4:14
Dai Amei · a joined setting of two Tang-dynasty Lotus-Picking Songs by Wang Changling and Li Bai
Lotus Songs at Southern Pond
采莲南塘A small boat rests among a pond of lotus leaves as two Tang poems with the same title meet inside one contemporary song. Wang Changling discovers the gatherers through their voices; Li Bai widens the scene through laughter, reflected dress, lifted sleeves and the hesitant watcher on shore.
Press play. Let it finish.
Hear Lotus Songs at Southern Pond in full: a 4:14 Mandarin joining of Wang Changling's four-line Lotus-Picking Song and Li Bai's eight-line poem, with complete MP3, full source-lyric film, textual variants and provenance disclosed.
The words are allowed to finish too.
[Intro]荷葉羅裙一色裁，芙蓉向臉兩邊開。[原詩]荷葉羅裙一色裁，芙蓉向臉兩邊開。亂入池中看不見，聞歌始覺有人來。[間奏][原詩]若耶溪邊采蓮女，笑隔荷花共人語。日照新妝水底明，風飄香袖空中舉。[Refrain]聞歌始覺有人來，一聲阿妹水邊開。荷花照影，月色入懷，小舟慢慢過南塘。[Instrumental Interlude][原詩]岸上誰家遊冶郎，三三五五映垂楊。紫騮嘶入落花去，見此踟躕空斷腸。[Final Refrain]聞歌始覺有人來，一聲阿妹水邊開。采蓮南塘，風送香來，我的心也清如水。[Outro]蓮葉低低，歌聲遠遠。Hear the crossing without erasing either shore.
Not a collage around one famous phrase: four Wang Changling lines join eight by Li Bai
不是拼贴一句“江南可采莲”：王昌龄四句与李白八句完整联唱The source lyric sings all four lines of the second Lotus-Picking Song by Wang Changling, then all eight lines of Li Bai's poem with the same title. Wang's figures disappear among lotus leaves until their song reveals them; Li Bai extends the scene from women at Ruoye Stream to young men lingering beneath willows. Comparison with public Complete Tang Poems texts finds Wang's four lines unchanged. Li's block uses ‘stream-side’ and ‘fragrant sleeves’, while common witnesses read nearby-character variants and record ‘sleeves’ as an alternative to ‘fragrant lapels’. The page preserves those two loci rather than selling one witness as the sole true text. The twelve sung classical lines contain 107 characters and hash to 6edd8d66c0566ff6d45680197ece41e0b664a523b5d04fe9b244d2ba58f502f5.
The intro repeats an ancient couplet; the slow boat through Southern Pond is today's bridge
序歌重复古诗首联；“小舟慢慢过南塘”才是今天写下的桥The complete 308-character source prompt hashes to 2558f3db4c6e7bc2ac9dbd524c78e1220640da1bd48f079d99cd4d5bac45ae4b. Its intro is not newly invented pseudo-classical verse: it repeats Wang Changling's opening couplet before three [Original Poem] blocks carry the two Tang poems. The Amei call by the water, the little boat crossing Southern Pond, the heart becoming clear as water and the low leaves with a distant song belong to the contemporary refrains and outro. Repetition and response join the historical texts without backdating new lines as Tang poetry.
The same Dai Amei Persona returns to the lotus pond; folk colour remains an arrangement language, not proof of tradition
同一位傣族阿妹 Persona 再入荷塘；“民族色彩”仍是编曲语言，不是真实传统证明The doorway binds public Suno work ac700879-8646-4fe8-833a-68084f6277e3, created at 2026-08-18T01:41:04.293Z and catalogued inside a two-version Dai Amei Lotus Poetry family. The source reports chirp-fenix, v5.5, type=gen, task=vox and is_remix=false. Both metadata.persona_id and the embedded object identify Dai Amei Persona c23ec7da-c90b-4d9b-893f-5685fedf9dca, whose public voice root remains 月下竹影, d4557de9-a8ae-4e66-b855-2c02710cfebd. In the current work response, albums is empty, caption is absent and ownership_reason is subscribed. Top-level is_owned is absent; is_owned=false appears only inside the embedded Persona, so those account-relation layers are not collapsed or treated as copyright conclusions. has_vocal=false conflicts with task=vox, the full lyric and singing shown by the film; the archive records the anomaly rather than mislabelling an instrumental. Hulusi, bamboo flute, guqin and Dai folk ballad are source composition cues—not evidence of a human singer, live instruments, fieldwork or representation of living Dai tradition.
Four minutes fourteen seconds reach the distant final song; the monochrome pond is verifiable and the stale flag remains visible
四分十四秒从序歌走到“歌声远远”；黑白荷塘可信可查，stale 标记也不隐藏The archive decodes the complete 4:14 48 kHz stereo MP3 and 254.016-second 824×1464 H.264 / AAC vertical film, checking frames at 5, 45, 90, 135, 180, 225, 250 and 253 seconds. The monochrome 1024×1024 source artwork places a wooden boat among dense lotus leaves with one bright lotus inside. It is source imagery—not proof of a real pond, vessel, photographic location or historical scene. The film carries the square artwork, by @liwei, Made with Suno, structure labels and mixed-script captions over a soft grey-black field. Sampled frames confirm progression from the intro and both poems to the final refrain and outro. Audio and video differ by about 0.184 seconds, and a -50 dB audit finds no silence lasting two seconds or longer. The public interface returns video_is_stale=true, so the file is preserved as a verified source-lyric-film snapshot—not claimed as a final provider render, human-proofed caption set, human performance or independently filmed MV.
DAI AMEI
傣族阿妹Meet Dai Amei, Weiyang Sound's most extensive virtual-singer archive: 36 public works and thirty-one verified complete masters, now 31 / 31 playable in full. The newly opened Amei Sings Late Autumn retains all eight lines of Li Qingzhao's A Twig of Plum Blossom while separating its contemporary refrain and variation. Silver Bells to the Ganges keeps thirty contemporary positions, a hulusi / bansuri exchange, imagined-geography boundaries and the provider state of its triptych moon film visible. Frontier Moon, Lotus Picking at Southern Pond in Autumn, Clear Water River, Crossing the River for Lotus, Spring River under the Moon, One Moon over Chang’an and Hengtang Road continue the route through classical watersides, cross-cultural dialogue and urban homesickness, while all nine verified Nine Songs dossiers remain public.
Open the complete singer archive ↗Music becomes a vertical window.
This file-verified complete vertical music film stays aligned with the MP3. The format belongs to phone viewing, but the work has not been cut into a trailer.
Here, complete has file-level evidence.
MP3 · MP3 · 190 kbps · 48 kHz · stereo
MP4 · H264 High + AAC · 824×1464 · 10 fps
MP3 / film duration difference · 0.184 s
The page reports archive-master specifications. Public media is either delivered as a lightweight on-site copy or sent through a verified site doorway to the identical source file. Both keep full duration and source dimensions; no song is shortened.
After this song, there is more than ‘next’.
A catalogue order can only point forward. This compass explains three different reasons to continue: follow a voice, stay with a cultural thread, or cross a language bridge. Every doorway opens a verified complete master.
Bamboo House Antiphon
竹楼对歌DAI AMEI continues in a different work, so character continuity can be heard rather than merely asserted.
DAI AMEI · Dai Amei · a contemporary bamboo-house call-and-response balladOpen the complete recording ↗
Farewell at the Long Pavilion · Lingwan 01A
长亭送别·灵婉 01AStay inside Enter 100 Chinese Classical Poems, but let another complete work change the angle of entry.
LINGWAN · Wang Shifu · Romance of the Western Chamber · Yuan-drama ballad 01A · LingwanOpen the complete recording ↗
Silver Jewelry and the Ganges Moon
银饰与恒河月Mandarin Chinese · mixed-script source lyric captions gives way to Mandarin Chinese · source lyric captions. The shift is audible, and both cultural origins remain named.
BAJIAO · Bajiao · a contemporary imaginative crossing of southwest-borderland and South Asian cinematic colourOpen the complete recording ↗The song ends. Its cultural life continues.
One recording. Three honest ways to pass it on.
Each draft keeps the complete duration, cultural origin and evidence boundary intact. Copying happens only on your device; nothing is posted automatically. Full MP3 and MV embed codes let an outside blog carry the verified work without re-uploading or shortening it.
“闻歌始觉有人来。”完整听傣族阿妹《采莲南塘》：4 分 14 秒，把王昌龄四句与李白八句同名《采莲曲》接成一条水路。序歌重复古诗首联，新副歌另行标注；“溪边／香袖”两处传本文字选择也不藏。
Two Tang poems share one complete 4:14 Mandarin setting. The dossier verifies Wang Changling's four lines, Li Bai's eight, two textual loci, a 308-character prompt, Dai Amei's public Persona, exact Suno provenance, complete media and no two-second silence. video_is_stale=true, so the film is preserved as a verified source snapshot.
Two Tang lotus poems meet: all twelve classical lines, new refrains and Dai Amei's complete 4:14 recording.