3:32
Li Bai · all four lines of Moon over Mount Emei retained with contemporary refrains · Dai Amei
Moon over Mount Emei
峨眉山月An autumn half-moon enters the Pingqiang River from Emei, then travels through Qingxi, the Three Gorges and Yuzhou. All four of Li Bai's lines remain, but 212 seconds are not disguised as a recovered Tang score: ten contemporary line positions keep boat, voice and distance moving downstream.
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Hear Dai Amei's Moon over Mount Emei in full: a 3:32 Mandarin setting of Li Bai with complete MP3 and full vertical source-lyric film. All four poem lines appear across eight exact line positions, while ten contemporary positions are disclosed separately.
Lyrics
[Intro]峨眉山月半輪秋，影入平羌江水流。[原詩]峨眉山月半輪秋，影入平羌江水流。夜發清溪向三峽，思君不見下渝州。[Instrumental Interlude][Refrain]山月亮，江水長，一葉輕舟過夜涼。思君不見，歌聲還在，隨水去遠方。清溪月，三峽風，照見心上一盞燈。阿妹輕輕把歌唱，唱到渝州夢裏逢。[Final Refrain]峨眉山月半輪秋，影入平羌江水流。思君不見，歌聲還在，一夜隨江下渝州。Hear the crossing without erasing either shore.
All four of Li Bai's lines remain; repetitions and new writing are counted line by line
四句李白原诗都在；重复与新写也逐行算清The public source prompt contains twenty-nine lines, 244 characters and 540 UTF-8 bytes, hashing to 5e51b30b66065f209e58a3931fd9680aa013646c7756da7b1095e7a8fd820dbb. Removing structural labels and blank lines leaves eighteen performed lines, 163 characters and 455 UTF-8 bytes, hashing to 55fe63f1dd955148dbd8a8b72bb1b1a4744b0356c638b157e90f98b435eb3249. Against Li Bai's Moon over Mount Emei as preserved by Chinese Wikisource, all four seven-character lines remain verbatim. 峨眉山月半輪秋 and 影入平羌江水流 each occur three times; 夜發清溪向三峽 and 思君不見下渝州 occur once each—eight exact source-line positions. Ten remaining positions are recomposed or contemporary; one new line repeats, leaving nine distinct new lines. Near-source phrases such as 清溪月，三峽風 and 一夜隨江下渝州 are not miscounted as verbatim quotation. Traditional-character master, simplified source captions and received poem remain distinct.
Emei, the Three Gorges and Dai Amei may meet in a contemporary sound without being collapsed into one tradition
峨眉、三峡和傣族阿妹可以在当代声音里相遇，却不能被写成同一种传统The 270-character source tag brief says ‘Emei mountain moon classical Chinese ballad meets Dai folk voice’ and requests a delicate clear ethnic female vocal, hulusi, bamboo flute, guqin, soft strings, southwest mountain river, Three Gorges night journey, a slow lyrical Mandarin melody, and no rap, EDM or loud drums. It hashes to 1a34c358ad8db3b8dc4c7aaab09ca31115b48afc8c547d864a97e2b8f7b1d9e1. The archive records this as William Lee's contemporary AI-music direction—not evidence of a Tang score, Li Bai-era practice, human instrumental performance, a living Dai tradition, Emei folk repertory or Three Gorges field recording. Guqin, hulusi and bamboo flute are generation targets rather than player credits. The cultural meeting remains possible only when historical and community boundaries remain visible too.
The same-titled catalogue work matches its public source exactly; vocal provenance is not turned into a parent-work claim
同名曲库作品与公开来源精确对上；声线来路不冒充作品母本The archive binds exact public Suno work 51648fdf-15a6-4423-89fe-55b005067060, source-titled 峨眉山月 and created at 2026-08-18T17:56:13.635Z. The synchronized catalogue groups two registered versions inside Dai Amei: Southwest Landscapes, while the source object's albums array is empty; this doorway binds only the evidenced complete ID and invents no album or sibling relationship. The source reports complete, public, chirp-fenix and v5.5. Metadata reports type=gen, task=vox, is_remix=false and video_is_stale=false, while the work object has no parent field. has_vocal=false conflicts with audible singing and the complete lyric film and remains a provider anomaly. The work embeds public Persona 傣族阿妹, c23ec7da-c90b-4d9b-893f-5685fedf9dca, with voice root 月下竹影, d4557de9-a8ae-4e66-b855-2c02710cfebd. That proves vocal provenance only—not this work's parent, lyric, melody or cultural authorization. The MP3's embedded created value follows work creation by about 5.4 seconds, the audio CDN Last-Modified by about two minutes four seconds, and the video file by roughly two hours thirty-five minutes. None is presented as composition, performance or formal-release time.
Three minutes thirty-two seconds travel from the autumn half-moon to Yuzhou; the complete film retains its structure labels too
三分三十二秒从半轮秋月唱到渝州；完整影片连同结构标签一起保留The archive decodes the complete 3:32, 4,774,464-byte 48 kHz stereo MP3 and a 212.416-second, 8,031,715-byte, 824x1464, 10 fps H.264 / AAC vertical film. Audio and video differ by about 0.064 seconds, and a -50 dB audit finds no silence lasting two seconds or longer. The 68,287-byte, 1024x1024 source artwork arranges misted mountains and moonlight above a full moon, water and lone boat. image_config reads minimal_album_art / brand_refresh and documents only a source visual treatment—not real footage of Emei, the Pingqiang River, Qingxi, the Three Gorges or Yuzhou, nor a verified moon phase, boat, weather event, photographic process or human painter. Frames at 5, 45, 90, 135, 180 and 208 seconds confirm the same two-panel source image, softened blue-grey field, by @liwei, Made with Suno and captions reaching 一夜隨江下渝州. Intro, original-poem, Variation and Final Refrain labels remain visible, while current, look-ahead and previously sung lines can overlap or repeat. This is a complete source-native lyric film—not human-proofed or accessibility captions, an independent shoot, reconstructed Tang night voyage or performer MV. The three media SHA-256 values are dab6fda2f2c8534c4a81a03a48f2daeb52029d4bbc79100d5e1aff24f8c56c09, b5f25a41cac0ba7e1d6a90d75fac8074171af4411509a9d8bae9c05d86bfc6ab and 71d6168f8de5cf39742cd8928a38e1a84358604d9ec7a94ed1033e2e45734bcb.
DAI AMEI
傣族阿妹Meet Dai Amei, Weiyang Sound's most extensive virtual-singer archive: 36 public works and thirty-one verified complete masters, now 31 / 31 playable in full. The newly opened Amei Sings Late Autumn retains all eight lines of Li Qingzhao's A Twig of Plum Blossom while separating its contemporary refrain and variation. Silver Bells to the Ganges keeps thirty contemporary positions, a hulusi / bansuri exchange, imagined-geography boundaries and the provider state of its triptych moon film visible. Frontier Moon, Lotus Picking at Southern Pond in Autumn, Clear Water River, Crossing the River for Lotus, Spring River under the Moon, One Moon over Chang’an and Hengtang Road continue the route through classical watersides, cross-cultural dialogue and urban homesickness, while all nine verified Nine Songs dossiers remain public.
More from this singer ↗This recording has a long-form life of its own.
Continue from the whole song into the character, poem and creative choices behind it.
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Hengtang Road
横塘路DAI AMEI continues in a different work, so character continuity can be heard rather than merely asserted.
DAI AMEI · He Zhu · eight distinct verbatim source clauses, four altered source locations and contemporary refrains · Dai AmeiOpen the complete recording ↗
One Moon over Chang’an
长安一片月Stay inside Enter 100 Chinese Classical Poems, but let another complete work change the angle of entry.
DAI AMEI · Li Bai · all six lines of Autumn Song, contemporary refrains and Dai AmeiOpen the complete recording ↗
Crossing the River for Lotus
涉江采芙蓉Mandarin Chinese · traditional-character master / simplified source captions gives way to Mandarin Chinese · mixed traditional/simplified source-prompt captions. The shift is audible, and both cultural origins remain named.
DAI AMEI · Poem VI of the Nineteen Old Poems · disputed attribution · source verse, adaptation and a contemporary lotus refrainOpen the complete recording ↗The song ends. Its cultural life continues.
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“峨眉山月半轮秋，影入平羌江水流。”完整听傣族阿妹《峨眉山月》：3 分 32 秒。李白《峨眉山月歌》四句在八个行位逐字保留；十个当代重组／新增行位另行公开。完整 MP3 与全长双格歌词影片，不是 45 秒试听。
Moon over Mount Emei is a complete 3:32 Mandarin setting with a 48 kHz stereo MP3 and full vertical two-panel source-lyric film. The dossier documents all four lines of Li Bai's poem across eight exact performed positions, ten recomposed or contemporary positions, the exact Suno work, public Dai Amei Persona and voice root. Emei, Three Gorges, Dai folk voice, hulusi, bamboo flute and guqin remain contemporary creation cues—not a Tang score, human performance, Emei folk tradition or living Dai tradition.
All 4 Li Bai lines—3:32 in full; 8 exact poem positions and 10 contemporary positions disclosed.