3:27
Wang Wei · the complete Autumn Evening in the Mountains, source-line reprises and contemporary refrains · Dai Amei
After New Rain in the Empty Mountains
空山新雨后New rain, moon among pines, water over stone, returning washerwomen and a fishing boat do not make the mountain uninhabited; quiet and ordinary life arrive together. The setting sings all eight lines of Autumn Evening in the Mountains, then adds five verbatim reprises and nine recomposed or contemporary lines inside a complete slow song.
Press play. Let it finish.
Hear Dai Amei's After New Rain in the Empty Mountains in full: a 3:27 Mandarin setting of all eight lines of Wang Wei's Autumn Evening in the Mountains, with complete MP3, full vertical source-lyric film, five verbatim reprises and nine disclosed recomposed or contemporary lines.
The words are allowed to finish too.
[Intro]空山新雨後，天氣晚來秋。[原詩]空山新雨後，天氣晚來秋。明月松間照，清泉石上流。竹喧歸浣女，蓮動下漁舟。隨意春芳歇，王孫自可留。[Instrumental Interlude][Refrain]空山雨，月光柔，清泉慢慢石上流。竹聲起，蓮舟動，誰在秋風裏回眸。[Variation]山路靜，晚雲輕，一聲竹笛到天明。不問歸人何處去，只把清秋唱給你聽。[Final Refrain]明月松間照，清泉石上流。空山新雨後，此心自可留。Hear the crossing without erasing either shore.
All eight lines of Autumn Evening in the Mountains are sung; thirteen source-line positions remain distinct from nine contemporary lines
《山居秋暝》八行全部唱到；十三个原句演唱行位与九行当代文字分开记账The source prompt contains thirty-three lines, 251 characters and 553 UTF-8 bytes, hashing to 7bbe4e0324d9f6623ac23e71d63a01d3561fef875df51cdc08b52f27b726a1aa. Removing structural labels and blank lines leaves twenty-two performed lines, 170 characters and 468 UTF-8 bytes, hashing to c51451a794956eb726609e3edccc475df9dae2bd9e0f8d29dd02ac9f960c3707. Against the eight-line text of Wang Wei's Autumn Evening in the Mountains in Complete Tang Poems, volume 126, the setting preserves every line. Its intro repeats the first two, while the close reprises moon among pines, spring water over stone and the post-rain mountain: thirteen verbatim source-line positions, eight distinct source lines and five additional repetitions. Four refrain lines, four variation lines and the altered close 此心自可留 make nine recomposed or contemporary lines. Moon, spring, bamboo, lotus, autumn wind and a returning figure extend source imagery without becoming Wang Wei's text. The traditional-character prompt and simplified film captions remain source states rather than a critical edition.
The empty mountain is not an unpeopled filter; bamboo sound, washerwomen, lotus movement and a fishing boat bring life into clarity
空山不是无人滤镜；竹喧、浣女、莲动与渔舟让生活进入清境The work's value does not come from placing a generic Zen label over rain, moon, pine and spring. It preserves an order of stillness and motion: moonlight and water quiet the senses before bamboo voices, returning workers and a boat beneath moving lotus leaves restore labour, homecoming and choice. Nine contemporary lines turn soft moonlight, rising bamboo sound, light evening cloud and an unnamed traveller into present-day slow-song echoes. They are not backfilled into the Tang poem, and Wang Wei is not reduced to a wellness backdrop. The 242-character tag brief asks for a Wang Wei mountain-rain classical ballad with Dai folk colour, delicate pure female vocal, hulusi, bamboo flute, guqin, soft strings, clear spring over stones, quiet mountain evening and a slow spacious Mandarin melody; it hashes to baedd1226bc9edef7c05ffa35f1f4cf1af5da2e687483856b62106672e736631. Those are William Lee's contemporary cross-cultural generation and arrangement cues—not a Tang score, human instrumental performance, geographical record or authority to represent living Dai tradition.
The exact work, Dai Amei Persona and voice root are traceable; the site series does not masquerade as a Suno album field
精确作品、傣族阿妹 Persona 与声线根可追溯；本站系列名不冒充 Suno 专辑字段The archive binds public Suno work e825b6b2-3b2a-4832-a357-898365d3933f, source-titled 空山新雨后 and created at 2026-08-18T17:57:25.570Z. The synchronized catalogue groups two registered versions inside Dai Amei: Southwest Landscapes, while the source object's albums array is empty; this complete doorway binds only the exact evidenced ID and invents no sibling link. The source reports complete, public, chirp-fenix and v5.5; metadata reports type=gen, task=vox, is_remix=false and video_is_stale=false, while the work object supplies no parent field. has_vocal=false conflicts with audible singing and the lyric film and remains a provider anomaly. The work embeds public Persona 傣族阿妹, c23ec7da-c90b-4d9b-893f-5685fedf9dca. The independent Persona path returned 404 in this audit, while public voice root 月下竹影, d4557de9-a8ae-4e66-b855-2c02710cfebd, remains independently readable. That root proves vocal provenance only—not this work's parent, lyric, melody or cultural authorization. The MP3's embedded created value follows work creation by about 5.4 seconds and its CDN Last-Modified time by about 2 minutes 5.4 seconds; neither is presented as composition or publication time.
Three minutes twenty-seven seconds carry moonlit stream, pine shadow, boat and captions to 此心自可留; the film does not stop at forty-five seconds
三分二十七秒让月下山溪、松影、小舟与歌词走到“此心自可留”；影片没有在四十五秒停下The archive decodes the complete 3:27, 4,835,592-byte 48 kHz stereo MP3 and a 206.805-second, 7,281,126-byte, 824x1464, 10 fps H.264 / AAC vertical film. Audio and video differ by about 0.235 seconds, and a -50 dB audit finds no silence lasting two seconds or longer. The 140,823-byte, 1024x1024 source artwork renders a moon-backed peak, cloud and mist, needle-like trees, a rocky stream, bamboo-like leaves and an empty boat as a painted landscape. image_config reads renaissance / brand_refresh and documents only a source visual template—not a real peak, river, tree or bamboo species, boat, season, historical painting, photographic process or human creator. Frames at 5, 45, 85, 125, 165 and 203 seconds confirm the same source artwork, dark-green softened field, by @liwei, Made with Suno and simplified captions progressing from the intro to 明月松间照, 清泉石上流, 空山新雨后 and 此心自可留. Structure labels, current, look-ahead and previously sung lines can share a frame, and the Final Refrain label remains source-native. This is not presented as human-proofed or accessibility captions, an independent shoot, a reconstructed Tang mountain residence or a performer film. The three media SHA-256 values are 0fc7c796eb77b40b00d0bba406d0130a06fdf037496783bed9d314d31cfe1f36, 0d00934e15575299aac7f65e280d1bf3c71739876130165b28287eb1e7dc652b and 97ecfc762025500bbf1e0bc70207cba243fdfcbf7a4f2b0d641c69d7ff7dd6f2.
DAI AMEI
傣族阿妹Meet Dai Amei, Weiyang Sound's most extensive virtual-singer archive: 36 public works and thirty-one verified complete masters, now 31 / 31 playable in full. The newly opened Amei Sings Late Autumn retains all eight lines of Li Qingzhao's A Twig of Plum Blossom while separating its contemporary refrain and variation. Silver Bells to the Ganges keeps thirty contemporary positions, a hulusi / bansuri exchange, imagined-geography boundaries and the provider state of its triptych moon film visible. Frontier Moon, Lotus Picking at Southern Pond in Autumn, Clear Water River, Crossing the River for Lotus, Spring River under the Moon, One Moon over Chang’an and Hengtang Road continue the route through classical watersides, cross-cultural dialogue and urban homesickness, while all nine verified Nine Songs dossiers remain public.
Open the complete singer archive ↗Music becomes a vertical window.
This file-verified complete vertical music film stays aligned with the MP3. The format belongs to phone viewing, but the work has not been cut into a trailer.
Here, complete has file-level evidence.
MP3 · MP3 · 187 kbps · 48 kHz · stereo
MP4 · H264 High + AAC · 824×1464 · 10 fps
MP3 / film duration difference · 0.235 s
The page reports archive-master specifications. Public media is either delivered as a lightweight on-site copy or sent through a verified site doorway to the identical source file. Both keep full duration and source dimensions; no song is shortened.
This recording has a long-form life of its own.
These are not title-based recommendations. Every note below returns through a verified on-site master or the exact Suno work ID; a recording may carry more than one distinct creative account.
After this song, there is more than ‘next’.
A catalogue order can only point forward. This compass explains three different reasons to continue: follow a voice, stay with a cultural thread, or cross a language bridge. Every doorway opens a verified complete master.
Sun and Rain in a Bamboo-Branch Song
竹枝晴雨DAI AMEI continues in a different work, so character continuity can be heard rather than merely asserted.
DAI AMEI · Liu Yuxi · three verbatim lines and one altered line from the first of Two Bamboo-Branch Lyrics, with contemporary refrains · Dai AmeiOpen the complete recording ↗
Moon over Mount Emei
峨眉山月Stay inside Enter 100 Chinese Classical Poems, but let another complete work change the angle of entry.
DAI AMEI · Li Bai · all four lines of Moon over Mount Emei retained with contemporary refrains · Dai AmeiOpen the complete recording ↗
Crossing the River for Lotus
涉江采芙蓉Mandarin Chinese · simplified-character source captions gives way to Mandarin Chinese · mixed traditional/simplified source-prompt captions. The shift is audible, and both cultural origins remain named.
DAI AMEI · Poem VI of the Nineteen Old Poems · disputed attribution · source verse, adaptation and a contemporary lotus refrainOpen the complete recording ↗The song ends. Its cultural life continues.
One recording. Three honest ways to pass it on.
Each draft keeps the complete duration, cultural origin and evidence boundary intact. Copying happens only on your device; nothing is posted automatically. Full MP3 and MV embed codes let an outside blog carry the verified work without re-uploading or shortening it.
“明月松间照，清泉石上流。”完整听傣族阿妹《空山新雨后》：3 分 27 秒。王维《山居秋暝》八行全部唱到，五处原句复现；九行重组／当代新增逐项公开。完整 MP3 与全长歌词影片，不是 45 秒试听。
After New Rain in the Empty Mountains is a complete 3:27 Mandarin setting with a 48 kHz stereo MP3 and full vertical source-lyric film. The dossier documents all eight lines of Wang Wei's Autumn Evening in the Mountains, five verbatim reprises, nine recomposed or contemporary lines, the exact Suno work, public Dai Amei Persona and voice root. Dai folk colour, hulusi, bamboo flute and guqin remain contemporary creation cues—not a Tang score, human performance or living Dai tradition.
All 8 Wang Wei lines—3:27 in full; 5 verbatim reprises, 9 recomposed or new lines.