2:43
Qu Yuan · Xiang Furen from Nine Songs, excerpted with a recomposed intro and contemporary refrain · Dai Amei
Xiang Furen · Dongting Waves, Falling Leaves
湘夫人·洞庭波兮木叶下Autumn wind raises Dongting waves and leaves fall across the water, but waiting receives no easy answer. The setting sings fourteen distinct clauses from Xiang Furen's forty received clauses, repeats its title clause once and joins them to seven recomposed or contemporary lines while keeping the seam visible.
Press play. Let it finish.
Hear Dai Amei's Xiang Furen · Dongting Waves, Falling Leaves in full: a 2:43 Mandarin Songs of Chu setting with complete MP3 and full vertical source-lyric film. Fourteen of forty received clauses are selected, the title clause repeats once, and seven recomposed or contemporary lines are disclosed alongside exact work, Persona and media evidence.
The words are allowed to finish too.
[Intro]洞庭秋風兮，木葉落下，有人在水邊兮，望不見她。[原文]帝子降兮北渚，目眇眇兮愁予。嫋嫋兮秋風，洞庭波兮木葉下。[Instrumental Interlude][原文]沅有茝兮澧有蘭，思公子兮未敢言。荒忽兮遠望，觀流水兮潺湲。[Refrain]湘水長兮，秋風涼，木葉落兮滿湖光。思君不敢言，只把歌聲放水上。[原文]聞佳人兮召予，將騰駕兮偕逝。築室兮水中，葺之兮荷蓋。[Final Refrain]時不可兮驟得，聊逍遙兮容與。洞庭波兮木葉下，阿妹唱兮水雲深處。Hear the crossing without erasing either shore.
This is not the whole Xiang Furen: fourteen distinct source clauses, one title-line repetition and seven recomposed or new lines
这不是《湘夫人》全篇：十四个独立原典分句、题句复现一次，七行重组或新增另记The source prompt contains thirty-five lines, 269 characters and 617 UTF-8 bytes, hashing to 8c98c34d252d311976ad651ccdef858724a98d721437ec6bcfa3dca1db28129e. Removing structural labels and blank lines leaves twenty-two performed lines, 189 characters and 525 UTF-8 bytes, hashing to c36c63827d4006e8903f0536a7aae1d7b349457b6331ffda1d91d0cf5832cc1d. Against Xiang Furen's twenty received couplets and forty clauses, the setting keeps the opening four, four from Yuan-Li fragrant plants through flowing water, four around the water-built lotus-roofed chamber and the final two time-and-wandering clauses—fourteen distinct source clauses. 洞庭波兮木葉下 repeats at the close. Four lines recombine source vocabulary; three more are contemporary additions about an unseen figure by the water, putting song on the surface and Dai Amei singing into water-cloud depth. Mixed scripts and source forms such as 驟得 remain visible; the lyric film is not presented as a critical edition.
Xiang Furen, Xiang Jun and the poem's speaking voices have a long commentary history; a virtual female voice does not end it
湘夫人、湘君与诗中发声者有漫长注释史；一位虚拟女声不替古人终结解释Xiang Furen moves from descent at the northern islet, distant sorrow and falling Dongting leaves into waiting and looking, then imagines a fragrant chamber built in water before conceding that the moment cannot be seized at once. The setting joins lake wind, herbs and words withheld to the later water-house and wandering close without flattening a complex ritual song into a modern romance with settled roles. Its 260-character tag brief calls the piece a Xiang-river-goddess ballad and requests a clear Dai female voice, mythic water ritual, Dongting autumn wind, hulusi, bamboo flute, guqin, soft strings and a slow Mandarin melody; it hashes to 530089af942c14e1491e3577a209649606d765cadeb0f080431a76c23b3c78f0. Those are William Lee's contemporary cross-cultural generation cues—not a classical-studies verdict, reconstructed Chu score or Nine Songs rite, human instrumental performance, or authority to represent living Dai tradition.
The exact work, Dai Amei Persona and voice root are traceable; the site album does not masquerade as a Suno field
精确作品、傣族阿妹 Persona 与声线根可追溯；本站专辑名不冒充 Suno 字段The archive binds public Suno work 7ef51c36-e5a5-4cd7-8629-2a7ba10b97b1, source-titled 洞庭波兮木叶下 and created at 2026-08-18T20:21:00.151Z. The synchronized catalogue groups two registered versions as 湘夫人 inside Songs of Chu: Myth and Ritual Songs, while the source object's albums array is empty; this complete doorway binds only the exact evidenced ID and invents no sibling link. The source reports complete, public, chirp-fenix and v5.5; metadata reports type=gen, task=vox, is_remix=false, video_is_stale=false and no parent field. has_vocal=false conflicts with audible singing and the lyric film and remains a provider anomaly. The work embeds public Persona 傣族阿妹, c23ec7da-c90b-4d9b-893f-5685fedf9dca. Public voice root d4557de9-a8ae-4e66-b855-2c02710cfebd proves vocal provenance only—not this work's parent, lyric, melody or cultural authorization. The MP3's embedded created value follows work creation by about 4.8 seconds and its CDN Last-Modified time by about 1 minute 43.8 seconds; neither is presented as composition or publication time.
Two minutes forty-three seconds carry Dongting water, leaves and captions to the close; the bright static card does not stop at forty-five seconds
两分四十三秒让洞庭水面、木叶与歌词走到结尾；高亮静态卡没有在四十五秒停下The archive decodes the complete 2:43, 3,695,472-byte 48 kHz stereo MP3 and a 162.816-second, 6,281,274-byte, 824x1464, 10 fps H.264 / AAC vertical film. Audio and video differ by about 0.224 seconds, and a -50 dB audit finds no silence lasting two seconds or longer. The 107,480-byte, 1024x1024 source artwork gives misted water, round leaves and floating fallen leaves a cyanotype texture. image_config reads cyanotype / brand_refresh and documents only a source visual treatment—not a photograph of Dongting Lake, a plant or leaf species, season, photographic process or human creator. Frames at 5, 35, 70, 105, 140 and 160 seconds confirm the same source artwork, blue-white softened field, by @liwei, Made with Suno and mixed-script captions progressing from the intro to 洞庭波兮木葉下 and 阿妹唱兮水雲深處. Structure labels, current, look-ahead and previously sung lines can share a frame, while the 35-second highlight transition has very low contrast. That remains a source-native vertical lyric card, not human-proofed or accessibility captions, an independent shoot, historical rite or performer MV. The three media SHA-256 values are c153e129b7e323f769373746b07af6fff04be295ca71455593deabbbd9eb667f, 64b404aa65260ec5334ef7669db8689cacd3c326017171e768ed0a12e9a7af0b and 18d873e2256679c7c1c050879972440c8ed337e8cfe7a50b1ed45179441b547b.
DAI AMEI
傣族阿妹Meet Dai Amei, Weiyang Sound's most extensive virtual-singer archive: 36 public works and thirty-one verified complete masters, now 31 / 31 playable in full. The newly opened Amei Sings Late Autumn retains all eight lines of Li Qingzhao's A Twig of Plum Blossom while separating its contemporary refrain and variation. Silver Bells to the Ganges keeps thirty contemporary positions, a hulusi / bansuri exchange, imagined-geography boundaries and the provider state of its triptych moon film visible. Frontier Moon, Lotus Picking at Southern Pond in Autumn, Clear Water River, Crossing the River for Lotus, Spring River under the Moon, One Moon over Chang’an and Hengtang Road continue the route through classical watersides, cross-cultural dialogue and urban homesickness, while all nine verified Nine Songs dossiers remain public.
Open the complete singer archive ↗Music becomes a vertical window.
This file-verified complete vertical music film stays aligned with the MP3. The format belongs to phone viewing, but the work has not been cut into a trailer.
Here, complete has file-level evidence.
MP3 · MP3 · 181 kbps · 48 kHz · stereo
MP4 · H264 High + AAC · 824×1464 · 10 fps
MP3 / film duration difference · 0.224 s
The page reports archive-master specifications. Public media is either delivered as a lightweight on-site copy or sent through a verified site doorway to the identical source file. Both keep full duration and source dimensions; no song is shortened.
After this song, there is more than ‘next’.
A catalogue order can only point forward. This compass explains three different reasons to continue: follow a voice, stay with a cultural thread, or cross a language bridge. Every doorway opens a verified complete master.
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DAI AMEI · Qu Yuan · Mountain Spirit from Nine Songs, excerpted with a recomposed intro and contemporary variation · Dai AmeiOpen the complete recording ↗
After New Rain in the Empty Mountains
空山新雨后Stay inside Enter 100 Chinese Classical Poems, but let another complete work change the angle of entry.
DAI AMEI · Wang Wei · the complete Autumn Evening in the Mountains, source-line reprises and contemporary refrains · Dai AmeiOpen the complete recording ↗
Sun and Rain in a Bamboo-Branch Song
竹枝晴雨Mandarin Chinese · mixed-script source captions gives way to Mandarin Chinese · traditional-character master / simplified source captions. The shift is audible, and both cultural origins remain named.
DAI AMEI · Liu Yuxi · three verbatim lines and one altered line from the first of Two Bamboo-Branch Lyrics, with contemporary refrains · Dai AmeiOpen the complete recording ↗The song ends. Its cultural life continues.
One recording. Three honest ways to pass it on.
Each draft keeps the complete duration, cultural origin and evidence boundary intact. Copying happens only on your device; nothing is posted automatically. Full MP3 and MV embed codes let an outside blog carry the verified work without re-uploading or shortening it.
“袅袅兮秋风，洞庭波兮木叶下。”完整听傣族阿妹《湘夫人·洞庭波兮木叶下》：2 分 43 秒。屈原《九歌·湘夫人》四十个通行分句选唱十四个独立原典分句，题句复现一次；四行重组与三行当代新增逐项公开。女声不替古代神祇与诗中发声者定论，也不是 45 秒试听。
Xiang Furen · Dongting Waves, Falling Leaves is a complete 2:43 Mandarin setting with a 48 kHz stereo MP3 and full vertical source-lyric film. The dossier documents fourteen selected clauses from Qu Yuan's Xiang Furen, one repeated title clause, seven recomposed or contemporary lines, exact Suno work, embedded public Dai Amei Persona, voice root, prompt / tag / text and media hashes, audio-video delta and no two-second silence. Misted water, round leaves and floating fallen leaves come from the cyanotype-style source artwork; the female voice does not settle the ancient deity's identity, and Dai-voice cues are not claims of a reconstructed Chu rite, human player or living Dai tradition.
14 of 40 Xiang Furen clauses—2:43 in full; one line repeats and 7 are recomposed or new.