3:37
Poem VI of the Nineteen Old Poems · disputed attribution · source verse, adaptation and a contemporary lotus refrain
Crossing the River for Lotus
涉江采芙蓉Someone crosses the water for lotus, intending the flower for a distant beloved, then looks back toward home across an immeasurable road. The song carries the full eight-line narrative before moonlight falls on a sleeve and an undelivered flower becomes present-tense longing.
Press play. Let it finish.
Hear Dai Amei’s Crossing the River for Lotus in full: a 3:37 Mandarin setting with complete MP3 and full vertical source-prompt film. All eight lines of Poem VI from the Nineteen Old Poems enter the performance; ten exact positions, three 採 / 采 graphic variants, four adapted positions and seven contemporary additions remain separately counted.
The words are allowed to finish too.
[Intro]涉江采芙蓉，蘭澤多芳草。[原詩]涉江采芙蓉，蘭澤多芳草。采之欲遺誰，所思在遠道。[間奏][原詩]還顧望舊鄉，長路漫浩浩。同心而離居，憂傷以終老。[演唱稿 Refrain]回頭望舊鄉，長路漫浩浩。同心卻離居，一聲阿妹到天老。[Instrumental Interlude][變奏]涉江采芙蓉，月色落衣袖。采來給遠方的人，怕他等得太久。[Final Refrain]回頭望舊鄉，長路漫浩浩。同心卻離居，一聲阿妹到天老。[Outro]芙蓉在水上，心事在遠方。Hear the crossing without erasing either shore.
All eight old-poem lines enter the performance; exact text, graphics, adaptation and additions are separated line by line
八句古诗完整进入演唱；逐字、字形、改写与新增逐行拆开The public source prompt contains forty-one lines, 273 characters and 597 UTF-8 bytes, hashing to 9cc90cf64c9709a8f98f0bef63bb80dc2c0141fb542a25112d83b13f563064bb. Removing structure labels and blank lines leaves twenty-four performed lines, 174 characters and 476 UTF-8 bytes, hashing to 36bcf1903d306e21d1c57e2b584f4287de225bb789c8fbb3db5096f18a3c3158. Against the Chinese Wikisource witness 涉江採芙蓉, the narrative of all eight old-poem lines enters the performance. Lines built from 蘭澤, 采之, 所思, 還顧, 長路, 同心而 and 憂傷 form ten exact source positions. The first line occurs three times as 涉江采芙蓉 rather than 涉江採芙蓉—three 採 / 采 graphic-variant positions. 回頭望舊鄉 twice replaces 還顧 and 同心卻離居 twice replaces 同心而: four adapted positions. Moonlight, distance, waiting and the final private thought supply seven contemporary positions, six of them distinct. This is Poem VI of the Nineteen Old Poems. Zhaoming Wenxuan treats it as anonymous, while Yutai Xinyong attributes it to Mei Sheng; the archive therefore does not convert disputed attribution into certainty or call one checkable witness the sole text.
The old poem’s lotus and far road enter Dai Amei’s voice as a contemporary crossing—not a Han score or living-community document
古诗的芙蓉与远路进入傣族阿妹声线；这是当代碰撞，不是汉代曲谱或现实族群实录The 254-character source tag brief says ‘ancient Chinese river longing poem meets Dai folk ballad’ and asks for a delicate bright ethnic female vocal, hulusi, bamboo flute, guqin, soft strings, lotus, far road, a slow clear Mandarin melody, long intro and instrumental interlude, with no rap, EDM or loud drums. It hashes to 5cbfd9845af9254b4d9fa34d5186de93561fb443a4642c5e972b972a01189282. The archive records these words as William Lee’s contemporary AI-music direction—not evidence of a Han score, period vocal practice, human instrumentalists, a locatable orchid marsh or old home, living Dai tradition, fieldwork or community authorization. ‘Dai folk ballad’ and ‘ethnic female vocal’ are generation cues and a virtual-singer route, not substitutes for a living community’s voice.
The same-titled work, public Dai Amei Persona and voice root bind exactly; album, parentage and anomalous fields are not guessed
同名作品、公开傣族阿妹 Persona 与声线根精确绑定；专辑、父本和异常字段都不靠猜The archive binds exact public Suno work d16b805c-d7b1-46c7-8246-a2cd2745b8f8, source-titled 涉江采芙蓉 and created at 2026-08-18T02:14:32.485Z. The synchronized catalogue groups two registered versions inside Dai Amei: Classical Waterside II, while the source albums array is empty. This doorway binds only the verified complete ID and invents neither a sibling ID nor public album relationship. The source reports complete, public, chirp-fenix and v5.5. Metadata reports type=gen, task=vox, is_remix=false and video_is_stale=true; the work object has no parent field. has_vocal=false conflicts with audible singing, task=vox and can_publish_with_vocal=true and remains a provider anomaly. The work embeds public Persona 傣族阿妹, c23ec7da-c90b-4d9b-893f-5685fedf9dca, whose public voice root is 月下竹影, d4557de9-a8ae-4e66-b855-2c02710cfebd. That proves vocal provenance only—not this work’s parent, lyric, melody or cultural authorization. The MP3 embeds created=2026-08-18T02:14:35Z, about 2.5 seconds after work creation; audio CDN Last-Modified follows by roughly two minutes thirty-five seconds and the film file by about seventy-two hours forty-one minutes. These are source-file times, not composition, performance or formal-release moments.
Three minutes thirty-seven seconds reach the final distant thought; moonlit valley, lotus basket and source-caption state remain intact
三分三十七秒走到心事在远方；月下河谷、芙蓉篮与来源字幕状态一并保留The archive decodes the complete 3:37, 4,829,832-byte 48 kHz stereo MP3 and a 216.405-second, 7,823,268-byte, 824x1464, 10 fps H.264 / AAC vertical film. Audio and video differ by about 0.155 seconds, and a -50 dB audit finds no silence lasting two seconds or longer. The 140,737-byte, 1024x1024 source artwork uses renaissance / brand_refresh visual configuration: moonlight falls across a river valley and stone banks, distant towers and trees hold the dark hills, and a foreground wicker basket carries white and pink lotus flowers. It documents only source-generated imagery—not Han geography, architecture, flower species, gathering equipment, moon phase, real location, painting date or human artist. Frames at 5, 35, 70, 105, 140, 180 and 212 seconds confirm the same source art, softened dark green-brown field, title 涉江采芙蓉, by @liwei, Made with Suno and lyrics progressing to 心事在遠方. [Intro], [原詩], [演唱稿 Refrain], [變奏], [Final Refrain] and [Outro] labels remain in source state. This is a complete source-native prompt film—not human-proofed or accessibility captions, an independent shoot, historical reconstruction or performer MV. The source also marks video_is_stale=true. The three media SHA-256 values are 5f95576045e55d3ae9086c7b902cac870aad7f5ec840cdce3c51d411badb7c1d, 61ae75ccc3a194a33634d21bc89fd37b10fb640022f14f32ae3526042274fb0d and 58e2d84d9c922256f1f87fb9e521e0c995c6938cd06f46d85b2545351e8d8a8b.
DAI AMEI
傣族阿妹Meet Dai Amei, Weiyang Sound's most extensive virtual-singer archive: 36 public works and thirty-one verified complete masters, now 31 / 31 playable in full. The newly opened Amei Sings Late Autumn retains all eight lines of Li Qingzhao's A Twig of Plum Blossom while separating its contemporary refrain and variation. Silver Bells to the Ganges keeps thirty contemporary positions, a hulusi / bansuri exchange, imagined-geography boundaries and the provider state of its triptych moon film visible. Frontier Moon, Lotus Picking at Southern Pond in Autumn, Clear Water River, Crossing the River for Lotus, Spring River under the Moon, One Moon over Chang’an and Hengtang Road continue the route through classical watersides, cross-cultural dialogue and urban homesickness, while all nine verified Nine Songs dossiers remain public.
Open the complete singer archive ↗Music becomes a vertical window.
This file-verified complete vertical music film stays aligned with the MP3. The format belongs to phone viewing, but the work has not been cut into a trailer.
Here, complete has file-level evidence.
MP3 · MP3 · 178 kbps · 48 kHz · stereo
MP4 · H264 High + AAC · 824×1464 · 10 fps
MP3 / film duration difference · 0.155 s
The page reports archive-master specifications. Public media is either delivered as a lightweight on-site copy or sent through a verified site doorway to the identical source file. Both keep full duration and source dimensions; no song is shortened.
After this song, there is more than ‘next’.
A catalogue order can only point forward. This compass explains three different reasons to continue: follow a voice, stay with a cultural thread, or cross a language bridge. Every doorway opens a verified complete master.
Clear Water River
清水河DAI AMEI continues in a different work, so character continuity can be heard rather than merely asserted.
DAI AMEI · city river, evening commuters, old photographs and an inward home · a Dai Amei boundary expansionOpen the complete recording ↗
Lotus Picking at Southern Pond in Autumn
采莲南塘秋Stay inside Enter 100 Chinese Classical Poems, but let another complete work change the angle of entry.
DAI AMEI · four lotus-picking lines from Xizhou Qu, Southern Pond autumn water and waiting for a return · a Dai Amei boundary expansionOpen the complete recording ↗
Frontier Moon
边塞月Mandarin Chinese · mixed traditional/simplified source-prompt captions gives way to Mandarin Chinese · one exact Tang line, two recomposed frontier-poetry allusions and contemporary writing. The shift is audible, and both cultural origins remain named.
DAI AMEI · one Wang Changling line, Wang Zhihuan frontier imagery and moonlight over a bamboo house · Dai Amei Native TriggerOpen the complete recording ↗The song ends. Its cultural life continues.
One recording. Three honest ways to pass it on.
Each draft keeps the complete duration, cultural origin and evidence boundary intact. Copying happens only on your device; nothing is posted automatically. Full MP3 and MV embed codes let an outside blog carry the verified work without re-uploading or shortening it.
“采之欲遗谁？所思在远道。”完整听傣族阿妹《涉江采芙蓉》：3 分 37 秒。八句古诗都进入演唱，逐字、採／采字形、改写和当代新增分开记账；完整 MP3 与全长歌词影片，不是 45 秒试听。
Crossing the River for Lotus is a complete 3:37 Mandarin setting with a 48 kHz stereo MP3 and full vertical source-prompt film. The dossier documents all eight lines of Poem VI from the Nineteen Old Poems across ten exact positions, three 採 / 采 variants, four adapted positions and seven contemporary additions, plus disputed attribution, the exact Suno work, public Dai Amei Persona and voice root. Lotus, far-road, Dai-folk and instrument cues remain contemporary direction—not a Han score, human performance or living Dai tradition.
Lotus poem in full: 3:37 · 10 exact · 3 graphic variants · 4 adaptations · 7 new lines.