TANG · SONG · YUAN · CHU CI
LONG-RUNNING CULTURAL MUSIC SERIES
100 Chinese Classical Poems
中国古典诗词 100A long route returning classical words to ordinary life. The title is a horizon, not a claim that one hundred finished songs already exist.
Begin with the whole song.
31 complete masters are present on this public site and can be heard from first sound to final tone. No unavailable archive path is rendered as a player.
Amei Sings Late Autumn
阿妹唱晚秋All eight lines of Li Qingzhao's A Twig of Plum Blossom · contemporary refrain / variation · Dai Amei · complete MP3 / film · 4:16
Frontier Moon
边塞月One exact Wang Changling line · two recomposed Wang Zhihuan allusions and twenty-eight contemporary positions · Dai Amei · complete MP3 / film · 3:38
Lotus Picking at Southern Pond in Autumn
采莲南塘秋Four Xizhou Qu lines across five positions · one 採 / 采 graphic variant and twenty-three adapted or new positions · Dai Amei · complete MP3 / film · 3:26
Lotus in the Wind
风荷举Zhou Bangyan imagery · Dai Amei voice · complete MP3 / MV · 3:43
The Green Hills Remain
遮不住的青山隐隐Xin Qiji imagery · lyrical pop · complete MP3 / MV · 3:45
Autumn in the Han Palace
汉宫秋Ma Zhiyuan's Yuan drama · Male Slow bass · complete MP3 / MV · 3:03
The South Wind Knows My Heart
南风知我意Xizhou Qu excerpts · Dai Amei · complete MP3 / MV · 4:12
Farewell at the Long Pavilion · Lingwan
长亭送别·昆曲灵婉Wang Shifu · Lingwan · Kunqu-inflected complete MP3 / film · 2:20
Farewell at the Long Pavilion · Lingwan 01A
长亭送别·灵婉 01AWang Shifu · Lingwan Yuan-drama narrative ballad · same-text comparison with 02A · complete MP3 / film · 3:02
Incense from the Jade Burner · Lingwan
玉炉香·灵婉Wen Tingyun's Geng Lou Zi · Lingwan late-Tang night-rain ballad · complete MP3 / film · 3:24
Gold Flickers over Painted Hills · Lingwan
小山金明灭·灵婉All eight lines of Wen Tingyun's Pusa Man · a four-line contemporary refrain and mixed-script source captions · complete MP3 / film · 3:15
Donghuang Taiyi · Dai Amei
东皇太一·傣族阿妹Qu Yuan's Nine Songs · fourteen classical lines, one omission and contemporary refrains · complete MP3 / film · 2:28
Hebo · Dai Amei
河伯·傣族阿妹Qu Yuan's Nine Songs · sixteen classical lines, two omissions and contemporary refrains · complete MP3 / film · 2:44
Yunzhong Jun · Dai Amei
云中君·傣族阿妹Qu Yuan's Nine Songs · all fourteen classical lines, one textual variant and contemporary refrains · complete MP3 / film · 3:18
Baidi Light Boat · Dai Amei
白帝轻舟·傣族阿妹Li Bai's complete Early Departure from Baidi City · one textual variant, contemporary refrains and full-length source film · 3:14
Could Jiangnan Ever Be Forgotten? · Dai Amei
能不忆江南·傣族阿妹All fifteen lines of Bai Juyi's three Memories of Jiangnan lyrics · two textual-variant loci and a contemporary refrain · complete MP3 / film · 3:24
Across the Water · Jianjia
在水一方All three stanzas of Jianjia · contemporary refrains and a Dai-colour arrangement · complete MP3 / source-lyric film · 4:28
Lotus Songs at Southern Pond
采莲南塘All twelve lines of two Tang lotus-picking poems · two textual loci and contemporary refrains · complete MP3 / source-lyric film · 4:14
Lord of the East · Dawn over Fusang
东君·扶桑晓光Twelve of twenty-four lines from Qu Yuan's Dong Jun · ten performed contemporary intro/refrain lines · complete MP3 / source-lyric film · 2:45
Great Master of Fate · Dark Clouds at Heaven's Gate
大司命·天门玄云Nine of fourteen Da Siming couplets · four new lines · complete MP3 / source-lyric film · 2:44
Xiang Jun · Long Waters, Light Cassia Boat
湘君·湘水长兮桂舟轻Fourteen of thirty-eight Xiang Jun clauses · one repetition and six recomposed or new lines · complete MP3 / source-lyric film · 3:10
Shao Siming · Autumn Orchids Grow Green
少司命·秋兰青青Sixteen of twenty-six Shao Siming clauses · one repeated couplet and four recomposed or new lines · complete MP3 / source-lyric film · 3:07
Xiang Furen · Dongting Waves, Falling Leaves
湘夫人·洞庭波兮木叶下Fourteen of forty Xiang Furen clauses · one title-line repetition and seven recomposed or new lines · complete MP3 / source-lyric film · 2:43
Mountain Spirit · A Spirit Dwells in the Mountain
山鬼·山中有灵兮Twelve of twenty-seven received Mountain Spirit clauses · three source-line repetitions and seven recomposed or new lines · complete MP3 / source-lyric film · 3:34
After New Rain in the Empty Mountains
空山新雨后All eight lines of Wang Wei's Autumn Evening in the Mountains · five verbatim reprises and nine recomposed or contemporary lines · complete MP3 / source-lyric film · 3:27
Sun and Rain in a Bamboo-Branch Song
竹枝晴雨Three verbatim lines from Liu Yuxi's first Bamboo-Branch Lyric · 唱 changed to 踏 in the second line and nine recomposed or contemporary lines · complete MP3 / source-lyric film · 2:48
Moon over Mount Emei
峨眉山月All four lines of Li Bai's Moon over Mount Emei across eight exact positions · ten recomposed or contemporary positions · complete MP3 / two-panel source-lyric film · 3:32
Hengtang Road
横塘路Eight distinct verbatim clauses from He Zhu's Qingyu An across thirteen occurrences · four altered source locations and five distinct contemporary lines · complete MP3 / source-lyric film · 3:35
One Moon over Chang’an
长安一片月All six lines of Li Bai's Autumn Song across eight exact positions · twelve recomposed or contemporary positions and a disclosed mortar-for-clothes-beating visual mistranslation · complete MP3 / source-lyric film · 3:15
Spring River under the Moon
春江月明Zhang Ruoxu’s first eight lines · ten exact source positions, one 遶 / 繞 graphic-variant position, four contemporary refrain lines and a crayon source-prompt film · complete MP3 / MV · 2:42
Crossing the River for Lotus
涉江采芙蓉All eight lines of Poem VI from the Nineteen Old Poems · ten exact positions, three graphic variants, four adaptations and seven additions · complete MP3 / source-prompt film · 3:37
Forty works are not a pile of titles.
Five editorial routes keep Yuan drama, late-Tang poetry, Songs of Chu, waterside classics and southwestern landscapes distinct. Music may cross styles; literary origin must remain clear.
Yuan Drama & Opera Crossover
Dou E, the Long Pavilion, Wutong Rain and Autumn in the Han Palace enter Kunqu, jing-kun, spoken drama and slow-song forms.
Late-Tang Radiance
Dense late-Tang imagery—fragrance, distance and difficult longing—finds a detailed vocal route through Lingwan.
Songs of Chu: Gods, Rivers & Ritual
From Mountain Spirit, Lady of the Xiang, Xiang Jun and Shao Siming to Hebo, Yunzhong Jun, Dong Jun, Da Siming, Donghuang Taiyi and Hymn to the Fallen, myth, rivers, cloud light and ritual keep their gravity without becoming a label.
Waterside Classics & Lotus Songs
Lotus leaves, moonlit Chang’an, Jiangnan and waterside gathering return to breath, surface light and repeatable melody.
Southwestern Landscapes & Journeys
Light boats, empty mountains, bamboo-branch songs and the moon over Emei connect classical landscape with journeys now.
The verified catalogue slice
This list includes only works that the current synchronized catalogue can reliably assign to the classical route through its album record. Every item returns to a real Suno page; internal drafts and unresolved versions are not counted.
Virtual singer · MARY-COUNTRY
02元曲戏曲风味修正窦娥冤 念白林居怡Virtual singer · LIN JUYI
03元曲戏曲风味修正长亭送别 昆曲林居怡Virtual singer · LIN JUYI
04元曲戏曲风味修正长亭送别 昆曲灵婉Virtual singer · LINGWAN
05元曲戏剧名篇梧桐雨 Male slowVirtual singer · MALE SLOW
06元曲戏剧名篇汉宫秋 Male slowVirtual singer · MALE SLOW
07元曲戏剧名篇窦娥冤 MaryVirtual singer · MARY-COUNTRY
08元曲戏剧名篇长亭送别 灵婉Virtual singer · LINGWAN
09晚唐绮丽玉炉香 灵婉Virtual singer · LINGWAN
10晚唐绮丽小山金明灭 灵婉Virtual singer · LINGWAN
11晚唐绮丽相见时难 灵婉Virtual singer · LINGWAN
12晚唐绮丽锦瑟 灵婉Virtual singer · LINGWAN
13楚辞礼魂与橘颂国殇Virtual singer · DAI AMEI
14楚辞礼魂与橘颂橘颂Virtual singer · DAI AMEI
15楚辞礼魂与橘颂礼魂Virtual singer · DAI AMEI
16楚辞礼魂与橘颂东皇太一Virtual singer · DAI AMEI
17楚辞神游祭歌河伯Virtual singer · DAI AMEI
18楚辞神游祭歌东君Virtual singer · DAI AMEI
19楚辞神游祭歌大司命Virtual singer · DAI AMEI
20楚辞神游祭歌湘君Virtual singer · DAI AMEI
21楚辞神话祭歌云中君Virtual singer · DAI AMEI
22楚辞神话祭歌少司命Virtual singer · DAI AMEI
23楚辞神话祭歌湘夫人Virtual singer · DAI AMEI
24楚辞神话祭歌山鬼Virtual singer · DAI AMEI
25傣族阿妹西南山水白帝轻舟Virtual singer · DAI AMEI
26傣族阿妹西南山水空山新雨后Virtual singer · DAI AMEI
27傣族阿妹西南山水竹枝晴雨Virtual singer · DAI AMEI
28傣族阿妹西南山水峨眉山月Virtual singer · DAI AMEI
29傣族阿妹古典水边三横塘路Virtual singer · DAI AMEI
30傣族阿妹古典水边三长安一片月Virtual singer · DAI AMEI
31傣族阿妹古典水边三风荷举Virtual singer · DAI AMEI
32傣族阿妹古典水边三春江月明Virtual singer · DAI AMEI
33傣族阿妹古典水边二阿妹唱晚秋Virtual singer · DAI AMEI
34傣族阿妹古典水边二能不忆江南Virtual singer · DAI AMEI
35傣族阿妹古典水边二耶溪采莲女Virtual singer · DAI AMEI
36傣族阿妹古典水边二涉江采芙蓉Virtual singer · DAI AMEI
37傣族阿妹采莲古诗词南风知我意Virtual singer · DAI AMEI
38傣族阿妹采莲古诗词莲叶田田Virtual singer · DAI AMEI
39傣族阿妹采莲古诗词在水一方Virtual singer · DAI AMEI
40傣族阿妹采莲古诗词采莲南塘Virtual singer · DAI AMEI
After the line is sung, the image keeps speaking.
Film stories preserve literary scene, emotional centre and visual direction. Audio and MV links appear only when work-level evidence exists.
Farewell at the Long Pavilion
The long pavilion is more than a station. It is where love is pulled apart by propriety, ambition and distance at once. Yingying and Zhang Sheng cannot simply refuse the departure, so autumn, carriage wheels and a farewell meal speak their reluctance slowly for them.
The Injustice to Dou E
Dou E is not a passive victim waiting for someone else to clear her name. Before execution, she turns private injustice into a public challenge to cosmic and human order. If the music retains only sorrow, it loses the drama’s sharpest force: a person pushed to the edge still names what is wrong with the world.
Moon over Mount Emei
The moon is not a still object above a mountain but a companion travelling beside the boat. Place-names move steadily forward while moonlight remains, allowing the clarity of a young journey and the sadness of leaving home to occur at the same time.
After New Rain in the Empty Mountains
Wang Wei’s empty mountain is not a world without people. Noise has receded, allowing moon, pine, spring water, bamboo and returning life to recover their proportion. The musical challenge is not how many Chinese instruments to add, but whether the arrangement can leave enough room for quiet.
A Light Boat beyond Ten Thousand Mountains
The exhilaration of a light boat passing ten thousand mountains is more than scenic speed; it belongs to someone emerging from danger. Distant Jiangling, gibbon calls on both banks and mountains falling behind turn regained freedom into a journey with actual current.
Farewell at the Long Pavilion — Lingwan Version
The same pavilion farewell changes when carried by another voice. Lingwan’s route does not make sorrow larger; it lets each word land like a stitch, bringing Yingying’s restraint closer to the ear than open lament.
The Green Hills Cannot Be Hidden
Green hills can block the view but cannot stop the river flowing east. Xin Qiji compresses landscape, historical wound and irreversible direction into one lyric image. The complete on-site version returns that force to a present-day slow song, making persistence a sound that actually reaches its ending rather than a slogan.