COMPLETE MUSIC · YOUR OWN PACE

Across languages

A different language, voice or cultural doorway can reveal another shape of a familiar feeling.

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  1. 01
    Ne Ferme Pas Le Matin · MaryBefore the rain clears, coffee still warms yesterday’s letter. Mary moves between French and Mandarin, letting an unhurried goodbye linger among accordion, piano and cello.Full recording & story ↗
  2. 02
    Ne Rentre Pas Trop Tard · JAZZ-03Coffee, a turning record and a taxi in the street hold the shape of someone missing. Accordion, muted trumpet and an intimate lower female voice turn “don’t come home too late” into a lamp left burning. This French jazz chanson asks for no promise—only a little room for a return.Full recording & story ↗
  3. 03
    Ce n’est pas seulement t’aimer · More Than Loving YouFreckles, a smile and the endearing way someone gets a fact wrong become the details of a love letter. French vocals unfold over nylon-string guitar, guzheng and warm strings. Its repeated declaration finds love not only in grand moments, but in wanting to make someone smile for years to come.Full recording & story ↗
  4. 04
    Olympic Night of Nations · Lingwan Gold EditionOne flame, many voices: Lingwan joins Esperanto, English, Mandarin and Spanish in a gentle song of nations. Piano, soft strings, flute and restrained ceremonial drums make an opening night feel both spacious and close. Before medals, the lyrics see the people behind the flags: travelers, different mother tongues and hearts willing to listen beneath one sky. A childlike chorus gently lifts the final hope.Full recording & story ↗
  5. 05
    Lantern Search · Lingwan Gold EditionThe east wind opens trees of light and stars fall like rain: Xin Qiji’s Lantern Festival moves from splendor toward a quiet turn. Lingwan sings the original Chinese ci, then answers in English through lanterns, passing faces and a search. “Suddenly I knew” meets the Chinese refrain in one melody. Piano, guzheng, xiao and soft strings let the crowds recede. The person sought waits not in the loudest brightness, but at the fading edge of the lights.Full recording & story ↗
  6. 06
    Eternal Summer · Duet Gold Edition“Shall I compare thee to a summer’s day?” enters a tender duet through Chinese verse and a brief English response. Renaissance lute, Celtic harp, piano and warm strings bring May flowers, a fleeting season and lasting love into the same evening. The closing answer makes the poem’s promise singable: a life carried onward by words and memory. This distinct recording takes its place beside the other Eternal Summer editions.Full recording & story ↗
  7. 07
    Fille de l’eauSea breeze and an ancient forest still hold someone’s voice. Fille de l’eau brings clear rivers, a cuckoo of the southern seas and a skirt brushing past a vine into one French song. A warm female middle register meets acoustic guitar, light strings and accordion. Without raising her voice, the water girl sings across forest, shore and distant hills. Nostalgia becomes an echo rather than a place name.Full recording & story ↗
  8. 08
    La Infanoj DemandasChildren ask why there are walls, and why so many maps divide the same earth. Male Slow’s warm deep voice lets Esperanto questions meet Mandarin replies. Cello, low strings and piano hold a slow peace hymn without shouting or promising an easy dawn. The song protects a small flame, listens to the silence of the old and asks that the dreams of the young remain unbroken: for children, for tomorrow, for a world that can still choose.Full recording & story ↗
  9. 09
    In a Small Town by the Silver Sea · RemasteredIn a small town beside a silver sea, a girl dances with the wind. Youth once made every promise shine like gold; later, the tide carried footprints away and taught her how to begin again after heartbreak. Piano, strings and cello lend a cinematic sweep to Esperanto verses about love, time and growing up. The title remains in English, but the sung story is Esperanto: beauty lives not only in the first bright moment, but also in the courage to smile toward a new dream.Full recording & story ↗
  10. 10
    Ya Layl Al-QamarA call to night and moon leads to an old doorway and a sandy road. Lingwan opens this world-folk journey with Arabic words and a quiet invitation to listen.Full recording & story ↗
  11. 11
    Ay IsigindaWind from an old road carries a name once more. In this Turkish-language song, Lingwan brings moonlight, memory and a trembling heart close together.Full recording & story ↗
  12. 12
    Dalbit GanggaeseoA voice calls from a moonlit riverbank, and the water seems to answer. Korean lyrics give Lingwan's journey a quiet place to pause and remember.Full recording & story ↗
  13. 13
    Shabe NiloufarNight settles at the window; a name trembles softly in the rain. This Persian-language world-folk song brings distance close enough for a quiet exchange.Full recording & story ↗
  14. 14
    Doi Mua NhoLight rain falls over an old river, where someone waits on the bank. Lingwan follows Vietnamese words through a rain-soaked landscape, leaving a moment of waiting in the river breeze.Full recording & story ↗
  15. 15
    Khuen Chan RakA declaration of love keeps company with streetlights still awake in the rain. Lingwan's Thai-language song leaves a little warmth at the end of this journey through moonlight and rain roads.Full recording & story ↗
  16. 16
    Dream of Ten YearsFrom the Chinese poem to an English response, Male Slow lets ten years of longing echo between two languages.Full recording & story ↗
  17. 17
    Echoes of When You Are Old · MaryFirelight, distant hills and companionship: Mary's Mandarin Celtic song and full film with its horse-riding outro.Full recording & story ↗
  18. 18
    The Stars Are NearA complete 3:20 Mandarin × Esperanto Qixi song and on-site film with its pending language-review status kept visible.Full recording & story ↗
  19. 19
    Le Vent Nous RamèneA complete 4:29 French-language cinematic ballad and on-site film of sea wind, rain-lit streets and return, with language review visibly pending.Full recording & story ↗
  20. 20
    La pluie près de toiBreathy Female brings Mandarin and French into a close-mic Paris night across a complete 2:37 song and source-native lyric film, with the language-review boundary kept visible.Full recording & story ↗
  21. 21
    A Soul RebornLin Juyi carries a complete 4:58 dark-romantic Qixi ballad in a deep androgynous register, with the version split between its title and sung refrain documented in public.Full recording & story ↗
  22. 22
    The Stars Are Near · ForeverForever Female turns Qixi starlight into enduring companionship and wedding vows across a complete 4:33 01K version and source-native lyric film.Full recording & story ↗
  23. 23
    Rainforest Night SongBajiao brings southwest rainforest imagination into a careful collision with South Asian cinematic melody across a complete 5:03 work and source-native lyric film, with living-community boundaries intact.Full recording & story ↗
  24. 24
    The Stars Are Near · Mediterranean Moon BridgeAcross a complete 4:47, Mediterranean Male carries a Mandarin Qixi bridge motif to a moonlit harbour while separating disclosed Arab-Andalusian colour from claims about living tradition.Full recording & story ↗
  25. 25
    Moon over the MekongAcross a complete 4:08, Dai Amei turns the Lancang–Mekong into a moonlit letter while keeping the Mandarin centre, one Lao greeting and regional-colour boundaries visible.Full recording & story ↗
  26. 26
    Moonlit Bamboo HouseAcross a complete 5:00, Dai Amei gathers stilt house, peacock and hulusi around one waiting lamp while keeping real cultural roots distinct from the contemporary AI-assisted song.Full recording & story ↗
  27. 27
    By the Peacock RiverAcross a complete 3:59, Dai Amei turns peacock, river, silver and hearth into one person’s wait while keeping the recording distinct from living peacock-dance tradition.Full recording & story ↗
  28. 28
    The Stars Are Near · Cyber Choir FinaleAcross a complete 4:50, Cyber's clear tenor carries one Qixi love melody into a bright choir finale. The public 01D B label, original Qixi cover root, complete media and progressing captions are evidenced at work level; the source has no Persona field.Full recording & story ↗
  29. 29
    After the StormAcross a complete 5:24 English end-credit ballad, Cinematic Female carries broken windows, a candle, hands holding and a child drawing suns toward lights coming on together. The public Persona, v5.5 source, complete media and progressing captions are evidenced at work level.Full recording & story ↗
  30. 30
    The Final DialogueAcross a complete 5:03, Cinematic Female carries an old platform, sea, afterglow and city lamps through Mandarin verses before the English chorus crosses wind, rain and end credits. The public Persona, v5.5 source, complete media and progressing captions are evidenced at work level.Full recording & story ↗
  31. 31
    Café under the Near StarsAcross a complete 3:44, Mary brings Mandarin, French and one English couplet beside rain, coffee, accordion and cello. Source notes define this 02A work as a new life for the Qixi hook, not a cover.Full recording & story ↗
  32. 32
    The Stars Are Near · Lin JuyiAcross a complete 4:52, Lin Juyi brings the Milky Way, magpie bridge and Qixi from legend into ordinary companionship while the exact 03C cover relation, four-version family and source-lyric film remain visible.Full recording & story ↗
  33. 33
    A New Dream on the Magpie Bridge · LingwanAcross a complete 4:49, Lingwan carries the same full lyric and 七夕 parent as Lin Juyi's 03C, with the exact 03B cover, two-version family and voice comparison kept public.Full recording & story ↗
  34. 34
    The Galaxy Remains · Bollywood MaleAcross a complete 4:47, Bollywood Male carries the same full lyric and 七夕 parent as Lingwan 03B and Lin Juyi 03C, with the exact 03A cover, two-version family and three-voice comparison kept public.Full recording & story ↗
  35. 35
    The Stars Are Near · Bajiao South Asian CrossingAcross a complete 4:54, Bajiao carries the shared Qixi lyric. An entry-by-entry audit of 01A–01K and 03A–03C verifies 14 source recordings across 11 singers; 14 recordings by 11 singers now play in full on site. The exact 01I cover, public 七夕 parent, cultural boundary and roughly two-second quiet tail remain public.Full recording & story ↗
  36. 36
    The Stars Are Near · Breathy NocturneAcross a complete 4:19, Breathy Female brings a close-listening Qixi performance fully public. Exact works 01A–01K and 03A–03C form a verified 14-recording / 11-singer source lineage; 14 recordings by 11 singers now play completely on site. The exact 01H cover, two-version family, Persona, no-long-silence master and abstract source-nebula film remain public.Full recording & story ↗
  37. 37
    The Stars Are Near · Widescreen End ThemeAcross a complete 4:29, Cinematic Female carries a same-lyric, same-parent Qixi ballad into piano, cello, sweeping strings and a gentle choir lift. Exact works 01A–01K and 03A–03C form a verified 14-recording / 11-singer lineage; 14 recordings by 11 singers now play completely on site. Exact 01G variant B, the two-version family, Persona root, no-long-silence master and cyanotype-like star-arc source film remain public.Full recording & story ↗
  38. 38
    The Stars Are Near · Lin Juyi Cinematic TakeAcross a complete 4:49, Lin Juyi places the lyric, 七夕 parent and Persona shared with 03C inside piano, cello, soft strings and a lamplit rain window. The verified lineage holds 11 singers across 14 recordings, with 14 takes by 11 singers now playing in full. Exact 01F B / 03C retain the only proven same-Persona A/B study.Full recording & story ↗
  39. 39
    The Stars Are Near · Male Slow Moonlit BassAcross a complete 4:59, Male Slow lowers the shared lyric and 七夕 parent into a restrained bass voice. Exact 01E B belongs to a verified lineage of 11 singers and 14 complete recordings, with 14 takes by 11 singers now playing in full. It returns no Persona object, and that boundary stays visible.Full recording & story ↗
  40. 40
    The Stars Are Near · Lingwan by the Window LampAcross a complete 4:53, Lingwan carries the shared Qixi lyric through a delicate clear voice, soft acoustic country-pop, campus nostalgia and a misted window lamp. Exact 01C B belongs to the verified 11-singer / 14-recording lineage, with 14 takes by 11 singers now playing in full. It matches 03B in singer attribution, lyric and 七夕 parent, but exact 01C has no Persona object, so the archive does not call it a proven same-Persona A/B.Full recording & story ↗
  41. 41
    The Stars Are Near · Mary's Country-Pop WarmthAcross a complete 4:50, Mary carries the shared Qixi lyric through warm mezzo, acoustic guitar, cello, soft strings and country-pop tenderness. Exact 01B Mary-country B belongs to the verified 11-singer / 14-recording lineage; 14 takes by 11 singers now play in full. The work returns no Persona object, so no ID is borrowed from Mary's other works.Full recording & story ↗
  42. 42
    The Stars Are Near · Bollywood Duet BridgeAcross a complete 4:55, Bollywood Male carries the shared Qixi lyric through a source-tagged Bollywood duet, gentle strings and a lilac night bridge. Exact 01A completes the public verified lineage at 14 recordings by 11 singers. It shares catalogue singer attribution, lyric and parent with 03A, but 01A has no Persona or second-singer field, so the archive claims neither a same-Persona A/B nor an invented partner.Full recording & story ↗
  43. 43
    Bamboo House AntiphonAcross a complete 4:08, Dai Amei carries a contemporary call-and-response original through bamboo-house lamplight, waiting across water and a homeward path. The source labels female, male and shared parts, while the catalogue and public Persona register Dai Amei alone; no second virtual singer is invented.Full recording & story ↗
  44. 44
    Silver Jewelry and the Ganges MoonAcross a complete 4:22, Bajiao carries two moons—one over a bamboo house, one over the Ganges—through a contemporary ballad. The 34-line Chinese lyric/caption payload, public Persona, two-version family and complete media are verified; southwest and South Asian tags remain composition cues, not living-tradition claims.Full recording & story ↗
  45. 45
    Moon over the Mountain RoadAcross a complete 5:38, Bajiao turns departure, an old settlement, bamboo house, city crowds and one backward glance into a road-loop ballad. The 33-line Chinese lyric, public Persona, two-version family and complete media are verified; southwest and South Asian tags remain composition cues.Full recording & story ↗
  46. 46
    Ten Thousand Voices beneath the Stars · Lin JuyiAcross a complete 3:54, Lin Juyi moves from one person's weather into the answer of the final row. Thirty-six distinct original lines, two same-title generations, the exact 02C work, complete media and conflicting Persona-status fields are documented. It shares one starry hook with The Stars Are Near but does not join that verified 14-take same-lyric suite.Full recording & story ↗
  47. 47
    Magpie Bridge Air · LingwanAcross a complete 3:36, Lingwan turns moonlight, embroidery thread, water sleeves and the Magpie Bridge into a contemporary Qixi sister song. Twenty-eight original lines, two same-millisecond same-title generations, exact 02B work, Lingwan Persona voice root, complete media and source-film caption defects are documented. Huangmei- and Yue-opera references are generation cues—not a traditional repertory, classical-poem or live-opera claim.Full recording & story ↗
  48. 48
    Farewell at the Long Pavilion · Lingwan 01AAcross a complete 3:02, Lingwan carries twenty-two selected Wang Shifu lines into an accessible Yuan-drama narrative ballad. It shares text and Persona with the Kunqu-inflected 02A yet retains an independent source ID, tag brief, duration and media hashes, making the two directly comparable without treating either as a replacement.Full recording & story ↗
  49. 49
    Lord of the East · Dawn over FusangAcross a complete 2:45, Dai Amei sings twelve of twenty-four lines from Qu Yuan's Dong Jun. Ten contemporary performed line positions, eight distinct new lines, one direct reuse of the source and the omitted range remain explicit. The exact Suno work, two-version catalogue boundary with only one verifiable ID, embedded public Persona, voice root, complete media and Fusang-tree lyric film are documented. Hulusi and Dai-voice language remain contemporary cross-cultural generation cues—not a Chu-rite or living Dai-tradition claim.Full recording & story ↗
  50. 50
    Great Master of Fate · Dark Clouds at Heaven's GateAcross a complete 2:44, Dai Amei sings nine of fourteen couplet-lines—eighteen clauses—from Qu Yuan's Da Siming, with four contemporary intro/refrain lines and five omitted couplets separately identified. The exact Suno work, two-version catalogue boundary with only one verifiable ID, embedded public Persona, voice root, complete media and rain-cloud stone-gate source-lyric film are documented. Hulusi and Dai-voice language remain contemporary cross-cultural generation cues—not a Chu rite, real heritage-site or living Dai-tradition claim.Full recording & story ↗
  51. 51
    Xiang Jun · Long Waters, Light Cassia BoatAcross a complete 3:10, Dai Amei sings fourteen of thirty-eight clauses from Qu Yuan's Xiang Jun, with 望夫君兮未來 repeated once; two recomposed intro lines and four distinct contemporary lines remain explicit. The exact Suno work, two-version catalogue boundary with only one verifiable ID, public Persona, voice root, complete media and white-lotus / wet-stone source-lyric film are documented. The female voice is not treated as proof of the ancient deity's gender, and Dai-voice language is not a Chu-rite or living-tradition claim.Full recording & story ↗
  52. 52
    Shao Siming · Autumn Orchids Grow GreenAcross a complete 3:07, Dai Amei sings sixteen of twenty-six clauses from Qu Yuan's Shao Siming, with the parting/new-knowledge couplet repeated; two recomposed intro lines and two contemporary lines remain explicit. The exact Suno work, two-version catalogue boundary with only one verifiable ID, public Persona, voice root, complete media and cyanotype-orchid source-lyric film are documented. The female voice is not treated as proof of the ancient deity's identity or gender, and Dai-voice language is not a Chu-rite or living-tradition claim.Full recording & story ↗
  53. 53
    Mountain Spirit · A Spirit Dwells in the MountainAcross a complete 3:34, Dai Amei sings twelve of twenty-seven received clauses from Mountain Spirit; three source clauses repeat and seven recomposed or contemporary lines remain explicit. The exact Suno work has a blank source title while the catalogue registers two versions as 山鬼 inside 楚辞神话祭歌. The public Persona, voice root, complete media and forest-rain source-lyric film are documented. The female voice is not treated as proof of the spirit's identity or gender, and Dai-voice language is not a Chu-rite or living-tradition claim.Full recording & story ↗
  54. 54
    After New Rain in the Empty MountainsAcross a complete 3:27, Dai Amei sings all eight lines of Wang Wei's Autumn Evening in the Mountains, while five verbatim reprises and nine recomposed or contemporary lines remain explicitly separate. The exact Suno work, public Persona, independently readable voice root, complete MP3, full source-lyric film and painted post-rain stream artwork are evidenced. “Dai folk colour” remains a contemporary design cue—not a Tang score, human performance or living-tradition claim.Full recording & story ↗
  55. 55
    Sun and Rain in a Bamboo-Branch SongAcross a complete 2:48, Dai Amei resets the first of Liu Yuxi's Two Bamboo-Branch Lyrics: three source lines remain verbatim, 唱歌聲 becomes 踏歌聲 in the second, and nine recomposed or contemporary lines stay explicit. The exact Suno work, public Persona and voice root, complete MP3, full source-lyric film and painted waterside artwork are evidenced. “Dai ethnic female voice” remains a contemporary cross-cultural cue—not a Tang score, Bayu folk reconstruction, human performance or living Dai tradition.Full recording & story ↗
  56. 56
    Moon over Mount EmeiAcross a complete 3:32, Dai Amei resets Li Bai's Moon over Mount Emei: all four poem lines remain across eight exact performed positions, while ten recomposed or contemporary positions stay explicit. The exact Suno work, public Persona and voice root, complete MP3, full two-panel source-lyric film and media hashes are evidenced. Dai folk voice, hulusi, bamboo flute and guqin remain contemporary cross-cultural cues—not a Tang score, human performance, Emei folk tradition or living Dai tradition.Full recording & story ↗
  57. 57
    Hengtang RoadAcross a complete 3:35, Dai Amei resets He Zhu's Qingyu An: eight distinct verbatim source clauses occur thirteen times, four source locations are altered and five distinct contemporary lines occupy six positions, with historical-witness variants disclosed separately. The exact Suno work, public Persona and voice root, complete MP3, full cyanotype-style source-lyric film and media hashes are evidenced. Dai folk voice, hulusi, bamboo flute and guqin remain contemporary cross-cultural cues—not a Song score, human performance, Hengtang field record or living Dai tradition.Full recording & story ↗
  58. 58
    One Moon over Chang’anAcross a complete 3:15, Dai Amei resets Li Bai’s Autumn Song: all six poem lines appear across eight exact positions, while twelve recomposed or contemporary positions remain separately accounted. The exact Suno work, public Persona and voice root, complete MP3, full source-lyric film and media hashes are evidenced. Tang Chang’an, the Jade Gate, Dai folk colour and instrument cues remain contemporary cross-cultural direction. The black-and-white source artwork mistakes clothes-beating for a mortar and pestle; that AI visual mistranslation is disclosed rather than presented as Tang material culture or reconstruction.Full recording & story ↗
  59. 59
    Spring River under the MoonAcross a complete 2:42, Dai Amei resets the first eight lines of Zhang Ruoxu’s Spring River, Flowers, Moon, Night. Ten exact source-line positions, one 遶 / 繞 graphic-variant position and four contemporary refrain lines remain separately accounted. The exact Suno work, public Persona and voice root, complete MP3, full source-prompt film and media hashes are evidenced. Spring river, sea moon, Dai folk voice and instrument cues remain contemporary cross-cultural direction; the crayon riverscape is not presented as Tang reality.Full recording & story ↗
  60. 60
    Crossing the River for LotusA complete 3:37 carries all eight lines of Poem VI from the Nineteen Old Poems. Ten exact positions, three 採 / 采 variants, four adaptations and seven additions remain separate; disputed attribution, exact Suno work, Dai Amei Persona and voice root, media and hashes are evidenced. Dai-folk remains a contemporary cue.Full recording & story ↗
  61. 61
    Clear Water RiverA complete 2:48 contemporary Mandarin original travels from commuters, city-river lights and phone-stored photographs toward an inward home. Twenty-eight performed lines, four repeated anchors, the exact Suno work, Dai Amei Persona and voice root, complete media and hashes are evidenced. The river is lyrical imagination; Dai colour and hulusi remain contemporary generation cues.Full recording & story ↗
  62. 62
    Lotus Picking at Southern Pond in AutumnA complete 3:26 carries four consecutive Xizhou Qu lines across five performed positions into a contemporary waterside continuation. Four exact positions, one 採 / 采 graphic variant and twenty-three adapted or new positions remain separate. The exact Suno work, two-version catalogue family, Dai Amei Persona and voice root, complete media and hashes are evidenced; Dai-folk, hulusi and the crayon lotus pond remain contemporary cues and source imagery.Full recording & story ↗
  63. 63
    Frontier MoonA complete 3:38 joins one exact Wang Changling line, two recomposed Wang Zhihuan allusions and twenty-eight contemporary positions under the same moon. The exact Suno work, two-version catalogue family, Dai Amei Persona and voice root, complete media and hashes are evidenced. Qiang flute, hulusi, frontier and bamboo-house imagery remain contemporary cross-cultural direction—not a Tang score or living-community record.Full recording & story ↗
  64. 64
    Silver Bells to the GangesA complete 3:27 lets hulusi ask from a bamboo grove and bansuri answer in the night. Thirty contemporary lines link bells, a bamboo house, moonlight and the Ganges as imagined geography. The exact Suno work, two-version catalogue family, Dai Amei Persona and voice root, complete media and hashes are evidenced; instrument names remain generation directions—not human-performance, travel, religious, ethnographic or living-tradition claims.Full recording & story ↗
  65. 65
    Let the Moon Rest on Your ShoulderA complete 3:48 lets Breathy Female turn ‘not every passionate love must be shouted into the centre of the world’ into close-mic confession. Thirty contemporary positions, the exact Suno work, two-version catalogue family, public Persona and voice root, complete media and hashes are evidenced. Bansuri, tabla, tanpura, sitar and Hindustani ornament remain generation directions—not human-performance, travel, religious, ethnographic or living-tradition claims.Full recording & story ↗
  66. 66
    The Dim-Lit TavernA complete 3:27 lets Breathy Female turn ‘the light is not out; the song is not over’ into warmth inside a dim imagined tavern. Thirty-two contemporary positions, the exact Suno work, two-version catalogue family, public Persona and voice root, complete media and hashes are evidenced. Cabaret, accordion, upright bass, brushed snare and film noir remain generation directions—not human players, a real venue, period reconstruction or live recording.Full recording & story ↗
  67. 67
    Rain by My EarA complete 3:19 lets Breathy Female turn ‘the rain is close; so are you’ into a reunion beside the ear. Thirty-two contemporary positions, the exact Suno work, two-version catalogue family, public Persona and voice root, complete media and hashes are evidenced. Close-mic breath, piano, nylon guitar, room reverb and rain at a window remain generation directions—not human players, a real photograph, place or live recording.Full recording & story ↗
  68. 68
    Amei Sings Late AutumnDai Amei's complete 4:16 setting carries all eight received lines of Li Qingzhao's A Twig of Plum Blossom into a contemporary waterside ballad. New refrain and variation remain distinct from the Song lyric; exact Suno work, full MP3, full vertical lyric film, media hashes and the no-two-second-silence master are verified—not a 45-second preview.Full recording & story ↗
  69. 69
    Golden Coast · Symphonic HighlightViolin, cello, horn, piano and strings complete a 3:23 pure-instrumental coastal arc—no vocals and no suggestion that instrumental music is unfinished. by @liwei · made with Suno.Full recording & story ↗
  70. 70
    Reverence for the Light WithinRock is not a singer; Cyber is the tenor. 5:58 moves from private conviction into Celtic hymn colour and choir.Full recording & story ↗
  71. 71
    Don't Turn Out the LightOld cinema, rain and one French phrase keep the last light on across a 3:32 breathy slow song.Full recording & story ↗
  72. 72
    From the Bamboo House to the GangesBajiao joins bamboo house, rainforest, hulusi and bansuri across a 5:38 ballad over mountains.Full recording & story ↗
  73. 73
    The Right-Hand Passenger Seat × Meeting YouMary turns passenger seat, evening wind and an old gas station into homecoming across a 4:11 country-acoustic mashup.Full recording & story ↗
  74. 74
    Moon over the Mountain PassMediterranean Male answers Li Bai's frontier moon through oud, ney and flamenco guitar across 3:14.Full recording & story ↗
  75. 75
    When You Are Old · Chinese VersionYeats's enduring gaze enters a 5:06 Chinese re-imagining through firelight, Celtic harp and bansuri.Full recording & story ↗
  76. 76
    Lady in the MeadowKeatsian dark romance keeps beauty and danger together across a 5:05 English cinematic folk ballad.Full recording & story ↗
  77. 77
    A Patient SpiderWhitman-like solitude casts another thread into the unknown across a 4:56 English road ballad.Full recording & story ↗
  78. 78
    Loveliest of TreesHousman's blossom and finite years open into a 5:13 English spring pastoral ballad.Full recording & story ↗
  79. 79
    Thrush at Winter DuskHardy's winter dusk hears a hope without guarantee across a 4:54 English cinematic ballad.Full recording & story ↗
  80. 80
    Higher Than the SkylarkShelley's skylark rises through a 4:18 English art-pop ballad without sudden octave shortcuts.Full recording & story ↗
  81. 81
    To Strive, To SeekTennyson's resolve to strive, seek and not yield sails through a complete 4:34 cinematic sea ballad.Full recording & story ↗
  82. 82
    King of Broken SandShelley's Ozymandias carries ruin, pride and empty sand through a complete 4:44 desert narrative.Full recording & story ↗
  83. 83
    Blue Planet Window · LingwanLingwan lets Esperanto, English, Mandarin and French share one blue-planet window across a complete 2:52.Full recording & story ↗
  84. 84
    Hall of Many Flags · Male SlowMale Slow brings a hall of flags back to individual people across a complete 3:48 multilingual bass narrative.Full recording & story ↗
  85. 85
    After the Flood · MaryMary turns rebuilding after a flood into relighting homes and recognising neighbours across a complete 3:26 four-language ballad.Full recording & story ↗
  86. 86
    Last Lighthouse · Bollywood MaleBollywood Male keeps watch from sea mist to the final beam across a complete 3:58 multilingual song.Full recording & story ↗
  87. 87
    Letters Across a Century · MaryMary turns century-crossing Esperanto letters into the choice to answer a stranger across a complete 3:33 four-language song.Full recording & story ↗
  88. 88
    Olympic Night of Nations · LingwanLingwan lets Esperanto, English, Mandarin and Spanish enter together while retaining distinct phrasing across a complete 2:59.Full recording & story ↗
  89. 89
    Museum of Returning Stones · Male SlowMale Slow carries return and reconciliation beyond the glass case in a complete 3:52 four-language bass narrative.Full recording & story ↗
  90. 90
    Moonbase Earthrise · Bollywood MaleBollywood Male looks back from the Moon toward an Earth without visible borders across a complete 4:33 four-language finale.Full recording & story ↗
  91. 91
    The Rowan Light · LingwanLingwan follows a northern rain road toward old light beside a rowan tree in a complete 3:34 English folk song.Full recording & story ↗
  92. 92
    Luna de Granada · LingwanFountain streets and a questioning guitar gather moonlight in Lingwan's complete 3:03 Spanish folk song.Full recording & story ↗
  93. 93
    Moon Lullaby · LingwanLingwan holds a moonlit river, a waiting bridge and a small bell in the wind across a complete 4:34 Japanese lullaby.Full recording & story ↗
  94. 94
    Carta do Mar · LingwanAn old Lisbon street and rain on glass entrust memory to the sea in Lingwan's complete 3:53 Portuguese folk song.Full recording & story ↗
  95. 95
    White Night · LingwanLingwan follows snow, an old bridge and one lit window across a complete 4:23 Russian romance.Full recording & story ↗
  96. 96
    Stelo Super Rivero · LingwanLingwan lets one star find someone far away across a complete 3:45 Esperanto folk song.Full recording & story ↗
  97. 97
    La Strada dei Limoni · LingwanLemon scent, a lit window and village evening write return across Lingwan's complete 3:53 Italian folk song.Full recording & story ↗
  98. 98
    Fos Sto Aigaio · LingwanA white harbour, jasmine and moonlight hold an Aegean longing across Lingwan's complete 3:06 Greek folk song.Full recording & story ↗
  99. 99
    Old Moon over Liangzhou · MaryMary brings frontier verse, Celtic fiddle and low whistle beneath one old moon across a complete 2:49 setting.Full recording & story ↗
  100. 100
    Old Train in the Rain · MaryMary waits for an old train carrying yesterday across a complete 3:50 Celtic-country ballad.Full recording & story ↗
  101. 101
    The Ballad of Mulan · Bollywood MaleBollywood Male lets courage and tenderness travel together across a complete 3:22 reimagining of Mulan.Full recording & story ↗
  102. 102
    The Lotus-Gathering Girl of YexiYexi, lotus leaves and laughter on water return to present-day listening across a complete 3:37 classical water song.Full recording & story ↗
  103. 103
    The World Is Too MuchSea, moon and a quieter music cross a complete 5:25 English poetry song.Full recording & story ↗
  104. 104
    Moon over the Rainy Lane · Lin JuyiLin Juyi brings Moon over the Mountain Road into a complete 6:16 old-city rainy-lane voice edition.Full recording & story ↗
  105. 105
    Old Lamp on the Mountain Road · Male SlowMale Slow carries distance home to an old lamp across a complete 6:15 bass ballad.Full recording & story ↗
  106. 106
    Silver Bells over the Mountain Road · BajiaoBajiao carries silver bells, hulusi and moonlight along a complete 6:19 mountain-road song.Full recording & story ↗
  107. 107
    Moonlight Anthem for Many VoicesOne lamp becomes solo, response and mixed choir across a complete 4:59 choral work.Full recording & story ↗
  108. 108
    Riveroj de la Mondo · Male SlowThe Nile, Yangtze and Danube converge through a complete 3:49 Esperanto-Mandarin bass song.Full recording & story ↗
  109. 109
    La Sama Stelo · LingwanLingwan carries old city, harbour and a bridge of language through a complete 3:43 Esperanto-Mandarin song.Full recording & story ↗
  110. 110
    Where the Dark Sea GlowsA moonlit harbour, old guitar and empty chair hold a complete 4:55 Mediterranean ballad.Full recording & story ↗
  111. 111
    The Solitary ReaperBollywood Male carries Wordsworth's Highland song through a complete 4:42 poetry setting.Full recording & story ↗
  112. 112
    Nangma Halfway through the WineHalf a glass and a late answer meet in a complete 3:40 Mandarin love song; Nangma remains a generation direction.Full recording & story ↗
  113. 113
    Golden After · Bilingual MashupAn English female voice and Cyber Tenor complete a 5:07 bilingual call and response across a coastline.Full recording & story ↗
  114. 114
    Qixi × When You Are OldA Mandarin reunion and Yeats's gaze from old age alternate across a complete 5:50 bilingual mashup.Full recording & story ↗
  115. 115
    Silver Bells through the Rainforest · BajiaoRainforest light and silver-bell echoes travel through a complete 5:37 Bajiao ballad.Full recording & story ↗
  116. 116
    Night Boat on the Lancang River · BajiaoBlack water, a boat light and an echo on shore cross a complete 4:36 Bajiao river-night song.Full recording & story ↗
  117. 117
    The Old Umbrella at the Flower Market · BajiaoA flower market after rain and closing streetlights leave an old umbrella inside a complete 4:43 Bajiao city-folk song.Full recording & story ↗
  118. 118
    Moon Road of Tea and Horses · BajiaoA moonlit ridge, tea fragrance and horse bells move through a complete 5:00 Bajiao mountain-road narrative.Full recording & story ↗
  119. 119
    Homecomer at the Lantern Market · BajiaoA city of lanterns and one doorway light recognise each other across a complete 5:34 Bajiao homecoming ballad.Full recording & story ↗
  120. 120
    The Little Yunnan Train · BajiaoMountainside rails, an old station in mist and a slow train window cross a complete 4:47 Bajiao travel-folk song.Full recording & story ↗
  121. 121
    An Old Letter in the Sea Fog · MarySea fog, an old letter and Celtic strings move through a complete 4:07 Mary coastal ballad.Full recording & story ↗
  122. 122
    The Distant Hills Bring You Home · MaryDistant hills, dusk and the road home unfold across a complete 3:57 Mary folk song.Full recording & story ↗
  123. 123
    Fishing Lights through the Rainy Night · MaryRain-dark sea, fishing lights and a homeward course cross a complete 4:13 Mary harbour-night song.Full recording & story ↗
  124. 124
    A White Sail Passes through Dusk · MaryOne white sail and the last light pass through a complete 4:09 Mary coastal folk song.Full recording & story ↗
  125. 125
    Moon beside the Stone House · MaryA stone house, doorway moonlight and sea wind settle into a complete 3:54 Mary moonlit folk song.Full recording & story ↗
  126. 126
    Wind over the Blue Headland · MaryA blue headland and open line of wind complete a 4:06 Mary Celtic-coast finale.Full recording & story ↗
  127. 127
    Road after Rain · MaryA rain-washed road, wheat-field moonlight and an old filling station unfold across a complete 3:33 Mary country-folk ballad.Full recording & story ↗
  128. 128
    An Old Letter by the Ganges · MaryAn old letter returns through Ganges moonlight across a complete 3:47 Mary cinematic ballad.Full recording & story ↗
  129. 129
    The Blue Letter · MaryBlue paper, rainy-night accordion and a grounded mezzo cross a complete 3:48 chanson-coloured ballad.Full recording & story ↗
  130. 130
    Old End Credits in the Sea Wind · MaryAn old pier, Mediterranean dusk and an unfinished name enter a complete 3:46 Mary cinematic ballad.Full recording & story ↗
  131. 131
    A Letter Returning from the Distant Hills · MaryRain on distant hills, low whistle and fiddle return across a complete 3:59 Mary Celtic-country ballad.Full recording & story ↗
  132. 132
    The Lighthouse Burns Slowly · MaryLighthouse, piano and a late-rising choir complete a 3:58 Mary slow-burn rock ballad.Full recording & story ↗
  133. 133
    The Letter in the Sea Fog · MaryTin whistle, fiddle and Mary's warm mezzo cross a complete 3:53 English Celtic literary ballad.Full recording & story ↗
  134. 134
    Hills That Bring You Back · MaryGreen hills beyond mist open a road home through a complete 4:09 English Celtic ballad.Full recording & story ↗
  135. 135
    Lanterns After Midnight · MaryHarbour lanterns, night tide and unsent words cross a complete 3:49 English night song.Full recording & story ↗
  136. 136
    The White Sail at Dusk · MaryA receding white sail and the last light pass through a complete 3:54 English coastal ballad.Full recording & story ↗
  137. 137
    Moon by the Stone House · MaryA stone house, doorway moonlight and low sea wind settle into a complete 3:54 English folk ballad.Full recording & story ↗
  138. 138
    Wind over the Blue Headland · Mary · English EditionA blue headland and open-water wind complete Mary's 4:15 English Celtic-coast finale.Full recording & story ↗
  139. 139
    Vojoj sub la Ĉielo · Bollywood MaleEsperanto and Mandarin travel land and sea routes in a complete 3:46 world-civilisation song.Full recording & story ↗
  140. 140
    Mountain Road, Star BridgeMoonlit roads meet a bridge of stars in a complete 5:08 Mandarin duet derived through mashup exploration.Full recording & story ↗
  141. 141
    Old City Station · Bollywood MaleA rainlit platform, old suitcase and light pointing home unfold across a complete 4:59 Mandarin life ballad.Full recording & story ↗
  142. 142
    The Scarf Mother Sent · Bollywood MaleA scarf, a letter home and a winter night cross a complete 4:59 Mandarin family ballad.Full recording & story ↗
  143. 143
    The Little Shop by the River · Bollywood MaleA wind chime, old window and faded photograph preserve a complete 5:02 riverside memory.Full recording & story ↗
  144. 144
    The Night Fate Turned · Bollywood MaleA streetlamp after rain and a half-open window begin a complete 4:48 turning-point ballad.Full recording & story ↗
  145. 145
    Father's Old Bicycle · Bollywood MaleA bicycle bell, old street and a father's silence cross a complete 4:46 Mandarin song for a father.Full recording & story ↗
  146. 146
    The Bridge of Looking Back · Bollywood MaleBridge lights, a river at sunset and one quiet thank you complete a 4:34 late-life reflection.Full recording & story ↗
  147. 147
    The Wind on the Old Highway · LingwanLow clouds, an old road and an unsent letter travel through a 3:09 Mandarin country-road ballad.Full recording & story ↗
  148. 148
    Red Roses on the Old Street · LingwanRain on stone streets and roses beneath a clock tower hold a 3:33 old-city echo.Full recording & story ↗
  149. 149
    White Walls, Sea Wind · LingwanWhite walls, harbour and evening bells open a 3:57 Mediterranean cinematic ballad.Full recording & story ↗
  150. 150
    Showa Night Radio · LingwanA midnight radio, rain-lit neon and a departing taxi illuminate a 3:49 Showa-kayokyoku nocturne.Full recording & story ↗
  151. 151
    Jiangnan Rain Threads · LingwanBridge, lantern, paper umbrella and moonlight stitch together a 3:41 Jiangnan chamber ballad.Full recording & story ↗
  152. 152
    A Letter on Snowy Glass · LingwanWind, stars and breath on glass finish a 3:24 Nordic ambient folk ballad.Full recording & story ↗
  153. 153
    Until the World Lights Up · Cyber TenorCoast, electric piano and clear tenor carry a complete 3:22 dawn ballad.Full recording & story ↗
  154. 154
    Ne ferme pas la lumière · MaryFrench and Mandarin keep the last lamp burning through a complete 3:39 Mary chanson.Full recording & story ↗
  155. 155
    Lettre à celle qui revient · MaryAn old letter, piano and warm mezzo complete a 3:46 French–Mandarin song of return.Full recording & story ↗
  156. 156
    The Moment You Appeared · MaryA literary spark, piano and Mary's warm mezzo complete a 3:41 Mandarin romantic ballad.Full recording & story ↗
  157. 157
    A Floral Sash in the Mist · BajiaoWaterside mist, a floral sash and a clear voice unfold across a complete 3:33 southwest-coloured ballad.Full recording & story ↗
  158. 158
    A Time for Everything · LingwanLingwan carries English and Mandarin through Ecclesiastes-inspired seasons across a complete 2:53.Full recording & story ↗
  159. 159
    Psalm 23 · Male SlowGreen pastures, still waters and the valley meet in Male Slow's complete 2:42 bilingual bass ballad.Full recording & story ↗
  160. 160
    Ganges Moon Vow · Bollywood MaleThe feeling of Moon over the Mountain Road enters Ganges moonlight in a complete 6:02 Mandarin cinematic ballad.Full recording & story ↗
  161. 161
    Moonlight Choir of ThousandsA moonlit confession is carried by lead and mixed choir across a complete 6:00 cinematic soundscape.Full recording & story ↗
  162. 162
    Choir over a Sea of LightsCountless lights and people heading home illuminate one another across a complete 4:23 Mandarin choral finale.Full recording & story ↗
  163. 163
    Lights by the Mother RiverMother, river and lamps at dusk meet in Mary's complete 4:03 Mandarin Celtic-life ballad.Full recording & story ↗
  164. 164
    Half a Lifetime on the RoadMisty hills, old letters and backward glances travel through Mary's complete 4:13 Mandarin Celtic road ballad.Full recording & story ↗
  165. 165
    Time Passes in a Low VoiceAn autumn window and light on familiar objects hear time pass in Mary's complete 3:53 Mandarin ballad.Full recording & story ↗
  166. 166
    Homeland Wakes in the WindA childhood road, the tree by the door and supper in the wind wake in Mary's complete 4:05 homecoming song.Full recording & story ↗
  167. 167
    The Stone Fate Gave MeFate, endurance and restrained hope meet in Mary's complete 4:03 Mandarin life ballad.Full recording & story ↗
  168. 168
    Give the Heart to Distant MountainsAcceptance, distant mountains and an open breath complete Mary's 4:08 Mandarin Celtic-life cycle.Full recording & story ↗
  169. 169
    A Rose Left in the BookAn old book, handwriting in the margin and a rose that refuses to fade meet in Mary's complete 4:02 English Celtic literary ballad.Full recording & story ↗
  170. 170
    Winter Star above the MoorA winter moor, starlight on snow and an ember under stone keep their direction in Mary's complete 3:49 English Celtic ballad.Full recording & story ↗
  171. 171
    Bells at the Edge of EveningBells, a ferryman's lamp and a river that keeps moving loosen grief in Mary's complete 4:04 English dusk song.Full recording & story ↗
  172. 172
    The Willow Learns the RainBending, loss and renewed roots become a river in Mary's complete 3:56 English Celtic ballad of resilience.Full recording & story ↗
  173. 173
    The River Keeps No CrownA river without a crown, old mills and broken clouds under willow shade cross Mary's complete 3:55 English Celtic river ballad.Full recording & story ↗
  174. 174
    The Last Window of AutumnA gold window, copper rain and lamps on distant shores complete Mary's 3:34 English Celtic six-part cycle.Full recording & story ↗
  175. 175
    少し酔わせてA Japanese lyric holds autumn parting beside a waiting light and the warmth left by a hand.Full recording & story ↗
  176. 176
    The Future Kicked the Door In · 4:28 editionBurning screens, turning wheels and cracking glass make technological change a rock collision.Full recording & story ↗
  177. 177
    When You Speak, My Heart Softens · Wu DialectA Suzhou–Shanghai Wu lyric follows a stone bridge, falling petals and a light waiting on the return.Full recording & story ↗
  178. 178
    한 모금에 취해 가네Moonlight, an autumn boat and a small returning light lead a Korean pop-ballad direction toward shared singing.Full recording & story ↗
  179. 179
    Flamenco Love IIRoses, dust and a turning skirt bring this Mandarin recording’s emotion to centre stage.Full recording & story ↗
  180. 180
    Wang Zhen · A Night of TremblingA trembling earth interrupts a night of poetry; turning back brings fear and care into focus.Full recording & story ↗
  181. 181
    Stelo Super Rivero · Star Above the RiverEsperanto joins river, starlight and a way home, offering a tender answer across distance.Full recording & story ↗
  182. 182
    Granada Rain LetterOld rain-wet stone, a red scarf and sea wind answer across Mandarin and English.Full recording & story ↗
  183. 183
    Northern Fire JoikSnow, a circle in the sky and long vocal lines shelter longing in northern imagery.Full recording & story ↗
  184. 184
    The Note Wants Somewhere Else · Organ and TrebleBeyond singing neatly, a note climbs and an accompanist holds the chord long enough to follow.Full recording & story ↗
  185. 185
    Beyond the GateOne more cup and fading willows carry English frontier poetry from a farewell pass into a moonlit distance.Full recording & story ↗
  186. 186
    Dinner After Packing UpGrills switch off and the street reveals its shape. A shared meal gives a stranger somewhere to sit.Full recording & story ↗
  187. 187
    A Little Train in YunnanTea hills, a rainy season and a white flower kept in an old book preserve an unhurried journey.Full recording & story ↗
  188. 188
    The River Says, Take Your TimeA riverside singer, a banyan tree and one string place a travelling heart inside a wandering rhythm.Full recording & story ↗
  189. 189
    The River Says: Walk SlowlyOne string, banyan shade and a river carry lonely words toward a heart yet to hear them.Full recording & story ↗
  190. 190
    No one owes a winterYellowed paper, March's final mark and people who no longer ask retell the old harbour's human ties in another English wording.Full recording & story ↗
  191. 191
    The Loess Hills Hold My HomeA hoe by a cave-house wall, flatbread and drying peppers give homesickness everyday shapes.Full recording & story ↗
  192. 192
    Tea That AfternoonNot being right for each other need not shatter an afternoon: two people stop rehearsing every line.Full recording & story ↗
  193. 193
    Wind from Far Away · Saanson Mein SajaAn approach through a crowd and whitening moonlight bring Mandarin words into Indian-folk colours.Full recording & story ↗
  194. 194
    Abrikota lun’ super JerevanoEsperanto leaves an unsent letter in Yerevan's night, while a Neapolitan orchestral-canzone direction gives longing room.Full recording & story ↗
  195. 195
    No one owes a boatThe harbour becomes a square, but a ledger stays under the counter: an English duet remembers a street of mutual care.Full recording & story ↗
  196. 196
    Una Copa MásOld boats, petals and a moonlit reunion give Spanish pop a moment of hesitation before leaving.Full recording & story ↗
  197. 197
    Pipa Song · Bai JuyiA riverside farewell and a pipa player’s story unfold in a free-rhythm Chinese female-alto direction.Full recording & story ↗
  198. 198
    Let the Hills and Rivers SpeakThe same old street and ordinary courage meet dizi, lusheng and spacious strings.Full recording & story ↗
  199. 199
    Abrikota lun' super JerevanoA red scarf, narrow-street windows and an unsent letter rest in apricot moonlight over Yerevan.Full recording & story ↗
  200. 200
    Dil Kyun Hai BeqaraarA Hindi love song in Latin transliteration uses moonlight, eyes and a held hand to turn distance into a call to one another.Full recording & story ↗
  201. 201
    Your Voice Makes Me Swoon · Wu EditionA stone bridge, falling petals and remembered days meet in a Wu-language refrain.Full recording & story ↗
  202. 202
    한 모금에 취해 가네An autumn boat and a light still waiting turn parting into an answering Korean refrain.Full recording & story ↗
  203. 203
    少し酔わせてAutumn wind, a moon without you and remembered warmth leave a homeward light in Japanese.Full recording & story ↗
  204. 204
    Una Copa MásOld boats, drifting petals and an autumn garden hold a Spanish refrain between staying and goodbye.Full recording & story ↗
  205. 205
    One Last Dance · 3:08 editionHis words and the narrator’s reply meet in a darkening ballroom; the last steps hand silence over to dawn.Full recording & story ↗
  206. 206
    An Old Coat Against the Wind · 3:00 editionA village shop, sunflower seeds and a borrowed coat turn courtship into lively everyday life.Full recording & story ↗
  207. 207
    Lanterns of Sarajevo · Mandarin editionStone steps, coffee and a copper moon bring the night city close; lanterns offer an old melody to someone returning.Full recording & story ↗
  208. 208
    The Shore RemembersA revisited shore, mended nets and names in sand give memory somewhere to stand.Full recording & story ↗
  209. 209
    An Old Coat Against the Wind · 2:58 editionA village shop, sunflower seeds and a borrowed coat turn courtship into lively everyday life.Full recording & story ↗
  210. 210
    Bois tout basA French love lyric meets a rooftop moon, joined hands and an erhu-led arrangement direction.Full recording & story ↗
  211. 211
    One Voice Begins · Cantonese 1:32 source editionCantonese words turn a traveller’s cool night into an invitation to sing together; this shorter source retains its own 1:32 span.Full recording & story ↗
  212. 212
    Sous Le Pont Des Fleurs · Mandarin EditionA French title and chanson colour carry the Mandarin lyric's toast to tomorrow.Full recording & story ↗
  213. 213
    Mist from the Distant HillsThe same courage takes a lilting walk through Celtic chamber folk.Full recording & story ↗
  214. 214
    If Only to Meet YouMoonlight, a campfire and a distant song slow a solitary journey into a meeting.Full recording & story ↗
  215. 215
    Fille de l’eauForests, shores and echoes in French words find another current in a hard-bop direction.Full recording & story ↗
  216. 216
    A Name for You · Italian Guitar DirectionThe same Italian words retain another edition through guitar arpeggios and warm electronics.Full recording & story ↗
  217. 217
    Un jour encore · One More DayWaiting in rain and exchanged thanks lead to a French duet’s wish for another day.Full recording & story ↗
  218. 218
    One More DayA French duet moves from a request before dawn to an answer through a storm: not more words, but another day together.Full recording & story ↗
  219. 219
    Ce n'est pas seulement t'aimerFreckles, smiles and awkward words give a French love song its wish to grow old together.Full recording & story ↗
  220. 220
    Fille de l’eau · French Chanson RemixVines, a passing skirt and river-clear eyes leave the water girl’s echo in French.Full recording & story ↗
  221. 221
    A Duet across the Bamboo HouseLamps and a homeward journey turn a river’s distance into space for an answer.Full recording & story ↗
  222. 222
    I Want to Be the OneA piano-led English duet direction brings company, silence and a light left for distance close to the listener.Full recording & story ↗
  223. 223
    Turn All the Lights OnOpen the curtains, lift your shoulders and let a dancing pulse bring your voice into the light.Full recording & story ↗
  224. 224
    Snow Road HomeThe snowy road in the English words is quiet. An old photograph glows like a small sun and guides winter footsteps toward you.Full recording & story ↗
  225. 225
    A Little LightAmong a crowd, a doorway lamp and a glance, a small change needs no hurried name.Full recording & story ↗
  226. 226
    Flight to the MoonThree light shadows and a distant blue Earth bring an imagined journey back beside someone.Full recording & story ↗
  227. 227
    Golden CoastA vast sea and one person’s stance carry different weights in the English lyric’s memory.Full recording & story ↗
  228. 228
    Hair in the WindEnglish words meet dizi-coloured folk-pop, keeping doorway light and an unspoken stirring.Full recording & story ↗
  229. 229
    Songs Across the Bamboo House · CumbiaA lamp, a river and two voices turn questions into swaying warmth.Full recording & story ↗
  230. 230
    I Want to Light Your WayCompany across hills and water becomes light to carry forward through a possible parting.Full recording & story ↗
  231. 231
    Nur unu glutoStay until leaves turn gold, as two hearts carry an Esperanto song toward dawn.Full recording & story ↗
  232. 232
    Two Little FishA flying goat, a paper-thin sky and distant bells carry longing into a tender, strange dream.Full recording & story ↗
  233. 233
    A Faint Mark on the Wrist · Opera and Chamber StringsA March thread and a summer mark let something light remain heavy with memory.Full recording & story ↗
  234. 234
    A Faint Mark on the WristA red cord tied in March stays through summer, leaving a memory lighter and heavier than a promise.Full recording & story ↗
  235. 235
    Here Comes the MorningAfter a night beside worry, a market and birds wake as usual in a bright English refrain.Full recording & story ↗
  236. 236
    Say My Name AgainA voice like rain on a roof and a slowly spoken name give a soul refrain somewhere to return.Full recording & story ↗
  237. 237
    The Road You TookDark ferry water and lights across the bank hold moving on beside counting the days.Full recording & story ↗
  238. 238
    Here Comes the Morning · Another Highlife EditionAn early market and birds offer unsettled worry a bright, unhurried morning.Full recording & story ↗
  239. 239
    The Road You TookA late ferry, lights across the water and counted days let one road hold changed people.Full recording & story ↗
  240. 240
    One More RiverA snowed-in pass, a broken bridge and a held name turn a long journey into another step.Full recording & story ↗
  241. 241
    La Lampo Ankaŭ Lumas · The Lamp Still ShinesA low-burning lamp and a postman carrying only wind let Esperanto speak a long wait.Full recording & story ↗
  242. 242
    La Lampo Ankaŭ LumasTwo letters, a Tuesday postman and a lamp kept burning give waiting a shape.Full recording & story ↗
  243. 243
    Letters from the NorthSnow, frosted windows and three crossed-out pages send a farewell along a long postal road.Full recording & story ↗
  244. 244
    La rivero memoras · The River RemembersCold water from youth and silence on today’s bank let a river hold what memory loses.Full recording & story ↗
  245. 245
    La lumo restasA silent mother at the door, mountains and familiar stones preserve a route home.Full recording & story ↗
  246. 246
    Light Across the BayWater rowed by earlier generations, a shrinking town and a kept lamp meet in an English refrain.Full recording & story ↗
  247. 247
    It Goes AroundFavours circle between tailor, baker and mother in a gently wry song with interlocking guitars.Full recording & story ↗
  248. 248
    It Is Not For SaleA cracked belly and dark varnish still hold an unbuyable sound; the lyric leaves the instrument unnamed.Full recording & story ↗
  249. 249
    The Stone StaysA boundary stone and an unspoken understanding between families keep their place in a repeated refrain.Full recording & story ↗
  250. 250
    It Is Not For SaleAn offer worth a farm cannot separate an old instrument from the life of playing it.Full recording & story ↗
  251. 251
    It Is Not For SaleCracks, darkened varnish and a father's silence place an old instrument beyond an offer.Full recording & story ↗
  252. 252
    The Market Disperses at DaybreakFour-a.m. potatoes, torches and unsettled accounts describe a brief mountain market, not a romantic parting.Full recording & story ↗
  253. 253
    Gone When Daylight ComesTorches at four, sun behind the mountain until seven, and small unsettled accounts make a morning market.Full recording & story ↗
  254. 254
    All That the Summer OwesCounting summer in evenings spent together, the English text recognises what was enough before winter arrives.Full recording & story ↗
  255. 255
    What the River Carried · 3:21 editionA coat, a road and an argument drift away; the river’s night voice stays familiar.Full recording & story ↗
  256. 256
    What the River Carried · 3:27 editionThe same river memory keeps another exact recording’s duration and doorway.Full recording & story ↗
  257. 257
    Across an Entire WinterA letter never sent and words rehearsed through winter meet an April doorstep.Full recording & story ↗
  258. 258
    Stay One Night Before LeavingSomeone asks no origin; a door remembers people. Rest needs no explanation.Full recording & story ↗
  259. 259
    Meet Me HalfwayAn unfamiliar town, a bad hotel and the one open restaurant make room for what the phone could not hold.Full recording & story ↗
  260. 260
    Nobody Locks ItForty hillside households leave doors unlocked without claiming moral superiority.Full recording & story ↗
  261. 261
    Meet Me Halfway · Celtic DuetFour hundred miles each lead to an unfamiliar town and words that never came out by phone.Full recording & story ↗
  262. 262
    Meet Me Halfway · Celtic DuetTwo four-hundred-mile journeys reach a strange town where the unsaid can sit down.Full recording & story ↗
  263. 263
    Sing It AnywaySalt on rope, steps and evening air; a lamp in its familiar place. Harbour waiting sways gently through morna.Full recording & story ↗
  264. 264
    The Closest Thing to a LullabyFour midnight stops, familiar coats and a slow bend give the city a moment of quiet care.Full recording & story ↗
  265. 265
    Low and WarmAn unlatched door, bread cut the same way and green tea let a grandfather’s pause remain in a room.Full recording & story ↗
  266. 266
    Thin LightCurtain, pillow and birds outside accompany a room whose familiar breathing is absent.Full recording & story ↗
  267. 267
    Far Away, Still Close at Heart · Delta BluesA smile on a phone and waves of longing meet the rough replies of slide guitar.Full recording & story ↗
  268. 268
    Anna Maria, Do Not CryWords offered to Anna Maria meet the unhurried sway of a morna direction.Full recording & story ↗
  269. 269
    Returning from the CloudsA rooftop, an old letter and a waiting platform let a wish to return grow from solo to choir.Full recording & story ↗
  270. 270
    Waiting Through Every Dawn and Dusk · AvazFlowers open and fall by a window while waiting stretches along a quiet road.Full recording & story ↗
  271. 271
    Snow TrailA classical farewell becomes English words: blossom-like snow, a frozen red flag and a departing friend leave a trail behind.Full recording & story ↗
  272. 272
    Lanterns of Sarajevo · English editionThe English words make Sarajevo a city of lamps and echoes; midnight coffee brings an old tenderness close again.Full recording & story ↗
  273. 273
    River MoonSpring tides, flowers, a lone boat and a tower mirror meet English verse and harp ripples.Full recording & story ↗
  274. 274
    Harder Than Reaching the Sky · Roots DubAn ancient path, sheer cliffs and thunderous ravines unfold inside spacious pauses.Full recording & story ↗
  275. 275
    Harder Than Climbing to Heaven · Roots DubLi Bai’s peaks and perilous Shu road meet bass, dropouts and distant delay.Full recording & story ↗
  276. 276
    A Fierce Resolve · Taiko EnsembleDust, roads and moonlight meet a widening drum ensemble and brief male responses.Full recording & story ↗
  277. 277
    Dear Unknown FriendEsperanto, English, Mandarin and French travel through a letter, making strangers less strange.Full recording & story ↗
  278. 278
    Clearwater River · Memphis SoulAn after-work crowd and a photo on a phone bring home closer through a city river.Full recording & story ↗
  279. 279
    Carry My Dream to Xizhou · Russian RomanceLotus gathering and distant geese from Xi Zhou Qu enter low female voice and Russian plucked strings.Full recording & story ↗
  280. 280
    Sing This Night into Light · QawwaliHidden tears and names finally heard find a shared outlet in repeated responses.Full recording & story ↗
  281. 281
    Sing This Night into Light · Qawwali EncounterLights and answering rows let a solitary night open into a shared song.Full recording & story ↗
  282. 282
    Lotus Gatherers of YexiA laugh among lotus flowers, moonlit water and a hidden name link old poetic imagery to a new answer.Full recording & story ↗
  283. 283
    Crossing the River for Lotus FlowersGathered lotus flowers cannot yet reach the distant beloved. An old poem’s backward glance continues through a new refrain.Full recording & story ↗
  284. 284
    Let the Flower Dress See the SunA daughter encourages her mother to wear a flower dress; a hairpin comes back in return. Dressing up becomes mutual encouragement.Full recording & story ↗
  285. 285
    A Floral Dress Meets the SunAn old clothes trunk opens onto two generations of shyness, a floral dress and a hair clip.Full recording & story ↗
  286. 286
    One Last Dance · 3:13 editionOne circle of light remains in the ballroom. A coat is an unfinished sentence, and a last dance keeps farewell gentle.Full recording & story ↗
  287. 287
    You Still Need to Eat Far AwayA sauce jar in a suitcase, an unfamiliar kitchen and a video call bring distance back to daily life.Full recording & story ↗
  288. 288
    The Moonlight LingersMountain paths, silver bells and rain on banana leaves give waiting an unhurried night.Full recording & story ↗
  289. 289
    Long Moonlight · Klezmer BalladA mountain road, bells and remembered flowers give longing across hills to long moonlight.Full recording & story ↗
  290. 290
    Moonlight on the Old PlaygroundA little moon inside a textbook, leaves at the south gate and an old bag recall an after-school breeze.Full recording & story ↗
  291. 291
    Moonfall at the River BendA hearth, silver bells and a crossing make room for tears and calls, too.Full recording & story ↗
  292. 292
    Red Cliff Rhapsody · Guqin Cross-Cultural BalladWind, waterlight and a boat-bound dialogue move from transience toward a night that can be shared.Full recording & story ↗
  293. 293
    Ode to the Red Cliff · River-Wind BaritoneOne small boat moves from celebration to sorrow, then finds room in water and moon.Full recording & story ↗
  294. 294
    After the Storm · Celtic Folk RockNot for medals or applause: the song’s resolve wants feeling to find an answer.Full recording & story ↗
  295. 295
    After the StormFrom streets before dawn to a final sung line, gentleness and strength need not replace each other.Full recording & story ↗
  296. 296
    An Everlasting Summer · Lute and HarpMay flowers and change in Chinese verse meet a brief English reply about what remains.Full recording & story ↗
  297. 297
    Moonlight on the Ganges BankAn unfamiliar city, a station and a goodnight draw closer along moonlit water.Full recording & story ↗
  298. 298
    Moonlight on the Ganges · BaritoneA station, an unfamiliar city and goodnight bring distant moonlight closer to someone.Full recording & story ↗
  299. 299
    Under the Nanzhao Moon · Dream CabaretErhai, a silver bracelet and wet stone let longing look back through a dream theatre.Full recording & story ↗
  300. 300
    The White Sail Travels On · Celtic AltoSilence on stone steps and a hand inside a sleeve let parting wait before the wave.Full recording & story ↗
  301. 301
    Return in Moonlight · Celtic Female LeadAn old station by the Ganges and tenderness by a bridge await a call in a Chinese ballad.Full recording & story ↗
  302. 302
    An Invitation to the Moon · Celtic Strings EditionWind, a lonely road and moonlight give parting a slowly swaying string sound.Full recording & story ↗
  303. 303
    The Loveliest EncounterA remembered old tune and a morning smile bring a sweeping declaration back to ordinary days.Full recording & story ↗
  304. 304
    Returning in MoonlightAn old station, a bridge and river lights leave unfinished words to a distant flute.Full recording & story ↗
  305. 305
    Lights in the Stone AlleyRain-washed walls, a flowered umbrella and light behind a wooden door place affection in ordinary streets.Full recording & story ↗
  306. 306
    Passing Through · Country Strings EditionA town at dusk, directions offered with a smile and an acoustic guitar let a short stop leave an echo.Full recording & story ↗
  307. 307
    A Town by the Silver Sea · Esperanto EditionEsperanto words move through youth, parting and new dreams, leaving sea wind between the strings.Full recording & story ↗
  308. 308
    Wind from Afar · Cross-Cultural FolkA ribbon, moonlight and a plea to stay turn anticipation into a gentle approach.Full recording & story ↗
  309. 309
    Don’t Close the Morning · French–Chinese ChansonFrench and Chinese take turns holding the wish to stay a little longer.Full recording & story ↗
  310. 310
    The Old Station by the Ganges · South Asian Cinematic BalladA station, a flute line and the colour of a sari let a Chinese love song turn toward far horizons.Full recording & story ↗
  311. 311
    Silver-Sea Town · Esperanto RemasterA seaside town, steps in the wind and a quieter world trace youth in Esperanto.Full recording & story ↗
  312. 312
    Fille de l’eau · French Chanson EditionEchoes through forest, shore and hillside keep the water girl’s song flowing in French.Full recording & story ↗
  313. 313
    Ne Ferme Pas Le Matin · Leave the Morning OpenCoffee, an old letter and wind beside a bench let Mandarin and French take turns asking someone to stay.Full recording & story ↗
  314. 314
    The Old Station by the GangesA sari’s glimmer and bridge lights carry Mandarin longing into Indian melodic colours.Full recording & story ↗
  315. 315
    The Ganges Station and Summer Gold · Bilingual RepliesMandarin river imagery and English summer images take turns, sharing a space for distance and time.Full recording & story ↗
  316. 316
    Flower Spirit in Wu · New ArrangementWillows, spring tides and lamplight hold Wu words beside the source’s romanised lines.Full recording & story ↗
  317. 317
    Born for You · Esperanto VersionEsperanto names morning, a heartbeat and a beloved, bringing love into everyday breath.Full recording & story ↗
  318. 318
    Atlantic Moon × Mist and Moon · mashupAn English coastal love song alternates with a romanised passage, bringing two shores of longing into one mashup.Full recording & story ↗
  319. 319
    In Your Name · Esperanto EditionBright mornings, words passing softly and a heart finding home shape an Esperanto love song.Full recording & story ↗
  320. 320
    In Your Name · Russian EditionA name written in Russian and a home within the heart answer other same-title recordings.Full recording & story ↗
  321. 321
    In Your Name · Korean Electronic EditionKorean words and an electronic production direction give a same-title love song a different light.Full recording & story ↗
  322. 322
    A Name for You · Japanese Electronic-Harmony DirectionMorning light and a name on the lips take another route through electronic harmony.Full recording & story ↗
  323. 323
    A Name for You · Japanese Fingerpicked DirectionLaughter lights the morning; Japanese words find a home within a heart.Full recording & story ↗
  324. 324
    A Name for You · Portuguese Harmonium DirectionThe same Portuguese wish takes a harmonium, strings and tape-warm direction.Full recording & story ↗
  325. 325
    A Name for You · Portuguese Guitar DirectionMorning, prayer and home in Portuguese meet guitar and synth pulses.Full recording & story ↗
  326. 326
    A Name for You · Italian Pulse DirectionMorning and heartbeat images meet Italian words and a dance-pulse direction.Full recording & story ↗
  327. 327
    A Name for You · German Hand-Drum DirectionShared German words take a warm hand-drum and electronic-pulse route.Full recording & story ↗
  328. 328
    A Name for You · German Bowed-Strings DirectionPrayer, laughter and a home within the heart meet in the German words.Full recording & story ↗
  329. 329
    A Flower on My Maths PaperFour petals and a short stem let a casual kindness become lasting strength.Full recording & story ↗
  330. 330
    The Person Who Is Always ThereA street, a familiar taste and a queue that does not hurry make everyday reliability visible.Full recording & story ↗
  331. 331
    Mum Says You Must Eat, Even Far AwayA spatula, a jar of sauce and dishes named on a video call turn farewell into practical care.Full recording & story ↗
  332. 332
    Give Me Your HandTwo answering voices meet the city’s drums in a wish not to let go.Full recording & story ↗
  333. 333
    Give Me Your Hand · source marked style not appliedFinding one another in a crowd, a hand held firmly becomes more tangible than a promise about tomorrow.Full recording & story ↗
  334. 334
    Drums in the Rainy Alley IIA roof, a pipe and a closing window become an orchestra without a conductor.Full recording & story ↗
  335. 335
    Mon été d’or · French Chanson DuetRoses, tides and sunset behind rooftops turn a French summer into lasting tenderness.Full recording & story ↗
  336. 336
    Summer Gold · Chinese-text editionBeginning with the summer imagery of Shakespeare’s Sonnet 18, the Chinese text sets fading flowers beside a wish for lasting love.Full recording & story ↗
  337. 337
    Banana-Leaf Rain · Esperanto EditionA paper umbrella, a stone lane and south wind hold an Esperanto waiting without a return date.Full recording & story ↗
  338. 338
    Palm-Wine Moonlight · Esperanto EditionA song beneath a tree, a closing market and firefly skies make warmth a homeward direction.Full recording & story ↗
  339. 339
    Palm-Wine Moonlight · Mandarin EditionA stone path, tree shadows and the idea of gentle drums turn homecoming into a small dance.Full recording & story ↗
  340. 340
    The Most Beautiful Encounter · Esperanto Garden EditionA smile in a garden crosses sunny and rainy seasons and remains a tender choice.Full recording & story ↗
  341. 341
    The Harbour Light · Esperanto Country EditionAn old shawl, rain on a quay and sleeping gulls let one lamp keep company with an old dream.Full recording & story ↗
  342. 342
    Wind from Far Away · Esperanto Silk Road EditionA night caravan, stories beside a fire and one shared star carry an Esperanto duet across distance.Full recording & story ↗
  343. 343
    After the Last Goodbye · Esperanto Chamber EditionTwo cups, a closed book and a street after rain give parting somewhere quiet to settle.Full recording & story ↗
  344. 344
    Moonlight over Sai Kung Sea · Sea-Breeze FolkPier lights, fishing lamps and an old radio slowly brighten companionship by the sea.Full recording & story ↗
  345. 345
    Nur unu glutoEsperanto places half hope, half farewell and an answering refrain beneath the moon.Full recording & story ↗
  346. 346
    Bois tout bas · French editionEvening rests between fingers and laughter becomes home; French words keep distant hearts within reach.Full recording & story ↗
  347. 347
    Flamenco LoveSunlight, roses and a swirling skirt give unspeakable feeling an outlet.Full recording & story ↗
  348. 348
    Born for You · Chinese Romantic EditionA name, a heartbeat and a home within the heart bring devoted love into everyday life.Full recording & story ↗
  349. 349
    Just This OnceA curtain breeze, ceiling sunlight and quiet in an embrace make one pause precious.Full recording & story ↗
  350. 350
    Embroider a River · Minimalist PhasingA name embroidered into water meets repeating figures and another pace of feeling.Full recording & story ↗
  351. 351
    After the Storm · Celtic FolkOld dreams scattered by rain follow harp and whistle lines toward dawn.Full recording & story ↗
  352. 352
    Sanmao and Katara · Bossa NovaThree strands of hair and a white afternoon become unhurried company in a Mandarin female-voice and Brazilian bossa nova direction.Full recording & story ↗
  353. 353
    Moon Over Lotus GateMoonlight, a letter and a still lotus pool carry a quiet vow across water.Full recording & story ↗
  354. 354
    After the Storm · 4:23 editionA storm scatters old dreams, while a little stubbornness becomes light turned towards someone far away.Full recording & story ↗
  355. 355
    Girl of the Water · French editionFrench words follow rivers, vines and an old forest after a song whose echo outlasts a departure.Full recording & story ↗
  356. 356
    The Fire Still Waits for You · LingwanEnglish lines from W. B. Yeats’s When You Are Old meet added fireside refrains, keeping passing years beside a fading lamp.Full recording & story ↗
  357. 357
    Atlantic Moon · MaryA lighthouse, a letter in a sailor’s coat and a tavern after closing let love in the English lyric keep answering across the tide.Full recording & story ↗
  358. 358
    After the Storm · 4:34 editionA storm scatters old dreams, while a little stubbornness becomes light turned towards someone far away.Full recording & story ↗
  359. 359
    A Cup with the Moon · Bajiao voice briefA moon, a cup of wine and drifting sand give a call across distant mountains a companion.Full recording & story ↗
  360. 360
    Town by a Silver Sea · Esperanto 3:44 editionEsperanto words move from dancing with the wind to beginning again after farewell, in a town beside a silver sea.Full recording & story ↗
  361. 361
    Town by a Silver Sea · Esperanto 4:05 editionEsperanto words move from dancing with the wind to beginning again after farewell, in a town beside a silver sea.Full recording & story ↗
  362. 362
    Children Ask the World · Esperanto and Chinese textQuestions about walls and maps meet a guarded ember and a hope for peace.Full recording & story ↗
FOLLOW A FEELING · HEAR THE WHOLE SONG

A map, not a pile of songs.

Start anywhere among 1376 complete songs. Follow a mood, a scene or a story; every song has its own full listening page.

Explore all complete music ↗
01

A little quiet

Leave a little space in the day for slow songs, small lights and a moment to breathe.

707 complete songs ↗02

Under lamps and moons

Rain, starlight, dark seas and thoughts beside a window meet here.

460 complete songs ↗03

The road ahead

Mountain paths, city streets, departures and returns: choose a song for the way ahead.

242 complete songs ↗04

The way home

Home places, family, warm meals and everyday company give familiar things a new light.

476 complete songs ↗05

Words find a voice

Classical verse, Red Chamber characters and English-language poetry step from the page into headphones.

154 complete songs ↗06

Across languages

A different language, voice or cultural doorway can reveal another shape of a familiar feeling.

362 complete songs ↗07

Our shared world

Listen from everyday human relations towards civic life, shared futures and possibility.

148 complete songs ↗

A song can belong to more than one landscape. These paths follow existing stories and theme tags, not a promise to change how you feel.