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Qu Yuan · Donghuang Taiyi from Nine Songs, excerpted with contemporary refrains · Dai Amei
Donghuang Taiyi · Dai Amei
东皇太一·傣族阿妹An auspicious day, sounding jade, fragrant plants, cassia wine and drums turn a welcoming rite into sound and scent. Dai Amei brings the gravity of Nine Songs into the intimacy of a contemporary ballad.
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Hear Dai Amei's Donghuang Taiyi: a Nine Songs ballad with a complete lyric film.
Lyrics
[Intro]吉日兮辰良，清風入蘭堂。吉日兮辰良，穆將愉兮上皇。撫長劍兮玉珥，璆鏘鳴兮琳琅。[Instrumental Interlude]瑤席兮玉瑱，盍將把兮瓊芳。蕙肴蒸兮蘭藉，奠桂酒兮椒漿。[Refrain]東皇來兮，滿堂芳，五音紛兮夜未央。蘭風起，玉聲長，阿妹輕歌迎上皇。揚枹兮拊鼓，疏緩節兮安歌。陳竽瑟兮浩倡，芳菲菲兮滿堂。[Final Refrain]五音紛兮繁會，君欣欣兮樂康。東皇來兮，滿堂芳，一聲清歌到天光。Hear the crossing without erasing either shore.
An arrival prepared through fragrance, jade and music
用香草、玉声与音乐迎接一次到来Nine Songs begins with an auspicious hour and a jade-adorned sword, then lays out a precious mat, fragrant plants, cassia wine and peppered drink before the drumstick rises. Each object and gesture builds anticipation toward the gathering of the five tones. Clear vocals meet hulusi, bamboo flute and guqin; gentle percussion gives the rite a pulse, while the refrain makes its fragrance feel close.
A welcoming song among white flowers, green vessels and lamplight
白花、青瓷与灯火之间，听一首迎神慢歌The complete lyric film carries the title Auspicious Day, Fortunate Hour. White flowers, green vessels and gold cloth in a dark arcade support the music's luminous atmosphere. Qu Yuan's selected lines meet a contemporary refrain in the marked lyric sections, bringing their language into a night worth returning to quietly.
DAI AMEI
傣族阿妹Meet Dai Amei, Weiyang Sound's most extensive virtual-singer archive: 36 public works and thirty-one verified complete masters, now 31 / 31 playable in full. The newly opened Amei Sings Late Autumn retains all eight lines of Li Qingzhao's A Twig of Plum Blossom while separating its contemporary refrain and variation. Silver Bells to the Ganges keeps thirty contemporary positions, a hulusi / bansuri exchange, imagined-geography boundaries and the provider state of its triptych moon film visible. Frontier Moon, Lotus Picking at Southern Pond in Autumn, Clear Water River, Crossing the River for Lotus, Spring River under the Moon, One Moon over Chang’an and Hengtang Road continue the route through classical watersides, cross-cultural dialogue and urban homesickness, while all nine verified Nine Songs dossiers remain public.
More from this singer ↗Music becomes a vertical window.
Let the images follow the melody through the song's landscapes, characters and changing moods.
After this song, there is more than ‘next’.
A catalogue order can only point forward. This compass explains three different reasons to continue: follow a voice, stay with a cultural thread, or cross a language bridge. Every doorway opens a verified complete master.
Hebo · Dai Amei
河伯·傣族阿妹DAI AMEI continues in a different work, so character continuity can be heard rather than merely asserted.
DAI AMEI · Qu Yuan · Hebo from Nine Songs, excerpted with contemporary refrains · Dai AmeiOpen the complete recording ↗
Yunzhong Jun · Dai Amei
云中君·傣族阿妹Stay inside Enter 100 Chinese Classical Poems, but let another complete work change the angle of entry.
DAI AMEI · Qu Yuan · Yunzhong Jun from Nine Songs in full with a contemporary intro and refrains · Dai AmeiOpen the complete recording ↗
After the Storm
风暴过后Mandarin Chinese · traditional-character source captions gives way to English · source lyric captions. The shift is audible, and both cultural origins remain named.
CINEMATIC FEMALE · Cinematic Female · English end-credit ballad · orchestra and gradually entering choirOpen the complete recording ↗The song ends. Its cultural life continues.
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听傣族阿妹《东皇太一》：一首《九歌》慢歌，配以完整歌词 MV。 @liwei 创作 · Suno 赋能。
An auspicious day, sounding jade, fragrant plants, cassia wine and drums turn a welcoming rite into sound and scent. Dai Amei brings the gravity of Nine Songs into the intimacy of a contemporary ballad.
Hear Dai Amei's Donghuang Taiyi: a Nine Songs ballad with a complete lyric film. by @liwei · made with Suno.