3:34
Qu Yuan · Mountain Spirit from Nine Songs, excerpted with a recomposed intro and contemporary variation · Dai Amei
Mountain Spirit · A Spirit Dwells in the Mountain
山鬼·山中有灵兮Pine-like branches, mountain rain, hidden bamboo and an absent traveller keep Mountain Spirit's waiting inside a dark forest. The setting selects twelve distinct clauses from the received text's twenty-seven, repeats three at the close and adds seven recomposed or contemporary lines—without treating a female voice as proof of the spirit's gender, a reconstructed rite or a living community's identity.
Press play. Let it finish.
Hear Dai Amei's Mountain Spirit · A Spirit Dwells in the Mountain in full: a 3:34 Mandarin Songs of Chu setting with complete MP3 and full vertical source-lyric film. Twelve of twenty-seven received clauses are selected, three repeat at the close, and seven recomposed or contemporary lines remain disclosed alongside the blank source-title field, exact work, Persona and media evidence.
The words are allowed to finish too.
[Intro]山中有靈兮，雲在其下，風雨將來兮，松聲如歌。[原文]若有人兮山之阿，被薜荔兮帶女蘿。既含睇兮又宜笑，子慕予兮善窈窕。[Instrumental Interlude][原文]余處幽篁兮終不見天，路險難兮獨後來。表獨立兮山之上，雲容容兮而在下。[Refrain]山中人兮，芳杜若，飲石泉兮，蔭松柏。風颯颯兮木蕭蕭，思公子兮徒離憂。[Variation]雷聲遠，雨冥冥，猿聲夜裏不肯停。我把一枝芳草折下，寄給山外未歸人。[Final Refrain]風颯颯兮木蕭蕭，思公子兮徒離憂。山中人兮，芳杜若，一聲阿妹過山頭。Hear the crossing without erasing either shore.
This is not the whole Mountain Spirit: twelve distinct source clauses, three closing repetitions and seven recomposed or new lines
这不是《山鬼》全篇：十二个独立原典分句、片尾复现三句，七行重组或新增另记The source prompt contains thirty-five lines, 296 characters and 680 UTF-8 bytes, hashing to e335af88df94cbfb4861a01e5fd1887901539d16bbbbc5f40074d7a4177d3ad6. Removing structural labels and blank lines leaves twenty-two performed lines, 209 characters and 585 UTF-8 bytes, hashing to ffce69f3b23d1c933fcbfae77ce58dbbbed86fce774eafa4b11a9a4ff47afa7c. Against Mountain Spirit's fourteen received lines and twenty-seven clauses, the setting keeps the opening four, four from hidden bamboo through cloud below, and four around the mountain person, stone spring, sighing wind and absent prince—twelve distinct source clauses. Three of the latter return at the close. The two-line intro, four-line variation and final 一聲阿妹過山頭 make seven non-verbatim lines: some recombine or paraphrase thunder, rain, ape calls, fragrant plants and the absent traveller; the rest are contemporary additions. Traditional-character performed text and simplified source captions remain distinct from a critical edition.
Who the mountain spirit is, and who waits in the poem, has never had only one answer; a virtual female voice does not end the discussion
山鬼是谁、诗中谁在等待，历来不止一种解释；一位虚拟女声不替古人终结讨论Mountain Spirit intertwines fragrant dress, a dangerous late arrival, cloud-darkened weather, solitary height and futile longing. This setting sings beauty, hidden bamboo, cloud-below solitude and the closing wind and trees, then rewrites omitted thunder, ape calls and a fragrant gift into its variation. It can become a present-day mountain ballad without flattening the poem into a modern romance with settled identity, gender and roles. The 296-character tag brief calls it a Chu Ci mythic mountain-spirit ballad and requests a Dai ethnic female voice, ancient Chinese ritual song, hulusi, bamboo flute, guqin, soft ritual hand drum, deep forest, mountain rain and fragrant herbs; it hashes to 9dac7802e22bdcf562013906a0077c9eef25dc4824728462304a4091ab84c62f. These are William Lee's contemporary cross-cultural generation cues—not a classical-studies verdict, reconstructed Chu score or Nine Songs rite, human instrumental performance, or authority to represent living Dai tradition.
The exact work, Dai Amei Persona and voice root are traceable; the blank source-title field is not silently rewritten
精确作品、傣族阿妹 Persona 与声线根可追溯；来源标题空白不由网站悄悄补写The archive binds public Suno work d76fa016-0271-4abd-a24f-a56dbd4a2568, created at 2026-08-18T20:20:40.988Z. Its public source title field is blank; the film header reads 山中有灵兮，云在其下, while the synchronized catalogue groups two registered versions as 山鬼 inside Songs of Chu: Myth and Ritual Songs. Mountain Spirit · A Spirit Dwells in the Mountain is therefore an explicit site editorial title—not hidden source text—and no sibling link is invented. The source reports complete, public, chirp-fenix and v5.5; metadata reports type=gen, task=vox, is_remix=false, video_is_stale=true, an empty albums array and no parent field. has_vocal=false conflicts with audible singing and the lyric film and remains a provider anomaly. The work embeds public Persona 傣族阿妹, c23ec7da-c90b-4d9b-893f-5685fedf9dca. Public voice root d4557de9-a8ae-4e66-b855-2c02710cfebd, 月下竹影, proves vocal provenance only—not this work's parent, lyric, melody or cultural authorization. The MP3's embedded created value follows work creation by about 5.0 seconds and its CDN Last-Modified time by about 21.0 seconds; neither is presented as composition time.
Three minutes thirty-four seconds carry storm cloud, mountain and captions to Dai Amei's final call; the static card does not stop at forty-five seconds
三分三十四秒让乌云、山峰与歌词走到最后一声阿妹；静态卡没有在四十五秒停下The archive decodes the complete 3:34, 4,797,648-byte 48 kHz stereo MP3 and a 214.016-second, 8,061,930-byte, 824x1464, 10 fps H.264 / AAC vertical film. Audio and video differ by about 0.185 seconds, and a -50 dB audit finds no silence lasting two seconds or longer. The 152,679-byte, 1024x1024 source artwork renders storm cloud, a sunlit mountain, needle-like branches and a grass-like plant on a mossy rock as a painted landscape. image_config reads renaissance / brand_refresh and documents only a source visual template—not a real site, peak, tree or plant species, season, historical painting, photographic process or human creator. Frames at 5, 45, 90, 135, 180 and 212 seconds confirm the same source artwork, dark-green softened field, by @liwei, Made with Suno and simplified captions progressing from the intro to 山中人兮，芳杜若 and 一声阿妹过山头. Structure labels, current, look-ahead and previously sung lines can share a frame, while variation text overlaps neighbouring sections. That remains a source-native vertical lyric card, not human-proofed or accessibility captions, an independent shoot, historical rite or performer MV. The three media SHA-256 values are fd293ff2b285857accaccb7b73a2a445f326f508e59ca75afd5d5b03b4fa5d18, 04fa47fa14c0b4dd19da70eb1882173a34345135bedc46a49a2ca04751ded0ba and dc468b5cdfda531d64e45751d8ad6c1900e11476ba7c43a1dc3424a03b2eaf03.
DAI AMEI
傣族阿妹Meet Dai Amei, Weiyang Sound's most extensive virtual-singer archive: 36 public works and thirty-one verified complete masters, now 31 / 31 playable in full. The newly opened Amei Sings Late Autumn retains all eight lines of Li Qingzhao's A Twig of Plum Blossom while separating its contemporary refrain and variation. Silver Bells to the Ganges keeps thirty contemporary positions, a hulusi / bansuri exchange, imagined-geography boundaries and the provider state of its triptych moon film visible. Frontier Moon, Lotus Picking at Southern Pond in Autumn, Clear Water River, Crossing the River for Lotus, Spring River under the Moon, One Moon over Chang’an and Hengtang Road continue the route through classical watersides, cross-cultural dialogue and urban homesickness, while all nine verified Nine Songs dossiers remain public.
Open the complete singer archive ↗Music becomes a vertical window.
This file-verified complete vertical music film stays aligned with the MP3. The format belongs to phone viewing, but the work has not been cut into a trailer.
Here, complete has file-level evidence.
MP3 · MP3 · 179 kbps · 48 kHz · stereo
MP4 · H264 High + AAC · 824×1464 · 10 fps
MP3 / film duration difference · 0.185 s
The page reports archive-master specifications. Public media is either delivered as a lightweight on-site copy or sent through a verified site doorway to the identical source file. Both keep full duration and source dimensions; no song is shortened.
After this song, there is more than ‘next’.
A catalogue order can only point forward. This compass explains three different reasons to continue: follow a voice, stay with a cultural thread, or cross a language bridge. Every doorway opens a verified complete master.
After New Rain in the Empty Mountains
空山新雨后DAI AMEI continues in a different work, so character continuity can be heard rather than merely asserted.
DAI AMEI · Wang Wei · the complete Autumn Evening in the Mountains, source-line reprises and contemporary refrains · Dai AmeiOpen the complete recording ↗
Sun and Rain in a Bamboo-Branch Song
竹枝晴雨Stay inside Enter 100 Chinese Classical Poems, but let another complete work change the angle of entry.
DAI AMEI · Liu Yuxi · three verbatim lines and one altered line from the first of Two Bamboo-Branch Lyrics, with contemporary refrains · Dai AmeiOpen the complete recording ↗
Crossing the River for Lotus
涉江采芙蓉Mandarin Chinese · simplified-character source captions gives way to Mandarin Chinese · mixed traditional/simplified source-prompt captions. The shift is audible, and both cultural origins remain named.
DAI AMEI · Poem VI of the Nineteen Old Poems · disputed attribution · source verse, adaptation and a contemporary lotus refrainOpen the complete recording ↗The song ends. Its cultural life continues.
One recording. Three honest ways to pass it on.
Each draft keeps the complete duration, cultural origin and evidence boundary intact. Copying happens only on your device; nothing is posted automatically. Full MP3 and MV embed codes let an outside blog carry the verified work without re-uploading or shortening it.
“若有人兮山之阿，被薜荔兮带女萝。”完整听傣族阿妹《山鬼·山中有灵兮》：3 分 34 秒。通行《山鬼》二十七个分句选唱十二个，三个原典分句复现；七行重组／当代新增逐项公开。女声不替山鬼身份或性别定论，也不是 45 秒试听。
Mountain Spirit · A Spirit Dwells in the Mountain is a complete 3:34 Mandarin setting with a 48 kHz stereo MP3 and full vertical source-lyric film. The dossier documents twelve of twenty-seven received clauses, three source-line repetitions, seven recomposed or contemporary lines, the exact Suno work, public Dai Amei Persona and voice root. Forest rain, pine sound, fragrant herbs, hulusi and Dai-voice language are contemporary creation cues—not proof of an ancient Chu score, historical rite, human performance or living Dai tradition.
12/27 Mountain Spirit clauses—3:34 in full; 3 repeat, 7 are recomposed or new.