3:07
Qu Yuan · Shao Siming from Nine Songs, excerpted with a recomposed intro and contemporary refrain · Dai Amei
Shao Siming · Autumn Orchids Grow Green
少司命·秋兰青青Autumn orchids, purple stems, a cloud banner and returning wind arrive and vanish after a single meeting of eyes. The setting sings sixteen of Shao Siming's twenty-six source clauses, repeating the parting-and-new-knowledge couplet once; four recomposed or new lines bring recognition into the present without settling the deity's identity, gender or speaking voices for a long commentary tradition.
Press play. Let it finish.
Hear Dai Amei's Shao Siming · Autumn Orchids Grow Green in full: a 3:07 Mandarin Songs of Chu setting with complete MP3 and full vertical source-lyric film. Sixteen of twenty-six source clauses are selected, one couplet repeats, and four recomposed or new lines are disclosed alongside exact work, Persona and media evidence.
The words are allowed to finish too.
[Intro]秋蘭青青兮，綠葉紫莖，雲旗輕捲兮，風從天明。[原文]秋蘭兮麋蕪，羅生兮堂下。綠葉兮素華，芳菲菲兮襲予。[Instrumental Interlude][原文]秋蘭兮青青，綠葉兮紫莖。滿堂兮美人，忽獨與余兮目成。[Refrain]悲莫悲兮生別離，樂莫樂兮新相知。雲中來，風中去，一眼相逢一生思。[原文]入不言兮出不辭，乘回風兮載雲旗。荷衣兮蕙帶，倏而來兮忽而逝。[Final Refrain]悲莫悲兮生別離，樂莫樂兮新相知。望美人兮未來，臨風怳兮浩歌。Hear the crossing without erasing either shore.
This is not the whole Shao Siming: eight source couplets, one repeated and four recomposed or new lines
这不是《少司命》全篇：八联原典、一联复现，四行重组或新增另记The source prompt contains thirty-five lines, 266 characters and 608 UTF-8 bytes, hashing to d64805557999b507cfac45fe5e71385c33a7a782ada962a5f3db539df5c8a4e9. Removing structural labels and blank lines leaves twenty-two performed lines, 186 characters and 516 UTF-8 bytes, hashing to a5df62871a265b1dc770a3f6621043fdef7242a8ece358c4bfd2dce9c964f879. Against the received poem's thirteen couplets and twenty-six clauses, the song keeps eight complete couplets—sixteen distinct clauses—covering orchid and melilot, pale blossoms, green orchids and purple stems, the meeting of eyes, silent arrival and departure, parting and new knowledge, herb garments and the awaited beauty. The parting/new-knowledge couplet repeats at the close. Two intro lines recombine source vocabulary and two refrain lines are contemporary additions. The master uses 倏 where received texts also show 儵; this archive preserves the source master without calling it a critical edition.
Dai Amei can sing Shao Siming without settling the deity's office, gender or dialogue voices
傣族阿妹可以唱《少司命》，却不替注释史决定神祇职掌、性别或对话人Shao Siming moves from fragrant orchids and recognition through wordless arrival, cloud-banner departure and the sorrow of parting, then onward in omitted passages toward the imperial outskirts, the Pool of Xian, a comet and protected youth. This setting selects eight couplets and centres encounter and separation. The deity's identity, office and gender—and which voice addresses which—remain matters of commentary rather than one uncontested answer. The 249-character source tag calls the piece a young fate goddess ballad and requests a clear Dai female voice, hulusi, bamboo flute, guqin, soft strings and a slow Mandarin melody; it hashes to 93bd29dda1d2852e8219b6764dec8b27808ca6fa95f3fdafc4f2f1b807cbc10f. The archive treats those as William Lee's contemporary generation and arrangement cues, not a classical-studies verdict, reconstructed Chu music or Nine Songs rite, human instrumental performance, or authority to represent living Dai tradition.
The exact work, Dai Amei Persona and voice root are traceable; the site album does not masquerade as a Suno field
精确作品、傣族阿妹 Persona 与声线根可追溯；本站专辑名不冒充 Suno 字段The archive binds public Suno work 23003fa3-ef2f-4e81-a944-d1832fdb6815, source-titled 秋兰青青 and created at 2026-08-18T20:21:20.744Z. The synchronized catalogue groups two registered versions as 少司命 inside Songs of Chu: Myth and Ritual Songs, while the source object's albums array is empty; this complete doorway binds only the exact evidenced ID and invents no sibling link. The source reports complete, public, chirp-fenix and v5.5; metadata reports type=gen, task=vox, is_remix=false, video_is_stale=true and no parent. has_vocal=false conflicts with audible singing and the lyric film and remains a provider anomaly. The work embeds public Persona 傣族阿妹, c23ec7da-c90b-4d9b-893f-5685fedf9dca. Public voice root d4557de9-a8ae-4e66-b855-2c02710cfebd proves vocal provenance only—not this work's parent, lyric, melody or cultural authorization. The MP3's embedded created value follows work creation by about 4.3 seconds and its CDN Last-Modified time by about 2 minutes 5.3 seconds; neither is presented as composition or publication time.
Three minutes seven seconds carry cloud-borne orchids and captions to the close; the pale-blue lyric card does not stop at forty-five seconds
三分零七秒让云中秋兰与歌词走到结尾；浅蓝静态卡没有在四十五秒停下The archive decodes the complete 3:07, 4,220,160-byte 48 kHz stereo MP3 and a 187.200-second, 6,777,361-byte, 824x1464, 10 fps H.264 / AAC vertical film. Audio and video differ by about 0.241 seconds, and a -50 dB audit finds no silence lasting two seconds or longer. The 137,558-byte, 1024x1024 source artwork gives an orchid-like plant rising through clouds a cyanotype texture. image_config reads cyanotype / brand_refresh and documents only a source visual treatment—not a plant species, real location, photographic process, historical object or human creator. Frames at 5, 40, 80, 120, 160 and 185 seconds confirm the same source artwork, pale-blue softened field, by @liwei, Made with Suno and simplified captions progressing from the intro to the final awaited-beauty and wind-song lines. Structure labels, current and look-ahead lines and stray punctuation can share a frame, while later frames hold the final couplet. That remains a source-native vertical lyric card, not human-proofed captions, an independent shoot, historical rite or performer MV. The three media SHA-256 values are 8b2e87008af11282b00ee37dc4604261b316d688be89c528c3e89aa1bac12fa5, a94d76a64fb8693b36791efafe1f89a9ffcaacc940b879518577672904ef8ac0 and 339915139a4264f9e03b207d588e5b8cafb02f68d5962a4fdd38b8b1b6780a9c.
DAI AMEI
傣族阿妹Meet Dai Amei, Weiyang Sound's most extensive virtual-singer archive: 36 public works and thirty-one verified complete masters, now 31 / 31 playable in full. The newly opened Amei Sings Late Autumn retains all eight lines of Li Qingzhao's A Twig of Plum Blossom while separating its contemporary refrain and variation. Silver Bells to the Ganges keeps thirty contemporary positions, a hulusi / bansuri exchange, imagined-geography boundaries and the provider state of its triptych moon film visible. Frontier Moon, Lotus Picking at Southern Pond in Autumn, Clear Water River, Crossing the River for Lotus, Spring River under the Moon, One Moon over Chang’an and Hengtang Road continue the route through classical watersides, cross-cultural dialogue and urban homesickness, while all nine verified Nine Songs dossiers remain public.
Open the complete singer archive ↗Music becomes a vertical window.
This file-verified complete vertical music film stays aligned with the MP3. The format belongs to phone viewing, but the work has not been cut into a trailer.
Here, complete has file-level evidence.
MP3 · MP3 · 180 kbps · 48 kHz · stereo
MP4 · H264 High + AAC · 824×1464 · 10 fps
MP3 / film duration difference · 0.241 s
The page reports archive-master specifications. Public media is either delivered as a lightweight on-site copy or sent through a verified site doorway to the identical source file. Both keep full duration and source dimensions; no song is shortened.
After this song, there is more than ‘next’.
A catalogue order can only point forward. This compass explains three different reasons to continue: follow a voice, stay with a cultural thread, or cross a language bridge. Every doorway opens a verified complete master.
Xiang Furen · Dongting Waves, Falling Leaves
湘夫人·洞庭波兮木叶下DAI AMEI continues in a different work, so character continuity can be heard rather than merely asserted.
DAI AMEI · Qu Yuan · Xiang Furen from Nine Songs, excerpted with a recomposed intro and contemporary refrain · Dai AmeiOpen the complete recording ↗
Mountain Spirit · A Spirit Dwells in the Mountain
山鬼·山中有灵兮Stay inside Enter 100 Chinese Classical Poems, but let another complete work change the angle of entry.
DAI AMEI · Qu Yuan · Mountain Spirit from Nine Songs, excerpted with a recomposed intro and contemporary variation · Dai AmeiOpen the complete recording ↗
Crossing the River for Lotus
涉江采芙蓉Mandarin Chinese · simplified-character source captions gives way to Mandarin Chinese · mixed traditional/simplified source-prompt captions. The shift is audible, and both cultural origins remain named.
DAI AMEI · Poem VI of the Nineteen Old Poems · disputed attribution · source verse, adaptation and a contemporary lotus refrainOpen the complete recording ↗The song ends. Its cultural life continues.
One recording. Three honest ways to pass it on.
Each draft keeps the complete duration, cultural origin and evidence boundary intact. Copying happens only on your device; nothing is posted automatically. Full MP3 and MV embed codes let an outside blog carry the verified work without re-uploading or shortening it.
“悲莫悲兮生别离，乐莫乐兮新相知。”完整听傣族阿妹《少司命·秋兰青青》：3 分 7 秒。屈原《九歌·少司命》二十六个分句选唱十六句，一联复现；两行重组片头与两行当代新增文字逐项公开。女声不替古代神祇身份、性别或职掌定论，也不是 45 秒试听。
Shao Siming · Autumn Orchids Grow Green is a complete 3:07 Mandarin setting with a 48 kHz stereo MP3 and full vertical source-lyric film. The dossier documents sixteen selected clauses from Qu Yuan's Shao Siming, one repeated source couplet, four recomposed or new lines, exact Suno work, embedded public Dai Amei Persona, voice root, prompt / tag / text and media hashes, audio-video delta and no two-second silence. A cloud-borne orchid comes from the cyanotype-style source artwork; the female voice does not settle the ancient deity's identity or gender, and Dai-voice cues are not claims of a reconstructed Chu rite, human player or living Dai tradition.
16 of 26 Shao Siming clauses—3:07 in full; one couplet repeats and 4 lines are recomposed or new.