by @liwei · made with Suno

Abrikota lun' super Jerevano

埃里温上空的杏色月亮

2026-10-02 · 4:42

A red scarf, narrow-street windows and an unsent letter rest in apricot moonlight over Yerevan.

Abrikota lun' super Jerevano · artwork

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Let moonlight keep an unsent letter.

Esperanto orchestral-canzone direction · dramatic tenor and mandolin

Below a hillside of sleeping stones, a name is heard in a duduk’s cry. An unsent letter stays near a passing shadow. The wish is for the last note to remain warm, not a claim that a reunion has happened.

This exact edition uses a 66 BPM Neapolitan orchestral-canzone direction: dramatic tenor, mandolin tremolo, harp, oboe and strings. Its words are Esperanto and its setting is Yerevan. The duduk belongs to the lyric image, not necessarily this arrangement.

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[Intro] Abrikota lun’, nokto en Jerevano... [Verse 1] Sub la monteto, kie dormas ŝtonoj, Mi aŭdis vian nomon en plor’ de duduko. Ruĝa koltuko moviĝis en vespera aer’, Kiel lasta flamo de muta preĝ’. [Pre-Chorus] Ne rapidu, vundita kor’, Lasu la vojon memori nin. [Chorus] Abrikota lun’ super Jerevano, Tenu mian amon en via trankvila mano. Se mi ne povos transiri la jarojn, La kanto fariĝu larmoj miaj. [Instrumental Interlude] [Verse 2] Fenestroj brilas en mallarĝa strat’, Iu kantas tra arĝenta pluv’. Mi gardas la leteron, kiun mi ne sendis, Proksime al la loko, kie pasis via ombro. [Bridge] Leviĝu kiel fumo, ne kiel flam’, Longa kaj mallaŭta, kun profunda sopir’. La lasta noto restu varma, Kiel ŝirmo en la ŝtorm’. [Final Chorus] Abrikota lun’ super Jerevano, Tenu mian amon en via trankvila mano. Se mi ne povos transiri la jarojn, La kanto fariĝu larmoj miaj. [Outro] Abrikota lun’, nokto en Jerevano...

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埃里温上空的杏色月亮·石绣杏庭｜杏色石版 × 铜丝杏花 × 毡绣山影｜世界语完整美术MV｜@liwei · film artwork

埃里温上空的杏色月亮·石绣杏庭｜杏色石版 × 铜丝杏花 × 毡绣山影｜世界语完整美术MV｜@liwei

An unsent letter stays close to the heart. An apricot moon lights the old road while song carries us through years we cannot cross again. Apricot Moon over Yerevan · Stone and Embroidered Courtyards preserves this complete Esperanto recording and its original words. Granular apricot stone, copper-wire blossoms and embroidered blue mountain shadows bring a letter, red scarf and fruit close to a wooden window. This is a fantastical courtyard, not documentary footage of Yerevan. The public Suno brief imagines a Neapolitan orchestral canzone with dramatic tenor, broad portamento, mandolin tremolo, strings, harp and oboe. These are creative directions, not independently authenticated instruments or measured rhythm; the sung language remains Esperanto. The complete opening, interlude and trailing notes stay with the letter.

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More recordings with this title

Version 01 · 2026-10-02 · 4:27Version 02 · 2026-10-02 · 4:42 · Here

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