3:26
four lotus-picking lines from Xizhou Qu, Southern Pond autumn water and waiting for a return · a Dai Amei boundary expansion
Lotus Picking at Southern Pond in Autumn
采莲南塘秋‘Lotus picking at Southern Pond in autumn’ enters a small boat from Southern Dynasties yuefu. After four inherited lines, river wind, moonlight, the lotus seed’s faint bitterness and someone still waiting carry the story into the present.
Press play. Let it finish.
Hear Dai Amei’s Lotus Picking at Southern Pond in Autumn in full: a 3:26 Mandarin setting with complete MP3 and full vertical source-lyric film. Four consecutive Xizhou Qu lines enter the song; adaptations and new writing remain explicit rather than being sold as a full-poem setting, recovered score or living Dai tradition.
The words are allowed to finish too.
[Intro]南塘秋水淺，蓮葉低過小船。[古意]采蓮南塘秋，蓮花過人頭。低頭弄蓮子，蓮子清如水。[Verse 1]我把一葉小舟，搖進月光深處。河風吹動你的名字，像蓮心微微苦。[Chorus]采蓮啊，慢慢唱，水邊的人還在望。一朵花，一段香，都落在舊時光。采蓮啊，輕輕唱，別驚醒南塘的月亮。你若歸來，我便把，滿湖清夢都捧上。[Instrumental Interlude][Verse 2]竹影靠近船舷，銀鈴輕響在岸邊。不是每一場相逢，都要說破人間。[Final Chorus]采蓮啊，慢慢唱，水邊的人還在望。一朵花，一段香，都落在舊時光。[Outro]蓮子清如水，我的心也清如水。Hear the crossing without erasing either shore.
Four Xizhou Qu lines appear across five performed positions; excerpt, graphic variant and contemporary continuation stay separate
四行《西洲曲》跨五个演唱行位出现；古辞节选、字形变体与当代续写逐项分开The public source prompt contains forty-three lines, thirty-six nonblank, 331 characters and 749 UTF-8 bytes, hashing to 1e49df013f42a89f2587d2137cedbb7d958a2e8ec1fda1bc0f9b2ac8d83ce782. Removing structure labels and blank lines leaves twenty-eight performed lines, 234 characters and 648 UTF-8 bytes, hashing to 1f017b976d27f85264b6c02622d81ebd4d5bf7e9d433f1babb3e15081c652a8a. This line count is pinned to a traditional-character witness reading 採蓮南塘秋, 蓮花過人頭, 低頭弄蓮子 and 蓮子清如水. A public Hong Kong Education Bureau reference version instead reads 蓮子青如水 and expressly notes that other versions may be consulted, so the 清 / 青 variation remains visible. The latter three inherited lines plus the final reprise of 蓮子清如水 make four exact positions; the first appears as 采蓮南塘秋 and is registered as one 採 / 采 graphic variant. The other twenty-three positions are adapted or new. 南塘秋水淺 and 蓮葉低過小船 recombine classical waterside imagery, while moonlight, a name in river wind, a faintly bitter lotus heart, waiting, bamboo shadow, silver bells and ‘speaking the human world open’ continue the writing. The page does not mislabel a four-line excerpt as a setting of all thirty-two Xizhou Qu lines or collapse disputed provenance and variant readings into one certain author or text.
Ancient water poetry meets Dai-folk colour in a generation brief—not a recovered score, field recording or community authorization
古代水边诗与傣族民歌色彩在生成提示里相遇；不是古谱、田野录音或族群授权The 274-character source tag brief says ‘ancient Chinese water poetry meets Dai folk ballad’ and asks for a delicate clear ethnic female vocal, hulusi, bamboo flute, guqin touches, soft plucked strings, lotus pond, southern river, a slow graceful Mandarin melody, long instrumental intro and interlude, with no rap, EDM or loud drums. It hashes to 0a34ed72ffcc73bc65437d33e66b449735ece8296d7e419a4443382d553f4238. The archive records these words as William Lee’s contemporary AI-music direction—not evidence of a Southern Dynasties score, period vocal practice, human hulusi / bamboo flute / guqin performance, a locatable Southern Pond, a definition of living Dai folk song, field collection or community authorization. Dai Amei is a continuing registered virtual singer who can carry a waterside-poetry experiment without replacing real tradition bearers.
The two-version work, public Dai Amei Persona and voice root bind exactly; anomalous fields and file times remain distinct
两版本作品、公开傣族阿妹 Persona 与声线根精确绑定；异常字段和文件时间各自保留The archive binds exact public Suno work 5fb72a95-3b7e-4d9d-81e4-7b14272b3077, source-titled 采莲南塘秋 and created at 2026-08-17T22:17:23.049Z. The synchronized catalogue groups two registered versions inside Dai Amei: Boundary Expansion, while the source albums array is empty. This doorway binds only the verified complete ID and invents neither a sibling ID nor public album relation. The source reports complete, public, chirp-fenix and v5.5. Metadata reports type=gen, task=vox, is_remix=false and video_is_stale=true; the work has no parent field. has_vocal=false conflicts with audible singing, task=vox, can_publish_with_vocal=true and the complete caption film and remains a provider anomaly. The work embeds public Persona 傣族阿妹, c23ec7da-c90b-4d9b-893f-5685fedf9dca, whose public voice root is 月下竹影, d4557de9-a8ae-4e66-b855-2c02710cfebd. That proves vocal provenance only—not this work’s parent, inherited-text source, melody or cultural authorization. The MP3 embeds created=2026-08-17T22:17:28Z, about five seconds after work creation; audio CDN Last-Modified follows by roughly two minutes eight seconds and the film by about two hours thirty-three minutes twenty-six seconds. These are source-file times, not composition, performance or formal-release moments.
Three minutes twenty-six seconds travel from Southern Pond autumn water to ‘my heart is clear as water’; empty boat, crayon pond and source captions remain intact
三分二十六秒从南塘秋水唱到我的心也清如水；空舟、蜡笔荷塘和字幕原貌完整保留The archive decodes the complete 3:26, 4,529,616-byte 48 kHz stereo MP3 and a 206.016-second, 7,437,614-byte, 824x1464, 10 fps H.264 / AAC vertical film. Audio and video differ by about 0.344 seconds, and a -50 dB audit finds no silence lasting two seconds or longer. The 131,424-byte, 1024x1024 source artwork uses scribbles / brand_refresh: pink and yellow lotus blossoms, green leaves, blue water lines and one empty brown wooden boat appear on a paper-like field. It documents only source-generated imagery—not a real Southern Pond, flower species, season, water condition, boat type, child artist or human lotus picker. Frames at 5, 40, 80, 120, 160 and 200 seconds confirm the same crayon image, title 采莲南塘秋, by @liwei, Made with Suno and lyrics progressing to 我的心也清如水. [Intro], [古意], [Chorus] and [Outro] labels and line overlaps during fades remain in source state. This is a complete source-native lyric film—not human-proofed or accessibility captions, independent animation, historical reconstruction, live action or performer MV. The source also marks video_is_stale=true. The three media SHA-256 values are c821fdfa09c20bb0a7d6c152814d7d557c81a4cc227286a2c5c29e22330d29b8, c5caf715f938521b488e9dc6a87902968c75f41fe23945551a48abf27db3bfb4 and 0c3d896c6edd0e53764367303ef44a58fd0e606023ea124ebe23a3e306cabd5f.
DAI AMEI
傣族阿妹Meet Dai Amei, Weiyang Sound's most extensive virtual-singer archive: 36 public works and thirty-one verified complete masters, now 31 / 31 playable in full. The newly opened Amei Sings Late Autumn retains all eight lines of Li Qingzhao's A Twig of Plum Blossom while separating its contemporary refrain and variation. Silver Bells to the Ganges keeps thirty contemporary positions, a hulusi / bansuri exchange, imagined-geography boundaries and the provider state of its triptych moon film visible. Frontier Moon, Lotus Picking at Southern Pond in Autumn, Clear Water River, Crossing the River for Lotus, Spring River under the Moon, One Moon over Chang’an and Hengtang Road continue the route through classical watersides, cross-cultural dialogue and urban homesickness, while all nine verified Nine Songs dossiers remain public.
Open the complete singer archive ↗Music becomes a vertical window.
This file-verified complete vertical music film stays aligned with the MP3. The format belongs to phone viewing, but the work has not been cut into a trailer.
Here, complete has file-level evidence.
MP3 · MP3 · 176 kbps · 48 kHz · stereo
MP4 · H264 High + AAC · 824×1464 · 10 fps
MP3 / film duration difference · 0.344 s
The page reports archive-master specifications. Public media is either delivered as a lightweight on-site copy or sent through a verified site doorway to the identical source file. Both keep full duration and source dimensions; no song is shortened.
After this song, there is more than ‘next’.
A catalogue order can only point forward. This compass explains three different reasons to continue: follow a voice, stay with a cultural thread, or cross a language bridge. Every doorway opens a verified complete master.
Frontier Moon
边塞月DAI AMEI continues in a different work, so character continuity can be heard rather than merely asserted.
DAI AMEI · one Wang Changling line, Wang Zhihuan frontier imagery and moonlight over a bamboo house · Dai Amei Native TriggerOpen the complete recording ↗
Amei Sings Late Autumn
阿妹唱晚秋Stay inside Enter 100 Chinese Classical Poems, but let another complete work change the angle of entry.
DAI AMEI · Li Qingzhao's A Twig of Plum Blossom · Dai Amei · waterside folk-inflected balladOpen the complete recording ↗
When You Are Old
当你老了Mandarin Chinese · four-line Southern Dynasties yuefu excerpt with contemporary continuation gives way to English-language song. The shift is audible, and both cultural origins remain named.
BOLLYWOOD MALE · W. B. Yeats · British & American poetry routeOpen the complete recording ↗The song ends. Its cultural life continues.
One recording. Three honest ways to pass it on.
Each draft keeps the complete duration, cultural origin and evidence boundary intact. Copying happens only on your device; nothing is posted automatically. Full MP3 and MV embed codes let an outside blog carry the verified work without re-uploading or shortening it.
“采莲南塘秋，莲花过人头。”完整听傣族阿妹《采莲南塘秋》：3 分 26 秒。作品不是整首《西洲曲》配乐：四行古辞进入五个演唱行位，其中一处採／采字形变体；其余二十三个行位属于改写或当代新增。完整 MP3 与全长竖屏歌词影片，不是 45 秒试听。
Lotus Picking at Southern Pond in Autumn is a complete 3:26 Mandarin recording with a 48 kHz stereo MP3 and full vertical source-lyric film. It is not presented as a complete setting of Xizhou Qu: four consecutive received lines enter five performed positions, including four exact positions and one 採 / 采 graphic variant; the other twenty-three positions are adapted or contemporary additions. The exact Suno work, public Dai Amei Persona and Moonlit Bamboo Shadow voice root are verified. Dai-folk-ballad, hulusi, bamboo flute and guqin language remains contemporary direction—not a Southern Dynasties score, human performance or living Dai tradition.
3:26 in full: 4 Xizhou Qu lines, 5 source positions, 23 adapted or new.