, complete MP3, full two-panel source-lyric film and media hashes are evidenced. Dai folk voice, hulusi, bamboo flute and guqin remain contemporary cross-cultural cues—not a Tang score, human performance, Emei folk tradition or living Dai tradition.Full recording & story ↗
  139. 139
    One Moon over Chang’anAcross a complete 3:15, Dai Amei resets Li Bai’s Autumn Song: all six poem lines appear across eight exact positions, while twelve recomposed or contemporary positions remain separately accounted. The exact Suno work, public Persona and voice root, complete MP3, full source-lyric film and media hashes are evidenced. Tang Chang’an, the Jade Gate, Dai folk colour and instrument cues remain contemporary cross-cultural direction. The black-and-white source artwork mistakes clothes-beating for a mortar and pestle; that AI visual mistranslation is disclosed rather than presented as Tang material culture or reconstruction.Full recording & story ↗
  140. 140
    Spring River under the MoonAcross a complete 2:42, Dai Amei resets the first eight lines of Zhang Ruoxu’s Spring River, Flowers, Moon, Night. Ten exact source-line positions, one 遶 / 繞 graphic-variant position and four contemporary refrain lines remain separately accounted. The exact Suno work, public Persona and voice root, complete MP3, full source-prompt film and media hashes are evidenced. Spring river, sea moon, Dai folk voice and instrument cues remain contemporary cross-cultural direction; the crayon riverscape is not presented as Tang reality.Full recording & story ↗
  141. 141
    Clear Water RiverA complete 2:48 contemporary Mandarin original travels from commuters, city-river lights and phone-stored photographs toward an inward home. Twenty-eight performed lines, four repeated anchors, the exact Suno work, Dai Amei Persona and voice root, complete media and hashes are evidenced. The river is lyrical imagination; Dai colour and hulusi remain contemporary generation cues.Full recording & story ↗
  142. 142
    Frontier MoonA complete 3:38 joins one exact Wang Changling line, two recomposed Wang Zhihuan allusions and twenty-eight contemporary positions under the same moon. The exact Suno work, two-version catalogue family, Dai Amei Persona and voice root, complete media and hashes are evidenced. Qiang flute, hulusi, frontier and bamboo-house imagery remain contemporary cross-cultural direction—not a Tang score or living-community record.Full recording & story ↗
  143. 143
    Silver Bells to the GangesA complete 3:27 lets hulusi ask from a bamboo grove and bansuri answer in the night. Thirty contemporary lines link bells, a bamboo house, moonlight and the Ganges as imagined geography. The exact Suno work, two-version catalogue family, Dai Amei Persona and voice root, complete media and hashes are evidenced; instrument names remain generation directions—not human-performance, travel, religious, ethnographic or living-tradition claims.Full recording & story ↗
  144. 144
    Let the Moon Rest on Your ShoulderA complete 3:48 lets Breathy Female turn ‘not every passionate love must be shouted into the centre of the world’ into close-mic confession. Thirty contemporary positions, the exact Suno work, two-version catalogue family, public Persona and voice root, complete media and hashes are evidenced. Bansuri, tabla, tanpura, sitar and Hindustani ornament remain generation directions—not human-performance, travel, religious, ethnographic or living-tradition claims.Full recording & story ↗
  145. 145
    The Dim-Lit TavernA complete 3:27 lets Breathy Female turn ‘the light is not out; the song is not over’ into warmth inside a dim imagined tavern. Thirty-two contemporary positions, the exact Suno work, two-version catalogue family, public Persona and voice root, complete media and hashes are evidenced. Cabaret, accordion, upright bass, brushed snare and film noir remain generation directions—not human players, a real venue, period reconstruction or live recording.Full recording & story ↗
  146. 146
    Rain by My EarA complete 3:19 lets Breathy Female turn ‘the rain is close; so are you’ into a reunion beside the ear. Thirty-two contemporary positions, the exact Suno work, two-version catalogue family, public Persona and voice root, complete media and hashes are evidenced. Close-mic breath, piano, nylon guitar, room reverb and rain at a window remain generation directions—not human players, a real photograph, place or live recording.Full recording & story ↗
  147. 147
    Lights of the Human World · Sing the Wall OpenA complete 3:47 moves Lin Juyi from a solo before one streetlight and wall into a choir wave. Twenty-seven contemporary positions, exact 02C, public Persona and voice root, complete media and hashes are evidenced. It closes Lights of the Human World and makes The Same Beam of Light, Lights of the Human World and The Nameless fully playable across all twelve chapters. Generated ruins, city and square are not a real disaster, history or public event.Full recording & story ↗
  148. 148
    Wild Grass · Autumn NightA complete 2:19 carries Lingwan from two date trees into an uncannily high sky. Selected Lu Xun text and the contemporary ‘night so high, dream so cold’ refrain remain distinct; exact Suno work, full media, 48 kHz stereo, hashes and no-two-second-silence master are verified.Full recording & story ↗
  149. 149
    Amei Sings Late AutumnDai Amei's complete 4:16 setting carries all eight received lines of Li Qingzhao's A Twig of Plum Blossom into a contemporary waterside ballad. New refrain and variation remain distinct from the Song lyric; exact Suno work, full MP3, full vertical lyric film, media hashes and the no-two-second-silence master are verified—not a 45-second preview.Full recording & story ↗
  150. 150
    Three Verses on the Handkerchief · Lament of EmptinessA complete 3:27 keeps a restrained female voice close to Daiyu while a male echo recedes like a reply that never arrives, joining song, film and character essay. by @liwei · made with Suno.Full recording & story ↗
  151. 151
    Don't Turn Out the LightOld cinema, rain and one French phrase keep the last light on across a 3:32 breathy slow song.Full recording & story ↗
  152. 152
    From the Bamboo House to the GangesBajiao joins bamboo house, rainforest, hulusi and bansuri across a 5:38 ballad over mountains.Full recording & story ↗
  153. 153
    Moon over the Mountain PassMediterranean Male answers Li Bai's frontier moon through oud, ney and flamenco guitar across 3:14.Full recording & story ↗
  154. 154
    Thrush at Winter DuskHardy's winter dusk hears a hope without guarantee across a 4:54 English cinematic ballad.Full recording & story ↗
  155. 155
    To Strive, To SeekTennyson's resolve to strive, seek and not yield sails through a complete 4:34 cinematic sea ballad.Full recording & story ↗
  156. 156
    Oblivion · Chinese Edition3 a.m. calls, rain-lit streets and car-window dust move toward a clear departure across a complete 3:54 Mandarin urban ballad.Full recording & story ↗
  157. 157
    Autumn Window in Wind and RainDaiyu's long poem unfolds in full across 4:49 of autumn lamp, tearful candle and night-long rain.Full recording & story ↗
  158. 158
    Happy Enemies · The Zhongshan WolfYingchun's gentleness and the Zhongshan wolf's approach form a stark 3:44 character duet.Full recording & story ↗
  159. 159
    Blue Planet Window · LingwanLingwan lets Esperanto, English, Mandarin and French share one blue-planet window across a complete 2:52.Full recording & story ↗
  160. 160
    After the Flood · MaryMary turns rebuilding after a flood into relighting homes and recognising neighbours across a complete 3:26 four-language ballad.Full recording & story ↗
  161. 161
    Last Lighthouse · Bollywood MaleBollywood Male keeps watch from sea mist to the final beam across a complete 3:58 multilingual song.Full recording & story ↗
  162. 162
    Olympic Night of Nations · LingwanLingwan lets Esperanto, English, Mandarin and Spanish enter together while retaining distinct phrasing across a complete 2:59.Full recording & story ↗
  163. 163
    Moonbase Earthrise · Bollywood MaleBollywood Male looks back from the Moon toward an Earth without visible borders across a complete 4:33 four-language finale.Full recording & story ↗
  164. 164
    The Rowan Light · LingwanLingwan follows a northern rain road toward old light beside a rowan tree in a complete 3:34 English folk song.Full recording & story ↗
  165. 165
    Luna de Granada · LingwanFountain streets and a questioning guitar gather moonlight in Lingwan's complete 3:03 Spanish folk song.Full recording & story ↗
  166. 166
    Moon Lullaby · LingwanLingwan holds a moonlit river, a waiting bridge and a small bell in the wind across a complete 4:34 Japanese lullaby.Full recording & story ↗
  167. 167
    Carta do Mar · LingwanAn old Lisbon street and rain on glass entrust memory to the sea in Lingwan's complete 3:53 Portuguese folk song.Full recording & story ↗
  168. 168
    White Night · LingwanLingwan follows snow, an old bridge and one lit window across a complete 4:23 Russian romance.Full recording & story ↗
  169. 169
    Stelo Super Rivero · LingwanLingwan lets one star find someone far away across a complete 3:45 Esperanto folk song.Full recording & story ↗
  170. 170
    La Strada dei Limoni · LingwanLemon scent, a lit window and village evening write return across Lingwan's complete 3:53 Italian folk song.Full recording & story ↗
  171. 171
    Fos Sto Aigaio · LingwanA white harbour, jasmine and moonlight hold an Aegean longing across Lingwan's complete 3:06 Greek folk song.Full recording & story ↗
  172. 172
    Old Moon over Liangzhou · MaryMary brings frontier verse, Celtic fiddle and low whistle beneath one old moon across a complete 2:49 setting.Full recording & story ↗
  173. 173
    Old Train in the Rain · MaryMary waits for an old train carrying yesterday across a complete 3:50 Celtic-country ballad.Full recording & story ↗
  174. 174
    Chasing Light under the MoonMoonlight, distant mountains and drums keep moving forward across a complete 3:08 Eastern cinematic song.Full recording & story ↗
  175. 175
    The World Is Too MuchSea, moon and a quieter music cross a complete 5:25 English poetry song.Full recording & story ↗
  176. 176
    Moon over the Rainy Lane · Lin JuyiLin Juyi brings Moon over the Mountain Road into a complete 6:16 old-city rainy-lane voice edition.Full recording & story ↗
  177. 177
    Old Lamp on the Mountain Road · Male SlowMale Slow carries distance home to an old lamp across a complete 6:15 bass ballad.Full recording & story ↗
  178. 178
    Silver Bells over the Mountain Road · BajiaoBajiao carries silver bells, hulusi and moonlight along a complete 6:19 mountain-road song.Full recording & story ↗
  179. 179
    Moonlight Anthem for Many VoicesOne lamp becomes solo, response and mixed choir across a complete 4:59 choral work.Full recording & story ↗
  180. 180
    Rain on the Wutong · Male SlowRain taps the wutong leaves until dawn across a complete 3:04 Yuan-drama bass lament.Full recording & story ↗
  181. 181
    Autumn in the Han Palace · Male SlowMale Slow crosses empty palace corridors through a complete 2:51 autumn-night lament.Full recording & story ↗
  182. 182
    La Sama Stelo · LingwanLingwan carries old city, harbour and a bridge of language through a complete 3:43 Esperanto-Mandarin song.Full recording & story ↗
  183. 183
    Where the Dark Sea GlowsA moonlit harbour, old guitar and empty chair hold a complete 4:55 Mediterranean ballad.Full recording & story ↗
  184. 184
    Wild Grass · Autumn Night: Two Early Trees · LingwanLingwan turns two trees rising into the night into the first complete 3:12 movement of Autumn Night.Full recording & story ↗
  185. 185
    Wild Grass · Autumn Night: The Little Pink Flower · MaryMary carries the little pink flower through cold stares and darkness in a complete 3:03 literary song.Full recording & story ↗
  186. 186
    Wild Grass · Autumn Night: Night Sky and Dark Birds · Male SlowMale Slow gives the strange sky and dark birds their weight across a complete 3:03 bass song.Full recording & story ↗
  187. 187
    Wild Grass · Autumn Night: In Memory of the Heroes · Male SlowThe closing image of Autumn Night settles into a quiet complete 3:23 bass memorial.Full recording & story ↗
  188. 188
    Float · Chinese VersionWeightlessness and searching cross a city at night in a complete 2:47 Chinese electronic relationship song.Full recording & story ↗
  189. 189
    Silver Bells through the Rainforest · BajiaoRainforest light and silver-bell echoes travel through a complete 5:37 Bajiao ballad.Full recording & story ↗
  190. 190
    Night Boat on the Lancang River · BajiaoBlack water, a boat light and an echo on shore cross a complete 4:36 Bajiao river-night song.Full recording & story ↗
  191. 191
    The Old Umbrella at the Flower Market · BajiaoA flower market after rain and closing streetlights leave an old umbrella inside a complete 4:43 Bajiao city-folk song.Full recording & story ↗
  192. 192
    Moon Road of Tea and Horses · BajiaoA moonlit ridge, tea fragrance and horse bells move through a complete 5:00 Bajiao mountain-road narrative.Full recording & story ↗
  193. 193
    Homecomer at the Lantern Market · BajiaoA city of lanterns and one doorway light recognise each other across a complete 5:34 Bajiao homecoming ballad.Full recording & story ↗
  194. 194
    The Little Yunnan Train · BajiaoMountainside rails, an old station in mist and a slow train window cross a complete 4:47 Bajiao travel-folk song.Full recording & story ↗
  195. 195
    The Distant Hills Bring You Home · MaryDistant hills, dusk and the road home unfold across a complete 3:57 Mary folk song.Full recording & story ↗
  196. 196
    Fishing Lights through the Rainy Night · MaryRain-dark sea, fishing lights and a homeward course cross a complete 4:13 Mary harbour-night song.Full recording & story ↗
  197. 197
    A White Sail Passes through Dusk · MaryOne white sail and the last light pass through a complete 4:09 Mary coastal folk song.Full recording & story ↗
  198. 198
    Moon beside the Stone House · MaryA stone house, doorway moonlight and sea wind settle into a complete 3:54 Mary moonlit folk song.Full recording & story ↗
  199. 199
    Road after Rain · MaryA rain-washed road, wheat-field moonlight and an old filling station unfold across a complete 3:33 Mary country-folk ballad.Full recording & story ↗
  200. 200
    An Old Letter by the Ganges · MaryAn old letter returns through Ganges moonlight across a complete 3:47 Mary cinematic ballad.Full recording & story ↗
  201. 201
    The Blue Letter · MaryBlue paper, rainy-night accordion and a grounded mezzo cross a complete 3:48 chanson-coloured ballad.Full recording & story ↗
  202. 202
    Old End Credits in the Sea Wind · MaryAn old pier, Mediterranean dusk and an unfinished name enter a complete 3:46 Mary cinematic ballad.Full recording & story ↗
  203. 203
    A Letter Returning from the Distant Hills · MaryRain on distant hills, low whistle and fiddle return across a complete 3:59 Mary Celtic-country ballad.Full recording & story ↗
  204. 204
    The Lighthouse Burns Slowly · MaryLighthouse, piano and a late-rising choir complete a 3:58 Mary slow-burn rock ballad.Full recording & story ↗
  205. 205
    Lanterns After Midnight · MaryHarbour lanterns, night tide and unsent words cross a complete 3:49 English night song.Full recording & story ↗
  206. 206
    The White Sail at Dusk · MaryA receding white sail and the last light pass through a complete 3:54 English coastal ballad.Full recording & story ↗
  207. 207
    Moon by the Stone House · MaryA stone house, doorway moonlight and low sea wind settle into a complete 3:54 English folk ballad.Full recording & story ↗
  208. 208
    A Name in the Storm · Bollywood MaleA called name crosses rain and crowds in a complete 4:14 civic ballad.Full recording & story ↗
  209. 209
    Mountain Road, Star BridgeMoonlit roads meet a bridge of stars in a complete 5:08 Mandarin duet derived through mashup exploration.Full recording & story ↗
  210. 210
    Night Train through the North · Male SlowRails, distant lights and a low-voiced return cross a complete 3:42 Male Slow night song.Full recording & story ↗
  211. 211
    The Light at the Old Harbor · Male SlowAn old harbor, returning boats and a light left burning meet in a complete 3:36 Male Slow homecoming ballad.Full recording & story ↗
  212. 212
    A Song Understood at Midlife · Male SlowTime, responsibility and silence settle into a complete 3:44 Male Slow song of midlife.Full recording & story ↗
  213. 213
    Rainy-Night Gas Station · Male SlowRain, headlights and a brief roadside stop form a complete 3:44 Male Slow night-road ballad.Full recording & story ↗
  214. 214
    Golden Coastline · Cyber TenorMorning coast, highway and lighthouse open toward distance in a complete 3:13 Cyber Tenor ballad.Full recording & story ↗
  215. 215
    South of the Lighthouse · Cyber TenorA white pier, sunset and unextinguished stars enter a complete 3:18 Cyber Tenor night song.Full recording & story ↗
  216. 216
    Wind over the Rooftop · Cyber TenorRooftop wind, a glass city and blue tides unfold in a complete 3:19 city-night ballad.Full recording & story ↗
  217. 217
    Starlight Falls into the Sea · Cyber TenorStarlight, tide and two lines of footprints become a galaxy in a complete 3:33 seaside ballad.Full recording & story ↗
  218. 218
    Old City Station · Bollywood MaleA rainlit platform, old suitcase and light pointing home unfold across a complete 4:59 Mandarin life ballad.Full recording & story ↗
  219. 219
    The Scarf Mother Sent · Bollywood MaleA scarf, a letter home and a winter night cross a complete 4:59 Mandarin family ballad.Full recording & story ↗
  220. 220
    The Night Fate Turned · Bollywood MaleA streetlamp after rain and a half-open window begin a complete 4:48 turning-point ballad.Full recording & story ↗
  221. 221
    The Bridge of Looking Back · Bollywood MaleBridge lights, a river at sunset and one quiet thank you complete a 4:34 late-life reflection.Full recording & story ↗
  222. 222
    Red Roses on the Old Street · LingwanRain on stone streets and roses beneath a clock tower hold a 3:33 old-city echo.Full recording & story ↗
  223. 223
    Showa Night Radio · LingwanA midnight radio, rain-lit neon and a departing taxi illuminate a 3:49 Showa-kayokyoku nocturne.Full recording & story ↗
  224. 224
    Jiangnan Rain Threads · LingwanBridge, lantern, paper umbrella and moonlight stitch together a 3:41 Jiangnan chamber ballad.Full recording & story ↗
  225. 225
    A Letter on Snowy Glass · LingwanWind, stars and breath on glass finish a 3:24 Nordic ambient folk ballad.Full recording & story ↗
  226. 226
    Ne ferme pas la lumière · MaryFrench and Mandarin keep the last lamp burning through a complete 3:39 Mary chanson.Full recording & story ↗
  227. 227
    Last Train · End Credits · Male SlowThe last train, an empty carriage and bass unfold a complete 3:44 English end-credits road.Full recording & story ↗
  228. 228
    The Light Is Still On · MaryAn old window, quiet rain and a lamp still lit cross Mary's complete 4:24 Mandarin country ballad.Full recording & story ↗
  229. 229
    Ganges Moon Vow · Bollywood MaleThe feeling of Moon over the Mountain Road enters Ganges moonlight in a complete 6:02 Mandarin cinematic ballad.Full recording & story ↗
  230. 230
    Moonlight Choir of ThousandsA moonlit confession is carried by lead and mixed choir across a complete 6:00 cinematic soundscape.Full recording & story ↗
  231. 231
    Choir over a Sea of LightsCountless lights and people heading home illuminate one another across a complete 4:23 Mandarin choral finale.Full recording & story ↗
  232. 232
    Lights by the Mother RiverMother, river and lamps at dusk meet in Mary's complete 4:03 Mandarin Celtic-life ballad.Full recording & story ↗
  233. 233
    The Stone Fate Gave MeFate, endurance and restrained hope meet in Mary's complete 4:03 Mandarin life ballad.Full recording & story ↗
  234. 234
    Winter Star above the MoorA winter moor, starlight on snow and an ember under stone keep their direction in Mary's complete 3:49 English Celtic ballad.Full recording & story ↗
  235. 235
    Bells at the Edge of EveningBells, a ferryman's lamp and a river that keeps moving loosen grief in Mary's complete 4:04 English dusk song.Full recording & story ↗
  236. 236
    The Willow Learns the RainBending, loss and renewed roots become a river in Mary's complete 3:56 English Celtic ballad of resilience.Full recording & story ↗
  237. 237
    The Last Window of AutumnA gold window, copper rain and lamps on distant shores complete Mary's 3:34 English Celtic six-part cycle.Full recording & story ↗
  238. 238
    少し酔わせてA Japanese lyric holds autumn parting beside a waiting light and the warmth left by a hand.Full recording & story ↗
  239. 239
    When You Speak, My Heart Softens · Wu DialectA Suzhou–Shanghai Wu lyric follows a stone bridge, falling petals and a light waiting on the return.Full recording & story ↗
  240. 240
    한 모금에 취해 가네Moonlight, an autumn boat and a small returning light lead a Korean pop-ballad direction toward shared singing.Full recording & story ↗
  241. 241
    Wang Zhen · A Night of TremblingA trembling earth interrupts a night of poetry; turning back brings fear and care into focus.Full recording & story ↗
  242. 242
    GoddessQuestions of beauty and talent give way to flickering night lights, letting admiration unfold in verse.Full recording & story ↗
  243. 243
    Stelo Super Rivero · Star Above the RiverEsperanto joins river, starlight and a way home, offering a tender answer across distance.Full recording & story ↗
  244. 244
    Did You Hear Me?The courage to offer a heart meets the fear of being hurt.Full recording & story ↗
  245. 245
    Granada Rain LetterOld rain-wet stone, a red scarf and sea wind answer across Mandarin and English.Full recording & story ↗
  246. 246
    The Distant LightAn old-city window and a rainy platform let regret soften slowly.Full recording & story ↗
  247. 247
    Beyond the GateOne more cup and fading willows carry English frontier poetry from a farewell pass into a moonlit distance.Full recording & story ↗
  248. 248
    Love ApocalyptoBetween cracked walls and failing lights, vintage pop makes intimacy a defiant dance.Full recording & story ↗
  249. 249
    Half a Lamp · continuation, 3:13 editionA stored letter, fresh mint leaves and a cup keep company within a Mandarin soft-rock continuation.Full recording & story ↗
  250. 250
    Kai Kou Zui · female-voice 2:35 editionA cool, sorrowful moon and recurring short lines invite distant voices to sing toward dawn.Full recording & story ↗
  251. 251
    The Old Road Hears RainA wooden door, stone bridge and first remembered lamp carry parting into a country–Jiangnan chamber-ballad direction.Full recording & story ↗
  252. 252
    Deep and ShallowWords in the wind, clouds at a crossing and a small lamp slow an unanswered night.Full recording & story ↗
  253. 253
    The Fourth CupA three-a.m. windowsill, a chewed pen cap and a white coat set aside bring a night shift close.Full recording & story ↗
  254. 254
    I Was Only Passing ThroughThe street has been repaired twice and the shops have changed names; someone at the door chooses not to knock.Full recording & story ↗
  255. 255
    Moonlight on the Third Bridge Stone IIWords deleted three times, a folded umbrella and moonlight beside a bridge leave waiting room to breathe.Full recording & story ↗
  256. 256
    Kai Kou Zui · female-voice 2:34 editionThe same Mandarin words of wandering, evening breeze and shared singing keep a second 153.84-second edition.Full recording & story ↗
  257. 257
    Abrikota lun’ super JerevanoEsperanto leaves an unsent letter in Yerevan's night, while a Neapolitan orchestral-canzone direction gives longing room.Full recording & story ↗
  258. 258
    Una Copa MásOld boats, petals and a moonlit reunion give Spanish pop a moment of hesitation before leaving.Full recording & story ↗
  259. 259
    Pipa Song · Bai JuyiA riverside farewell and a pipa player’s story unfold in a free-rhythm Chinese female-alto direction.Full recording & story ↗
  260. 260
    Moonlight at the Old Mountain GateRain on banana leaves, a boat at the crossing and a soft silver bell give moonlight a place to rest.Full recording & story ↗
  261. 261
    A Letter at the End of the CoastYellowed paper and returning springs place waiting inside a piano, cello and baritone ballad direction.Full recording & story ↗
  262. 262
    The Record Turns to Old Times · foxtrot editionA white shirt, a café and changing steps hide a fluttering heart inside an old record.Full recording & story ↗
  263. 263
    Abrikota lun' super JerevanoA red scarf, narrow-street windows and an unsent letter rest in apricot moonlight over Yerevan.Full recording & story ↗
  264. 264
    Your Voice Makes Me Swoon · Wu EditionA stone bridge, falling petals and remembered days meet in a Wu-language refrain.Full recording & story ↗
  265. 265
    한 모금에 취해 가네An autumn boat and a light still waiting turn parting into an answering Korean refrain.Full recording & story ↗
  266. 266
    少し酔わせてAutumn wind, a moon without you and remembered warmth leave a homeward light in Japanese.Full recording & story ↗
  267. 267
    Una Copa MásOld boats, drifting petals and an autumn garden hold a Spanish refrain between staying and goodbye.Full recording & story ↗
  268. 268
    One Last Dance · 3:08 editionHis words and the narrator’s reply meet in a darkening ballroom; the last steps hand silence over to dawn.Full recording & story ↗
  269. 269
    Lanterns of Sarajevo · Mandarin editionStone steps, coffee and a copper moon bring the night city close; lanterns offer an old melody to someone returning.Full recording & story ↗
  270. 270
    A Little Train Through Yunnan · 4:53 editionA little train crosses tea hills and a rainy season; its whistle returns memory to a farewell platform.Full recording & story ↗
  271. 271
    Bois tout basA French love lyric meets a rooftop moon, joined hands and an erhu-led arrangement direction.Full recording & story ↗
  272. 272
    One Voice Begins · Cantonese 1:32 source editionCantonese words turn a traveller’s cool night into an invitation to sing together; this shorter source retains its own 1:32 span.Full recording & story ↗
  273. 273
    Sing Together After the Rain · child-led gospel-pop editionEaves and alleys hold the rain as one child’s song grows into a room of answers.Full recording & story ↗
  274. 274
    Half Full of Hope · erhu 4:17 editionOld boats meet new tides and the evening breeze takes a worry away; words of farewell still leave a light behind.Full recording & story ↗
  275. 275
    A Song Across the MilesA cool night and a traveller’s worries find an answering voice in a refrain shared across distance.Full recording & story ↗
  276. 276
    Half Full of Goodbyes · cello 4:48 briefEnglish words retain a night road, a glass and a wish to sing together as context; the public musical direction is an entirely instrumental cello solo.Full recording & story ↗
  277. 277
    A Little Train Through Yunnan · 4:59 editionA little train crosses tea hills and a rainy season; its whistle returns memory to a farewell platform.Full recording & story ↗
  278. 278
    The Window Next Door · neighbourhood child-voice editionMissed violin notes, a tapped floor and next-door laughter make a small night friendship.Full recording & story ↗
  279. 279
    The Shore RemembersNets, seabirds and names washed from the sand turn a solitary return to the shore into a search for home.Full recording & story ↗
  280. 280
    Half Full of Hope · erhu 4:23 editionOld boats meet new tides and the evening breeze takes a worry away; words of farewell still leave a light behind.Full recording & story ↗
  281. 281
    Snow on the Homeward Road · baritone editionA scarf, bells and an old tree accompany a traveller toward a familiar light.Full recording & story ↗
  282. 282
    Starlight through the Theatre · intimate male-voice editionEmpty seats, an old piano and starlight after the curtain hold a remembered voice.Full recording & story ↗
  283. 283
    Lamplight through the Old WindowSewing put away, windows closed: familiar warm soup lets a traveller stop being brave.Full recording & story ↗
  284. 284
    Half Full of Goodbyes · 3:27 editionOld boats, new tides and autumn leaves turn departure into a distance that voices can cross.Full recording & story ↗
  285. 285
    Sous Le Pont Des Fleurs · Mandarin EditionA French title and chanson colour carry the Mandarin lyric's toast to tomorrow.Full recording & story ↗
  286. 286
    Before the Rain StopsThe same toast to tomorrow enters a 78 BPM rainy-night blues-rock setting.Full recording & story ↗
  287. 287
    Half Full of Goodbyes · cello briefOld boats meet new tides and the evening breeze takes a worry away; words of farewell still leave a light behind.Full recording & story ↗
  288. 288
    Come Back Through the Night · widening-harmony editionA window light and an empty chair make room for a return without promises.Full recording & story ↗
  289. 289
    Moonlit Lotus Pond, a Dream of HomeA bamboo pole parts moonlight; a boat carries lotus scent and a childhood lamp toward home.Full recording & story ↗
  290. 290
    Be the One Who Lights YouPiano and a quiet duet leave portable light between journeys through hills and water and moments without words.Full recording & story ↗
  291. 291
    I Remember That Wondrous Moment · English piano editionFrom a gentle voice lost to memory to a meeting renewed, a piano ballad holds silence beside awakening.Full recording & story ↗
  292. 292
    Don't Ask the Time Tonight · conversational editionPut the phone away and dim the lamp. Companionship begins with small gestures.Full recording & story ↗
  293. 293
    Flight to the Moon · English chamber editionThree moonlit shadows, a distant blue earth and a carried beam of light keep a silent journey close.Full recording & story ↗
  294. 294
    Fille de l’eauForests, shores and echoes in French words find another current in a hard-bop direction.Full recording & story ↗
  295. 295
    A Toast to Tomorrow · Blues & SoulThe same ordinary courage takes on the warmth of Hammond organ and tenor saxophone.Full recording & story ↗
  296. 296
    A Little Light · English acoustic editionWind lifts the hair, a doorway glows, and a glance in the crowd makes a moment worth keeping.Full recording & story ↗
  297. 297
    Angel in White · English gospel-pop editionA dark corridor, the first window and care that knows each name bring light into ordinary work.Full recording & story ↗
  298. 298
    The Sea Wind Is Just Right · English folk editionSunset sand, rising lights and a ring of laughter leave room for one more summer-night dance.Full recording & story ↗
  299. 299
    Old Photographs · English chamber-ballad editionWindow-side laughter, late work and new frames let memory look toward tomorrow as well as back.Full recording & story ↗
  300. 300
    Leave a Door OpenSoup, a key by the door and a half-open window give a night-shift return small acts of care.Full recording & story ↗
  301. 301
    Do Not Turn Back Before the Rain StopsAn old street corner and changed phone numbers carry ordinary courage toward tomorrow.Full recording & story ↗
  302. 302
    Graduation · English folk-pop editionA résumé, midnight job listings and a cello give uncertainty after graduation a place to speak.Full recording & story ↗
  303. 303
    Take the Long WayTraffic lights change, an old song escapes a car, and two people need not hurry.Full recording & story ↗
  304. 304
    Come One EveningTea, a door and evening streetlights let a small wait open into a broad chorus.Full recording & story ↗
  305. 305
    You Go to Sleep FirstThere is still something to finish, but someone waiting at home is already something rare.Full recording & story ↗
  306. 306
    Lights at the Alley EntranceRain, a flowered umbrella and food behind a wooden door hold a glance beneath the lamps.Full recording & story ↗
  307. 307
    I Want to Light Your Way · English piano editionHills, a long night and a quiet call let companionship reach beyond staying together.Full recording & story ↗
  308. 308
    Keep Shining Your WayA ferry lamp asks for no thanks, yet steadies a night crossing. Farther on, you can become your own light.Full recording & story ↗
  309. 309
    A Toast to TomorrowChanged phone numbers and a remembered farewell leave warmth for going on.Full recording & story ↗
  310. 310
    Flight to the MoonThree light shadows and a distant blue Earth bring an imagined journey back beside someone.Full recording & story ↗
  311. 311
    If Only to Meet You · English folk editionMoonlight, a reddening campfire and a distant old song bring a long solitary walk to a meeting.Full recording & story ↗
  312. 312
    Come by Some EveningA chair kept in the old place connects quiet waiting with an arena-ballad direction.Full recording & story ↗
  313. 313
    Leave a Door OpenA key and a bowl of soup leave a night worker an entrance that needs no explanation.Full recording & story ↗
  314. 314
    Two Little Fish · English acoustic-duet editionA flying goat, a paper-thin sky and distant bells let longing swim through strange images.Full recording & story ↗
  315. 315
    Nur unu glutoStay until leaves turn gold, as two hearts carry an Esperanto song toward dawn.Full recording & story ↗
  316. 316
    Snow That Cannot StaySnow falling and melting all night becomes a tender defence of a brief encounter.Full recording & story ↗
  317. 317
    The Last-Bus Driver · Alto FolkThree passengers, half a minute and a small change to the air make quiet attention tangible.Full recording & story ↗
  318. 318
    The Other Side of a DoorStreet lamps, dancing behind a door and a blue outfit put away keep an old evening inside vintage swing.Full recording & story ↗
  319. 319
    A Midnight Radio RequestNo name is needed; a familiar song can stay until dawn.Full recording & story ↗
  320. 320
    The Last Dance · v6Dim lamps, a coat on a chair and tables being cleared surround one last companionship.Full recording & story ↗
  321. 321
    The Last One OutA closed mill, a shuttered school and remembered people on a hillside keep a fading town close.Full recording & story ↗
  322. 322
    La lumo restasA silent mother, a changed city and unchanged mountains keep home close in Esperanto.Full recording & story ↗
  323. 323
    Just One Word from YouA screen lights and fades through the night; what has been held inside becomes brief when spoken.Full recording & story ↗
  324. 324
    The Road You TookDark ferry water and lights across the bank hold moving on beside counting the days.Full recording & story ↗
  325. 325
    The Trace on My WristA red thread leaves the wrist, but its faint trace keeps a relationship warm.Full recording & story ↗
  326. 326
    The Same Old CrossingAn umbrella left behind, letters in an old book and a flower by the door bring two viewpoints back to the same crossing.Full recording & story ↗
  327. 327
    The Unclaimed BicycleThe third bicycle holds two seasons of rain; its unclaimed place leaves waiting by the street.Full recording & story ↗
  328. 328
    The Unclaimed BicycleThe third bicycle by the station, a faded saddle and dust leave room for someone absent.Full recording & story ↗
  329. 329
    The Lamp Was Hers to KeepA lamp by the door, occasional letters and forty winters make waiting a small daily act.Full recording & story ↗
  330. 330
    Leave a Door OpenA key, a bowl of soup and a half-open window leave room for someone finishing a night shift.Full recording & story ↗
  331. 331
    Light Across the BayWater rowed by earlier generations, a shrinking town and a kept lamp meet in an English refrain.Full recording & story ↗
  332. 332
    Thin as ThatAn old thin door lets a household through; concrete silence leaves an ear searching for it.Full recording & story ↗
  333. 333
    Somebody Else Is UpLit windows, an early bakery and a night bus let strangers share the same waking night.Full recording & story ↗
  334. 334
    Close Your EyesAn exhausted “I’m fine” meets someone willing to hold the night so another can rest.Full recording & story ↗
  335. 335
    Walk Me HomeNine unlit streets, a coat put back on and repeated walks make company travel both ways.Full recording & story ↗
  336. 336
    We Came ThroughNo certificate or applause waits at the end; a room of people still standing gathers voices after difficulty.Full recording & story ↗
  337. 337
    The Light Was OnNine becomes eleven, then a year and another country. A hall light still makes return possible.Full recording & story ↗
  338. 338
    We Are Both Still HereThe year was not good, and the next cannot be promised. In a quiet late hour, two people remain together.Full recording & story ↗
  339. 339
    Give It Until the LeavesUnfamiliar bread, strange light and a bus going the other way leave room for a slow arrival.Full recording & story ↗
  340. 340
    Put It DownA two-in-the-morning question and decisions already passed grow lighter between harp and low whistle.Full recording & story ↗
  341. 341
    You Never Hang Up FirstGoodnight has been said twice, yet the other end stays a little longer to know you are all right.Full recording & story ↗
  342. 342
    The Cathedral in a Quiet NoteA voice that could fill the hall chooses one nearby ear tonight. Breadth need not depend on volume.Full recording & story ↗
  343. 343
    A Note Above the NoteGlass, strings and a winter room invite a pause for the shimmer above a note.Full recording & story ↗
  344. 344
    Sing It AnywaySalt on rope, steps and evening air; a lamp in its familiar place. Harbour waiting sways gently through morna.Full recording & story ↗
  345. 345
    Snow That Did Not SettleA dark street, grey roofs and an open hand leave room for someone whose arrival was brief.Full recording & story ↗
  346. 346
    Snow That Did Not SettleSnow vanishes on an open palm; a brief encounter still matters.Full recording & story ↗
  347. 347
    The Closest Thing to a LullabyFour midnight stops, familiar coats and a slow bend give the city a moment of quiet care.Full recording & story ↗
  348. 348
    The Empty ShoreA boat leaves on a tide; a mother turns a lamp shoreward for forty winters. The story asks for a note as long as breath.Full recording & story ↗
  349. 349
    The Accordion KnowsRain, an awning, a small café and an old coat let an unspoken feeling stay beside an accordion.Full recording & story ↗
  350. 350
    Slow WaterA river does not hurry and still arrives. A dusk folk song accompanies what could not be kept.Full recording & story ↗
  351. 351
    The Quiet Says ItNo promise and no long explanation: a light left burning lets quiet become an answer.Full recording & story ↗
  352. 352
    Still HereLetters in a coat, a café window and a kept light widen the echo of a feeling that has stayed.Full recording & story ↗
  353. 353
    Pale MoonlightLost love and distant stars let loneliness remain without an immediate answer.Full recording & story ↗
  354. 354
    The Lighthouse Still BurnsA harbor in winter fog keeps a beam lit even when a returning ship seems unlikely.Full recording & story ↗
  355. 355
    A Lonely CityNeon and trains leave an absence that an alley, an old tree and a mother’s soup bring into focus.Full recording & story ↗
  356. 356
    This Voice Rises for YouA lighthouse, an old ticket and a night bridge give one voice a path from near to far.Full recording & story ↗
  357. 357
    This Voice Rises Only for You · Art-Pop AriaAn echo in the palm and a ticket in a book move toward one clear high note.Full recording & story ↗
  358. 358
    Beauty of the NightShadow and light meet in a quiet figure, with a tender pulse beyond the noise.Full recording & story ↗
  359. 359
    Fjord Window LightAn empty pier, winter rain and a song behind glass offer a harbour for a travelling heart.Full recording & story ↗
  360. 360
    Lanterns of Sarajevo · English editionThe English words make Sarajevo a city of lamps and echoes; midnight coffee brings an old tenderness close again.Full recording & story ↗
  361. 361
    Summer GoldFading flowers and darkening skies frame a love the song wishes to keep.Full recording & story ↗
  362. 362
    The Clear River · Southern SoulCommuters and old phone photos give an urban river the light of homesickness.Full recording & story ↗
  363. 363
    Rain at the Old WindowRain stops at the old window, but a name still echoes. Waiting through distance and crowds leaves a half-lit lamp.Full recording & story ↗
  364. 364
    One Last Dance · 3:13 editionOne circle of light remains in the ballroom. A coat is an unfinished sentence, and a last dance keeps farewell gentle.Full recording & story ↗
  365. 365
    A Payphone on a Rainy NightA coin warmed in a palm and a rehearsed opening line make room for hesitation inside a glass booth.Full recording & story ↗
  366. 366
    Three Voice MessagesA cleared throat, have you eaten, that is good: few words grow spacious in a saved voice.Full recording & story ↗
  367. 367
    The Moonlight LingersMountain paths, silver bells and rain on banana leaves give waiting an unhurried night.Full recording & story ↗
  368. 368
    Long Moonlight · Klezmer BalladA mountain road, bells and remembered flowers give longing across hills to long moonlight.Full recording & story ↗
  369. 369
    Plantain Rain · Southern Rain LaneAn umbrella, wet stone and a doorway lamp turn attachment into a gentle river.Full recording & story ↗
  370. 370
    Rain on Banana LeavesA stone alley, yellow light and a glance beneath an umbrella turn rain into a river within.Full recording & story ↗
  371. 371
    Autumn Wind, Do Not Grieve for Me · Rock Power BalladRegret at a familiar street corner finds an outlet in high male voice and sustained guitar.Full recording & story ↗
  372. 372
    Moonlight on the Ganges BankAn unfamiliar city, a station and a goodnight draw closer along moonlit water.Full recording & story ↗
  373. 373
    Moonlight on the Ganges · BaritoneA station, an unfamiliar city and goodnight bring distant moonlight closer to someone.Full recording & story ↗
  374. 374
    The Last Screening · Cantonese Cinematic BalladA faded ticket, empty seats and a farewell without another screening unfold in Cantonese words.Full recording & story ↗
  375. 375
    Under the Nanzhao Moon · Dream CabaretErhai, a silver bracelet and wet stone let longing look back through a dream theatre.Full recording & story ↗
  376. 376
    I Will Turn Out the Light · After ClosingEmpty chairs, cup rings and a closing door give the person staying last a farewell song.Full recording & story ↗
  377. 377
    I Will Turn Out the LightStacked chairs, cup rings and a closing door give the end of an evening its own warmth.Full recording & story ↗
  378. 378
    Rain on Banana Leaves · Opera-Coloured EditionAn old lane, a paper umbrella and south wind give waiting a clear, unhurried voice.Full recording & story ↗
  379. 379
    Rain on Banana LeavesAn umbrella, an old lane and a yellow lamp turn waiting into a gentle river.Full recording & story ↗
  380. 380
    Return in Moonlight · Celtic Female LeadAn old station by the Ganges and tenderness by a bridge await a call in a Chinese ballad.Full recording & story ↗
  381. 381
    Invite the Moon · Celtic Moonlit BalladA cup and distant mountains let longing unfold in an unhurried six-eight sway.Full recording & story ↗
  382. 382
    An Invitation to the Moon · Celtic Strings EditionWind, a lonely road and moonlight give parting a slowly swaying string sound.Full recording & story ↗
  383. 383
    Without Saying Goodbye · Celtic Letting GoStreet lamps and unspoken regret move toward thanks for having felt love.Full recording & story ↗
  384. 384
    Light in a Dream · Dreamy DuetA low voice and a reply bring the wish to light someone’s way close.Full recording & story ↗
  385. 385
    Moonlight on the Lake · Celtic Lake BalladA pavilion, stone bridge and fine rain let memory return like ripples.Full recording & story ↗
  386. 386
    Invite the MoonMoonlight, wine and an empty road answer longing across mountains.Full recording & story ↗
  387. 387
    Invite the MoonNight wind, strings and the moon’s brow turn longing after parting into a landscape to watch over.Full recording & story ↗
  388. 388
    Returning in MoonlightAn old station, a bridge and river lights leave unfinished words to a distant flute.Full recording & story ↗
  389. 389
    Moonlight over the Lotus Pond · Celtic-Folk DirectionFireflies, ripples and lotus seasons meet a Celtic-instrument direction.Full recording & story ↗
  390. 390
    Let Time Slow Down · Hushed DuetA call, an embrace and gratitude answer each other in a song unhurried to leave.Full recording & story ↗
  391. 391
    Lights in the Stone AlleyRain-washed walls, a flowered umbrella and light behind a wooden door place affection in ordinary streets.Full recording & story ↗
  392. 392
    Moonlight on the LakeA lakeside pavilion, stone bridge and a breeze carry someone distant into an imagined reunion.Full recording & story ↗
  393. 393
    An Invitation to the MoonA remembered farewell, a windswept road and a kept smile give tonight a tender vigil.Full recording & story ↗
  394. 394
    Evening Wind Across the BridgeMoving reflections, stowed oars and flowers drawn by lamplight leave a soft phrase in a waterside night.Full recording & story ↗
  395. 395
    Evening Wind Across the BridgeAn oar put away, flowers drawn by lamplight and a willow hold longing in a waterside night.Full recording & story ↗
  396. 396
    Listening beyond the Window · Folk-Gospel CoverRain beyond the window and windblown sand hold a difficult parting.Full recording & story ↗
  397. 397
    Moon over the Lake · Yue Opera Phrasing EditionAn umbrella, bridge footsteps and rain among willows leave waiting in reflected light.Full recording & story ↗
  398. 398
    Moon on the LakeA lakeside pavilion, stone bridge and footsteps in rain return someone distant to moonlight.Full recording & story ↗
  399. 399
    Wind from Far Away · Indian-Folk DirectionA ribbon, whitening moonlight and a wish to stay bring waiting close.Full recording & story ↗
  400. 400
    The Old Station by the GangesA sari’s glimmer and bridge lights carry Mandarin longing into Indian melodic colours.Full recording & story ↗
  401. 401
    Moonlight over the Mountain Road · Pipa-and-Flute DirectionSilver chains, a red flower and bamboo-house moonlight meet another plucked-string direction.Full recording & story ↗
  402. 402
    Moonlight over the Mountain Road · Flute and Guzheng DirectionSilver ornaments, a village gate and moonlight before a bamboo house give distant banks a shared night.Full recording & story ↗
  403. 403
    Deep and Shallow · Dream-Pop EditionA crossing in time, a moonlit shadow and falling flowers let loss keep its own shape.Full recording & story ↗
  404. 404
    The Kindness of Not IntrudingA last train and an unanswered window let tenderness learn a boundary.Full recording & story ↗
  405. 405
    Depths and Shallows · Electric-Guitar SpaceA crossing in time, old dreams in rain and a lamp leave space around a fading relationship.Full recording & story ↗
  406. 406
    Depths and Shallows · minimal-folk 2:48 editionRepeated pairs of words trace promises, an embrace and fading memory in a brief backward glance.Full recording & story ↗
  407. 407
    Depths and Shallows · Post-rock-Folk DirectionThe same waiting at a crossing makes room for strings entering gradually.Full recording & story ↗
  408. 408
    Depths and Shallows · Dream-pop DirectionWaiting at a crossing and a lamp that cannot warm meet suspended guitar space.Full recording & story ↗
  409. 409
    Depths and Shallows · 6/8 sway 3:09 editionRepeated pairs of words trace promises, an embrace and fading memory in a brief backward glance.Full recording & story ↗
  410. 410
    Depths and Shallows · art-ballad 2:57 editionRepeated pairs of words trace promises, an embrace and fading memory in a brief backward glance.Full recording & story ↗
  411. 411
    Depths and Shallows · art-pop 2:15 editionRepeated pairs of words trace promises, an embrace and fading memory in a brief backward glance.Full recording & story ↗
  412. 412
    Atlantic Moon × Mist and Moon · mashupAn English coastal love song alternates with a romanised passage, bringing two shores of longing into one mashup.Full recording & story ↗
  413. 413
    A Kindness That Keeps Its DistanceA last metro, a fading cup mark and an unstarted trip make leaving a restrained monologue.Full recording & story ↗
  414. 414
    In Your Name · Spanish Strings DirectionSpanish wishes and a heartbeat meet spacious strings and flute.Full recording & story ↗
  415. 415
    In Your Name · French Techno DirectionPrayer, breath and brightening mornings enter an electronic-duet direction through French words.Full recording & story ↗
  416. 416
    Small Confessions in a Big CityA convenience store, a sleeping cat and two coffees give an evasive answer its affectionate pauses.Full recording & story ↗
  417. 417
    A Girl’s Unsaid ThoughtsA convenience store, the wrong lift button and an unsent earnest reply hold a small urban longing.Full recording & story ↗
  418. 418
    Old Wang on the Night ShiftA flask pushed across the table passes care from one shift to the next.Full recording & story ↗
  419. 419
    The Moon Owes Me NothingFrom wishing to simply looking up, then passing borrowed kindness onward.Full recording & story ↗
  420. 420
    The Last FerryFour quiet corners and lights on the far shore accompany a last boat beyond the water already crossed.Full recording & story ↗
  421. 421
    Dance for MyselfA night square, warm paving stones and a turning shadow return a body to its own movement.Full recording & story ↗
  422. 422
    Slowly, I Have a LifetimeA quiet sea and an open door give one long phrase somewhere to rest.Full recording & story ↗
  423. 423
    Drums in the Rainy Alley IIA roof, a pipe and a closing window become an orchestra without a conductor.Full recording & story ↗
  424. 424
    The Last Dance IILight narrows to a circle; unfinished words stay in a hand held a little tighter.Full recording & story ↗
  425. 425
    The Highest Note Is for You · v6Wind opens a window; a phrase held back for years finally finds its destination.Full recording & story ↗
  426. 426
    Banana-Leaf Rain · Esperanto EditionA paper umbrella, a stone lane and south wind hold an Esperanto waiting without a return date.Full recording & story ↗
  427. 427
    Moonlight over the Lotus Pond · duet editionLotus water, ripples and fireflies frame an invitation passed between two voices.Full recording & story ↗
  428. 428
    The Harbour Light · Esperanto Country EditionAn old shawl, rain on a quay and sleeping gulls let one lamp keep company with an old dream.Full recording & story ↗
  429. 429
    Wind from Far Away · Esperanto Silk Road EditionA night caravan, stories beside a fire and one shared star carry an Esperanto duet across distance.Full recording & story ↗
  430. 430
    After the Last Goodbye · Esperanto Chamber EditionTwo cups, a closed book and a street after rain give parting somewhere quiet to settle.Full recording & story ↗
  431. 431
    Sing the Tears Dry Tonight · Lin JuyiAn empty chair and a voice growing hoarse give unfinished feelings somewhere to be sung.Full recording & story ↗
  432. 432
    Moonlight over Sai Kung Sea · Sea-Breeze FolkPier lights, fishing lamps and an old radio slowly brighten companionship by the sea.Full recording & story ↗
  433. 433
    The Last Bus by the Harbour · Mary-country VersionNeon, two empty seats and extra stops leave a solitary journey with a gentler night.Full recording & story ↗
  434. 434
    Nur unu glutoEsperanto places half hope, half farewell and an answering refrain beneath the moon.Full recording & story ↗
  435. 435
    Bois tout bas · French editionEvening rests between fingers and laughter becomes home; French words keep distant hearts within reach.Full recording & story ↗
  436. 436
    Half Full of Goodbyes · 3:30 editionThe same English lyric and modern-pop direction keep an exact 209.96-second recording.Full recording & story ↗
  437. 437
    Sea Wind over Lion Rock · Cyber TenorHarbour lights, hilltop wind and a promise of company put a hurried world at a distance.Full recording & story ↗
  438. 438
    The UmbrellaThe rain is light, yet someone else’s umbrella lasts two winters and keeps a small kindness near.Full recording & story ↗
  439. 439
    The Last Bus DriverA sleeper, someone crying and someone travelling far share the city’s last bus into the night.Full recording & story ↗
  440. 440
    Moon Over Lotus GateMoonlight, a letter and a still lotus pool carry a quiet vow across water.Full recording & story ↗
  441. 441
    Night RadioAn old station, rain-washed glass and a late café bring an earlier goodnight back into range.Full recording & story ↗
  442. 442
    After the Storm · 4:23 editionA storm scatters old dreams, while a little stubbornness becomes light turned towards someone far away.Full recording & story ↗
  443. 443
    Love Slowly · low-baritone briefAn empty street, old promises and returning seasons give a difficult love time to finish speaking.Full recording & story ↗
  444. 444
    Fireflies Light Your Way · LingwanFireflies, a lotus pond and a window into the heart make longing a gentle vigil at the centre of the water.Full recording & story ↗
  445. 445
    The Shore of My SoulA rain-streaked window, an amber station and a letter in the night keep the wish for home inside a small flame.Full recording & story ↗
  446. 446
    Girl of the Water · French editionFrench words follow rivers, vines and an old forest after a song whose echo outlasts a departure.Full recording & story ↗
  447. 447
    Waiting in the Rain Lane · 185-second editionA paper umbrella, wet brick and tea steam hold a memory of recognition.Full recording & story ↗
  448. 448
    Let Me Light Your Way · low-baritone briefA hand and a quiet reassurance turn gratitude into companionship.Full recording & story ↗
  449. 449
    Evening Wind beneath the Bridge · Riverside FolkA smile between river lights and a railing lets yesterday’s troubles rest.Full recording & story ↗
  450. 450
    Atlantic Moon · MaryA lighthouse, a letter in a sailor’s coat and a tavern after closing let love in the English lyric keep answering across the tide.Full recording & story ↗
  451. 451
    Rain on the Old Town · 4:04 editionA paper umbrella, wet paving stones and a dim doorway lamp hold a patient vigil in an old town.Full recording & story ↗
  452. 452
    Rain on the Old Town · Cantonese brief, 3:54 editionA paper umbrella, wet paving stones and a dim doorway lamp hold a patient vigil in an old town.Full recording & story ↗
  453. 453
    After the Storm · 4:34 editionA storm scatters old dreams, while a little stubbornness becomes light turned towards someone far away.Full recording & story ↗
  454. 454
    A Cup with the Moon · Bajiao voice briefA moon, a cup of wine and drifting sand give a call across distant mountains a companion.Full recording & story ↗
  455. 455
    Town by a Silver Sea · Esperanto 3:44 editionEsperanto words move from dancing with the wind to beginning again after farewell, in a town beside a silver sea.Full recording & story ↗
  456. 456
    Town by a Silver Sea · Esperanto 4:05 editionEsperanto words move from dancing with the wind to beginning again after farewell, in a town beside a silver sea.Full recording & story ↗
  457. 457
    Waiting in the Rain Lane · 184.68-second editionA paper umbrella, wet brick and tea steam hold a memory of recognition.Full recording & story ↗
  458. 458
    Evening Wind beneath the Bridge · Mary-country VersionMoonlight on the bank, distant boats and a shared coat let tenderness arrive before a declaration.Full recording & story ↗
  459. 459
    Together to the End · Lin Juyi briefAn old coat, an afternoon bell and two ordinary names hold a promise.Full recording & story ↗
  460. 460
    Together to the Last Road · Lin JuyiPart of an old coat reaches a shoulder; two ordinary names stay close to each other’s hearts.Full recording & story ↗
FOLLOW A FEELING · HEAR THE WHOLE SONG

A map, not a pile of songs.

Start anywhere among 1376 complete songs. Follow a mood, a scene or a story; every song has its own full listening page.

Explore all complete music ↗
01

A little quiet

Leave a little space in the day for slow songs, small lights and a moment to breathe.

707 complete songs ↗02

Under lamps and moons

Rain, starlight, dark seas and thoughts beside a window meet here.

460 complete songs ↗03

The road ahead

Mountain paths, city streets, departures and returns: choose a song for the way ahead.

242 complete songs ↗04

The way home

Home places, family, warm meals and everyday company give familiar things a new light.

476 complete songs ↗05

Words find a voice

Classical verse, Red Chamber characters and English-language poetry step from the page into headphones.

154 complete songs ↗06

Across languages

A different language, voice or cultural doorway can reveal another shape of a familiar feeling.

362 complete songs ↗07

Our shared world

Listen from everyday human relations towards civic life, shared futures and possibility.

148 complete songs ↗

A song can belong to more than one landscape. These paths follow existing stories and theme tags, not a promise to change how you feel.