3:24
Wen Tingyun · Geng Lou Zi (Incense from the Jade Burner) · 01D · Lingwan
Incense from the Jade Burner · Lingwan
玉炉香·灵婉Red wax weeps before a rain-dark window and the night seems to have no end. Wen Tingyun turns longing into a room that grows colder; Lingwan follows each drop through the wutong leaves until the approach of dawn.
Press play. Let it finish.
Hear Lingwan's Incense from the Jade Burner in full: a 3:24 late-Tang night-rain ballad and complete vertical lyric film. Wen Tingyun's source lyric remains intact inside the marked original-text sections, while the four-line contemporary refrain is identified separately; the exact 01D Suno work and public Lingwan persona are verified.
The words are allowed to finish too.
[Intro]玉爐香，紅蠟淚，偏照畫堂秋思。[原词]玉爐香，紅蠟淚，偏照畫堂秋思。眉翠薄，鬢雲殘，夜長衾枕寒。梧桐樹，三更雨，不道離情正苦。一葉葉，一聲聲，空階滴到明。[Instrumental Interlude][Refrain]一葉葉，一聲聲，紅蠟照到天将明。夜長衾枕寒如水，三更雨裡听離情。[原词 Reprise]梧桐樹，三更雨，不道離情正苦。一葉葉，一聲聲，空階滴到明。[Outro]玉爐香，紅蠟淚。Hear the crossing without erasing either shore.
Red wax, loosened hair, a cold quilt and rain through wutong: longing becomes evidence inside a cooling room
红蜡、残鬓、寒衾、梧桐雨：思念不是概念，是房间里不断变冷的证据Wen Tingyun's Geng Lou Zi begins close to the body: incense burner, wax tears, painted hall, faded brows and loosened hair keep the listener indoors. Only in the second half does third-watch rain cross the wutong tree and strike the empty steps leaf by leaf, sound by sound. The viewpoint does not travel, yet hearing keeps widening the room. The weight lies not in an abstract declaration of longing, but in a cold body, an unfinished night and rain counting time. The setting follows that route from red candle to dawn, letting Lingwan carry each short phrase like a drop and turn silence into narrative.
Wen Tingyun's lyric remains intact; the four-line refrain, including the red wax burning toward dawn, belongs to the present setting
温庭筠原词完整保留；“红蜡照到天将明”等四句属于今天的副歌The source lyrics label Wen Tingyun's text as [Original Text] and [Original Text Reprise], with a separate [Refrain]. Its first line reuses the original phrase ‘leaf by leaf, sound by sound’; the lines about red wax shining toward dawn, a quilt cold as water and hearing separation inside third-watch rain are contemporary additions or adaptations. They give the melody a returning structure, but must not be back-attributed to the late-Tang poet. The archive therefore holds two facts together: the original lyric appears complete inside its marked sections, and the song is not merely a word-for-word setting. Historical source and present-day contribution remain legible as different layers.
The public Persona is ‘Lingwan Female Voice’; her third complete signature returns to a late-Tang interior
公开 Persona 是“灵婉女声”；《玉炉香》让她的第三套完整代表作回到晚唐室内The exact 01D work belongs to the public album 晚唐绮丽 and binds the public Persona named 灵婉女声—Lingwan Female Voice. Its source tags request a delicate clear female voice, red-candle tears, painted-hall autumn longing and wutong rain, supported by guqin, pipa and soft strings while excluding rap, EDM and loud drums. This is not a reconstruction of historical vocal practice; it gives a late-Tang interior to a continuing virtual singer. The First Lamp holds shared civic light, Farewell at the Long Pavilion releases an autumn parting, and this song withdraws to rain window and cold bedding. Three complete masters now make Lingwan a lead artist able to cross public narrative, theatre-inflected experiment and intimate late-Tang ci.
One red candle holds before a rain window to the final line; the source film's stale flag remains disclosed
一支红烛在雨窗前守到最后；来源影片的 stale 标记也没有被藏起来The archive decodes the complete 3:24 MP3 and 203.20-second film and checks frames at 2, 65, 130 and 199 seconds. One square source image remains throughout the 824×1464 vertical film: rain beads on a window while a red candle burns on the table. Captions travel from the opening jade-burner and wax-tears line through the marked original text and refrain to an outro repeating the first line; by @liwei and Made with Suno remain visible. The 48 kHz stereo MP3 and H.264 / AAC film decode from beginning to end and differ by only about 0.321 seconds. Suno's work interface still marks the source video with video_is_stale=true. This archive preserves that warning, while frame checks confirm that the currently downloaded film's lyrics, sections and ending match this work. It is a complete source-native lyric film—not performer footage, a filmed rainy night or a human-captioned master.
LINGWAN
灵婉Meet Lingwan, Weiyang Sound's clear, finely articulated virtual singer across Lu Xun's Autumn Night, late-Tang lyrics, a same-text Yuan-drama / Kunqu-inflected farewell pair, civic light, rock choir, Qixi voice routes and Four-Lead suites. All twelve verified masters now play completely on site.
Open the complete singer archive ↗Music becomes a vertical window.
This file-verified complete vertical music film stays aligned with the MP3. The format belongs to phone viewing, but the work has not been cut into a trailer.
Here, complete has file-level evidence.
MP3 · MP3 · 182 kbps · 48 kHz · stereo
MP4 · H264 High + AAC · 824×1464 · 10 fps
MP3 / film duration difference · 0.321 s
The page reports archive-master specifications. Public media is either delivered as a lightweight on-site copy or sent through a verified site doorway to the identical source file. Both keep full duration and source dimensions; no song is shortened.
After this song, there is more than ‘next’.
A catalogue order can only point forward. This compass explains three different reasons to continue: follow a voice, stay with a cultural thread, or cross a language bridge. Every doorway opens a verified complete master.
The Last Row Is Singing Too · Lingwan
最后一排也在唱·灵婉LINGWAN continues in a different work, so character continuity can be heard rather than merely asserted.
LINGWAN · original campus-memory stadium rock · Lingwan's clear female lead and choir waveOpen the complete recording ↗
Donghuang Taiyi · Dai Amei
东皇太一·傣族阿妹Stay inside Enter 100 Chinese Classical Poems, but let another complete work change the angle of entry.
DAI AMEI · Qu Yuan · Donghuang Taiyi from Nine Songs, excerpted with contemporary refrains · Dai AmeiOpen the complete recording ↗
After the Storm
风暴过后Mandarin Chinese · source lyric captions gives way to English · source lyric captions. The shift is audible, and both cultural origins remain named.
CINEMATIC FEMALE · Cinematic Female · English end-credit ballad · orchestra and gradually entering choirOpen the complete recording ↗The song ends. Its cultural life continues.
One recording. Three honest ways to pass it on.
Each draft keeps the complete duration, cultural origin and evidence boundary intact. Copying happens only on your device; nothing is posted automatically. Full MP3 and MV embed codes let an outside blog carry the verified work without re-uploading or shortening it.
红蜡在雨窗前流泪，梧桐一叶一声落到天明。完整听灵婉《玉炉香》：3 分 24 秒晚唐夜雨慢歌与完整竖屏歌词影像。温庭筠原词在 [原词] 段完整保留，“红蜡照到天将明”等四句当代副歌另行标明，不把今天写的句子倒署给古人。
Wen Tingyun's Geng Lou Zi moves from red wax and a cold bed to wutong rain striking empty steps. Hear Lingwan's exact 01D setting in full for 3:24, with verified MP3, source-native lyric film, artwork, public Persona and a four-part bilingual dossier. The complete original text remains distinct from the four-line contemporary refrain. Suno still flags the source video as stale; four frame checks confirm that the current download matches this work, and the warning remains disclosed.
Lingwan sings Wen Tingyun's red wax and wutong rain in a full 3:24 late-Tang ballad—source lyric and new refrain kept distinct.