COMPLETE MUSIC · YOUR OWN PACE

The road ahead

Mountain paths, city streets, departures and returns: choose a song for the way ahead.

244 complete songsChoose a song ↓

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  1. 01
    Atlantic MoonA lighthouse, an old harbor and a letter in a sailor’s coat set longing adrift. English lyrics bring fado-inspired saudade into a Bollywood duet, with guitars answering the tide and a love still finding its way home.Full recording & story ↗
  2. 02
    The Old Station by the GangesDusk stretches the shadows of an old station, and unfinished words turn into a flute melody. Mary’s warm lower register meets sitar, sarangi and a gentle tabla pulse, carrying a Mandarin love song toward the Ganges at evening.Full recording & story ↗
  3. 03
    Plum Blossom and Lantern Night · 02ELi Qingzhao’s divided longing meets Xin Qiji’s backward glance beyond the lantern crowds. A Bollywood-inspired duet carries the two Song-dynasty poems through sitar, flute and sweeping strings.Full recording & story ↗
  4. 04
    Under the Nanzhao Moon · BajiaoWind from Erhai brushes white walls and gray roofs as bracelets ring and the old town lights awaken. Bajiao brings southwestern folk warmth and soft Bollywood colors to a swaying moonlit memory.Full recording & story ↗
  5. 05
    Embroidered River · LingwanA stitch of moonlight and a thread of Jiangnan: a name is embroidered into the river. Guzheng, erhu and bamboo flute cradle Lingwan’s graceful ornaments, choosing lasting tenderness over vocal spectacle.Full recording & story ↗
  6. 06
    Flower Spirit in Wu Chinese · New ArrangementFlowered eaves, willow banks and rain-dark lanes unfold through Wu Chinese. A gentle female voice and fingerpicked guitar turn the closeness of the dialect into a dream scented with Jiangnan rain.Full recording & story ↗
  7. 07
    Shui Gu Niang · Female Vocal RemixThe longing for Shui Gu Niang returns through a female voice. Rainforest and moonlight remain, but this separately preserved remix offers another way to hear the familiar words alongside the male-vocal edition.Full recording & story ↗
  8. 08
    An Invitation to the Moon · Version 2A cup of wine and an invitation to the moon turn parting into a long journey. A male voice over acoustic guitar sings across distant mountains, holding moonlight as an answer to enduring love.Full recording & story ↗
  9. 09
    After the Storm · BajiaoRain scatters old dreams, but a voice finds its footing before dawn. Bajiao brings a folk-ballad warmth to a slow rock anthem, with acoustic guitar, flute and electric guitars lifting the refrain: I am still singing. The scars remain, and so does the road toward light.Full recording & story ↗
  10. 10
    Plantain Rain in the Old LaneA paper umbrella holds a backward glance in a rain-dark lane. Pipa, acoustic guitar and soft flute cradle a clear female voice as each drop falls into waiting. The melody stays close to a goodbye that cannot quite be spoken.Full recording & story ↗
  11. 11
    Moonlight on the GangesA riverside far from home, an old station and a whispered goodnight turn wandering toward someone beloved. Sitar, tabla and bansuri lend Bollywood warmth to a Mandarin love song. Moonlight does not hurry the journey; it lights the waiting.Full recording & story ↗
  12. 12
    Ne Rentre Pas Trop Tard · JAZZ-03Coffee, a turning record and a taxi in the street hold the shape of someone missing. Accordion, muted trumpet and an intimate lower female voice turn “don’t come home too late” into a lamp left burning. This French jazz chanson asks for no promise—only a little room for a return.Full recording & story ↗
  13. 13
    Rain at Two in the Morning · JAZZ-01Cold coffee, a coat on the sofa and headlights turning a corner begin to speak at two in the morning. A close female voice sways with piano and upright bass; muted trumpet leaves room for unfinished words. Some goodbyes are so quiet that only a later rainy night makes them audible.Full recording & story ↗
  14. 14
    The Unclaimed BicycleThe third bicycle outside the station is still locked in place. Two seasons of rain have gathered in its basket; even the sweepers leave it room. A clear soprano, fingerpicked guitar, mandolin and dobro turn an abandoned object into a patient act of waiting. When the wind touches its bell, someone seems to answer.Full recording & story ↗
  15. 15
    The Loess Hills Hold My HomeAn old hoe against the cave-house wall, flatbread by the stove and peppers drying at the gate make home tangible. An earthy female alto meets banhu, sanxian and acoustic guitar in a grounded six-beat pulse. However far the traveller goes, the loess hills still hold the person who longs to return.Full recording & story ↗
  16. 16
    The Empty ShoreA departing boat, a mother who waits through forty winters and a lamp turned toward the shore. Mandarin storytelling unfolds through the free breath of Irish sean-nós-inspired singing: ornamented long notes, plain pauses and an almost unaccompanied voice. Waiting needs no recurring chorus; it asks for one breath held to the end.Full recording & story ↗
  17. 17
    The Wind Comes from the NorthThe grassland left behind at sixteen still has the same wind years later. A horse by the river, a tent in its old place and different faces around the fire make returning both familiar and strange. Morin khuur carries a broad melody as dulcimer, strings and drums gather around it. The grass bends and rises again, like words the journey cannot scatter.Full recording & story ↗
  18. 18
    This River Has Never ChangedRain-soaked mud on a stone lane, hot water added to cold tea and white magnolias sold at the alley entrance: thirty years of waiting live in small routines rather than grand declarations. Guzheng and erhu open the song; bamboo flute answers the clear lead voice. “Come back” returns again and again to the bank of an unchanged river.Full recording & story ↗
  19. 19
    Somebody Else Is UpA few windows are still lit. The bakery starts before dawn; the night bus keeps making its round. Strangers remain awake in separate rooms, yet the refrain offers quiet company: you are not doing this alone. Fingerpicked guitar, upright bass, organ and brushed drums hold a male–female duet, turning the sleepless city into a warm, unforced harmony.Full recording & story ↗
  20. 20
    Below the BridgeOne river rushes down from the hills; another crosses the plain slowly, carrying its sediment and stories. Below the bridge they meet, their colors and names becoming inseparable on the way to the sea. Female and male voices trade their origins before joining in the chorus. Bansuri, sitar and tabla weave through warm strings, giving the meeting both tenderness and breadth.Full recording & story ↗
  21. 21
    The Stars Are Close Tonight · Hawaiian slack-key editionThe magpie bridge of Qixi arrives in a seaside night. Open-tuned slack-key guitar, soft ukulele and answering lap steel bring the stars close, giving a long-awaited meeting an easy, unhurried sway. A warm Mandarin lead voice rises gently into falsetto at the chorus, joined by close harmony. Even the longest road can become shorter through longing.Full recording & story ↗
  22. 22
    Autumn Wind, Don’t Grieve for Me · Rock balladWind at a familiar street corner carries promises that could not be kept. Clean guitar begins with restrained recollection; distorted twin guitars, live drums and strings gradually lift a high tenor into a broad rock climax. The complete six-minute unfolding leaves room for devotion, trembling and silence—and for the realization that letting go can also be tenderness.Full recording & story ↗
  23. 23
    Moon Road of Tea and Horses · Celtic folk editionHorse bells fall into moonlight, and tea fragrance travels along a mountain road. A traveller passes an old post station to hear a voice brighten the night beside a village. Harp, low whistle and fingerpicked guitar surround a clear female lead, while soft fiddle and strings leave room to breathe. A gentle six-beat sway lets longing linger like tea and gives the journey home its own time.Full recording & story ↗
  24. 24
    Under the Nanzhao Moon · Southwestern theatre editionWind from Erhai brushes white walls and gray roofs. Old-town lamps awaken, a silver bracelet rings, and a distant place begins to feel like home. Sighing erhu, light pipa, guzheng and bamboo flute support a clear female voice, bringing southwestern folk colors into contact with Chinese-opera ornament. Unhurried phrase endings, an interlude and a lingering outro keep a backward glance and a stone street alive in song.Full recording & story ↗
  25. 25
    Summer Gold · Duet editionSummer fades and petals fall, yet a beloved light returns with every song. Beginning with the summer-day question of Shakespeare’s Sonnet 18, this English love song gathers Renaissance lute colors, Celtic harp, soft piano and warm strings around two voices. It remains beside the other Summer Gold recording: a shared summer image, another complete singing to return to.Full recording & story ↗
  26. 26
    If You Remember, SmileMemory need not leave only sorrow; it can be morning light that gently returns someone to life. Drawing on the spirit of Christina Rossetti’s Remember, this farewell does not ask a loved one to remain in the past. Harp, soft piano, warm strings and a gentle choir texture hold two voices, making “if you remember, smile” a phrase to carry forward.Full recording & story ↗
  27. 27
    Songs of Innocence and NightA lamb in morning light and a tiger burning through a forest night gaze toward one another in a single song. Lines from William Blake’s The Lamb and The Tyger meet newly written refrains, carrying innocence, fear and the question of creation through a complete musical journey. Harp, fiddle, warm strings and soft choir textures bring Nordic and Celtic colors to two voices; tenderness answers flame, leaving wonder rather than a final answer.Full recording & story ↗
  28. 28
    Fireflies · Adaptation IFireflies, a lotus pond and pale moonlight turn longing into a quiet waterscape. A clear, slightly breathy female voice follows acoustic-guitar arpeggios, with piano and strings answering softly. Across the seasons, the singer keeps a first hope alive for the same returning gaze—a brief, complete ballad to hear again on the road home.Full recording & story ↗
  29. 29
    April FragmentsA cup of rain, a faceless city clock and names fading on a station wall become April fragments. Modernist-poetry colors settle into a singable melody: soft piano, muted strings and gentle clarinet gather scattered memories around two voices. The song does not hurry to mend every crack; a warm voice simply crosses the city night toward dawn.Full recording & story ↗
  30. 30
    Palm Wine Moon · IThe market closes, but lanterns still shine. Bright highlife guitar, warm bass and soft percussion meet a Bollywood-inflected duet, giving the road home a gentle dancing pulse. Palm wine, red dust and firefly skies become intimate memories: every little rhythm turns back to you.Full recording & story ↗
  31. 31
    Palm Wine Moon · IIThe same moonlit courtyard opens into another independent performance. Highlife guitar and restrained polyrhythms stay close to the love song, leaving room for voices and melody to breathe. Beyond the night scenery lies a quiet promise: however many people sing in the town, one familiar face can still be found beneath the firefly skies.Full recording & story ↗
  32. 32
    When You Are Old · Fireside Poetry DuetFirelight, an old book and stars overhead bring W. B. Yeats’s When You Are Old into a quiet evening. Celtic harp, soft piano, warm strings and low whistle surround a duet, weaving the poem through a new Pilgrim Soul refrain. Beauty changes with time; the song remembers the sorrows of a changing face, and the soul travelling through a lifetime.Full recording & story ↗
  33. 33
    The World Is Too Much · Gold EditionWordsworth’s lament over worldly noise turns toward waves, moonlight and a listening soul. New English lyrics make a morning not for sale and a quieter music into returning refrains. Celtic harp, soft tabla, bansuri and warm strings surround a duet: the world may be crowded, but sea wind still leaves the heart a path.Full recording & story ↗
  34. 34
    The Little Shop by the River · Gold EditionThe shopkeeper has changed, but the wind chime has not: one soft ring brings youthful wishes back. Sitar, tabla and bansuri open a slow river beneath a duet, whose voices answer through old windows, sweet soup and a cup of tea not yet cold. Love cannot always sail home, but a shore can keep its memory. Spacious instrumental passages lead toward a lamp that stays lit until dawn.Full recording & story ↗
  35. 35
    My Lost Love · Lingwan Gold EditionLu Xun’s “My Lost Love” exchanges increasingly unlikely gifts: a butterfly scarf for an owl, paired swallows for candied hawthorn, a watch chain for medicine. Lingwan’s delicate voice keeps the satire light rather than turning it into a skit. Guitar, pipa and brief erhu phrases carry each puzzled question from mountain to market to riverside. The bright melody lets bewilderment be funny, with an ache beneath the laughter.Full recording & story ↗
  36. 36
    Olympic Night of Nations · Lingwan Gold EditionOne flame, many voices: Lingwan joins Esperanto, English, Mandarin and Spanish in a gentle song of nations. Piano, soft strings, flute and restrained ceremonial drums make an opening night feel both spacious and close. Before medals, the lyrics see the people behind the flags: travelers, different mother tongues and hearts willing to listen beneath one sky. A childlike chorus gently lifts the final hope.Full recording & story ↗
  37. 37
    Moon over the Mountain Road · Long Gold EditionThe moon crosses a mountain road, silver ornaments ring, and a bamboo house keeps a traveler’s longing close to home. Hulusi, bansuri, sitar and gentle tabla meet an ornamented female voice, bringing the moonlight of the Lancang and the Ganges into the same song. More than six unhurried minutes give flute and strings room to linger: part southern homeland, part memory, with love singing beyond the mountains.Full recording & story ↗
  38. 38
    Farewell at the Long Pavilion · Lingwan Gold EditionBlue clouds, yellow flowers, a west wind and southbound geese carry the farewell of The Romance of the Western Chamber toward the long pavilion. Lingwan’s delicate voice turns between spoken recitative and song; qudi flute, pipa, guqin and light clappers hold the long melodic tails. The carriage moves on, while longing tries to catch the sinking sun in the trees. A brief song makes parting linger.Full recording & story ↗
  39. 39
    The Wolf Really Came (live)“It is only a rumor” and “it will never happen” meet a blunt reply: look again. Distorted guitars, heavy drums and three-part voices pull screens, office towers, code and driverless wheels into one rock soundscape. The refrain is short and forceful: the future kicks the door in, without knocking or waiting. A lowered bridge opens into rising final chants. This is @liwei’s Mandarin rock response to technological upheaval, answering its English companion.Full recording & story ↗
  40. 40
    Fireflies Keep You Company · Lingwan Gold EditionFireflies, a lotus pond and an open window make a summer night feel clear and gentle. Lingwan moves with acoustic guitar, piano and glockenspiel, while soft strings add a little moonlight to each ending. The seasons pass through the water, but longing still waits for an answer. Rather than a dramatic leap, the song offers a small melodic light for the road home.Full recording & story ↗
  41. 41
    The Alley Lamp Still Burns · Male SlowRain brightens a stone alley; an umbrella, white walls, a wooden doorway and an old radio make a small town audible at night. Male Slow’s warm bass voice does not hurry after the passing figure. It lets a simple wish linger: if the lane were long enough, walk together until morning. When the rain stops, moonlight climbs the wall and lanterns come on, one by one. One light remains for a backward glance.Full recording & story ↗
  42. 42
    Go Ahead, I’ll Turn Out the LightChairs are stacked on tables; cups leave rings, and two places still hold the shape of an evening. “Go ahead, I’ll turn out the light” is not a grand farewell, but a quiet offer to look after what remains. A close, low voice sways in six-eight time among sparse piano, low strings and brushed drums. When the accompaniment falls away and the door closes, the person who stayed can finally go home too.Full recording & story ↗
  43. 43
    Born for YouA name is written across a heart; mornings, breath and prayers gather around one love. Born for You places Chinese love lyrics inside a South Asian romantic duet, where supple melodic turns meet a bright rhythmic pulse. Its center is not a grand declaration but the simple discovery of a home in another person’s heart. Desire and belonging return together each time the refrain comes around.Full recording & story ↗
  44. 44
    After We Parted · Female Gold EditionThe last subway, a screen that lights up and goes dark, a journey never taken: everyday fragments become an unsent letter after a separation. “I won’t disturb your new life” grows quieter, without pretending that memory has disappeared. A soft female voice meets clean guitar arpeggios and a thin veil of strings, leaving room for the difficult work of letting go. This distinct female recording makes distance a form of tenderness.Full recording & story ↗
  45. 45
    Wind from AfarWind loosens a ribbon; a vast crowd leads two people into the same embrace. Wind from Afar sings a gentle meeting in Chinese, with a close, warm alto resting on a soft tabla pulse and a harmonium drone. The brief refrain does not hurry to explain a lifetime. It returns instead to a future glimpsed in someone’s eyes, letting moonlight, waiting and “don’t go away” linger in delicate Indian folk colors.Full recording & story ↗
  46. 46
    The Lamp at the Alley · Extended Edition 2Dusk crosses an old wall, and one amber lamp holds a memory of a shoulder and words never spoken. Stone paving, a weathered house number and fallen blossoms make home a place where someone keeps the light on. This extended edition gives the return more time: after distant journeys and countless windows, the lamp at the old alley still shines differently. “The light is on; I’m still waiting” leaves a homeward path open in the wind.Full recording & story ↗
  47. 47
    Golden Coast · Gold Edition 4bA sky too blue, a sea like a dream, waves writing the words left unsaid: the horizon opens, yet the song returns to one person’s eyes and silhouette. Edition 4b brings orchestral breadth to sunrise, rain-washed sand and an afternoon breeze. The world’s vast scenery cannot quite displace a small, persistent memory. However many coastlines lie ahead, one meeting still changes the light on the water.Full recording & story ↗
  48. 48
    Golden Coast · Remastered Female EditionThe same coastline takes on a closer, more intimate color. A clear female voice meets acoustic guitar arpeggios and answering dizi phrases, bringing sunrise, sand and a shy glance into focus. This remastered recording holds the wide seascape inside a gentler breath: the tide slows a heartbeat without settling its memory. The final question belongs to the breeze—will new scenery ever replace those eyes? Beside edition 4b, the same longing catches another light.Full recording & story ↗
  49. 49
    The Way HomeAs moonlight grows brighter, a bowl of hot soup, a mother’s smile and old photographs return to mind. The Way Home makes family love something small enough to touch: a lamp that stays on wherever life takes us. A soft female voice rests among sparse guitar and warm strings, singing quietly of the storms someone else helped us weather. Years turn like pages, but the way home remains in the breath, welcomed by a familiar scent.Full recording & story ↗
  50. 50
    Passing Through 2 · Country Female EditionA small town at dusk, someone lingering by a wooden door, a road pointing north: a brief song holds the quietest stop on a journey. Banjo and acoustic guitar do not hurry the traveler; a low female voice tells the story as if from a porch. “What do we leave in the places we pass?” gathers earth, conversation and an old tune into one question. The scenery moves on, but the song keeps singing inside us.Full recording & story ↗
  51. 51
    A Beautiful MeetingA meeting in morning light turns an empty street into a road worth coming home along. From stars in a pair of eyes to hot tea on a rainy day and a familiar tune, this ballad finds love in ordinary details. Its tender center is simple: wherever you are feels like home. Companionship becomes a quiet place within a noisy world, a light that stays close as spring gives way to autumn.Full recording & story ↗
  52. 52
    Fille de l’eauSea breeze and an ancient forest still hold someone’s voice. Fille de l’eau brings clear rivers, a cuckoo of the southern seas and a skirt brushing past a vine into one French song. A warm female middle register meets acoustic guitar, light strings and accordion. Without raising her voice, the water girl sings across forest, shore and distant hills. Nostalgia becomes an echo rather than a place name.Full recording & story ↗
  53. 53
    Together Through CaptivityThe path leads south and the wind of home falls behind, but two voices keep turning toward each other. This very slow duet makes refusing to let go a weighty act of waiting. Alternating verses meet in a shared chorus; low registers carry “I do not regret it; I will not turn back” without shouting. Love and freedom, homecoming and fate question one another inside the close-held melody.Full recording & story ↗
  54. 54
    A Light for YouRather than promising the whole world, this song leaves a little light in a long night. A warm low male voice stays close to the piano, with soft female harmony answering from a distance. Without drums, gratitude and companionship unfold slowly. Walking together through mountains and rivers becomes both a love song and a quiet promise. The ending lets farewell travel on the wind while leaving the loved one courage to go forward.Full recording & story ↗
  55. 55
    Rainy Alley LightsAnother rainy alley, but this time its lamps are warm. Rain brightens a white wall, supper drifts through a wooden doorway, and an old radio brings the past gently back. Plucked strings and a clear voice follow a flowered umbrella at an unhurried pace. When the moon climbs the wall, someone is waiting where she turns to look. This little folk song feels like a lamp left on at the end of the journey home.Full recording & story ↗
  56. 56
    Moon over the LakeA ripple breaks the moon into memories. A lakeside pavilion, a stone bridge and willows in the rain still remember two people who once watched the moon together. A graceful Yue-opera solo lets each question linger over the water, accompanied by sparse erhu, gentle pipa and guzheng. A name written in the lake drifts toward someone far away. When the wind finally brings a familiar voice, distance gives way to reunion: the full moon becomes a promise of coming home.Full recording & story ↗
  57. 57
    Qixi · The Stars Are CloseTonight the stars are close: the distant Qixi legend returns to an ordinary evening when two people finally meet. After a long journey through the crowd, missed rains find an echo and a window light reaches years of loneliness. This love ballad does not rush to turn romance into a miracle. Its bridge across the Milky Way becomes the patient walk toward another person, and eternity becomes a willingness to share everyday life. Whatever weather tomorrow brings, companionship offers a way home.Full recording & story ↗
  58. 58
    Always Remembering MotherLamplight over a mended sleeve and steam from supper on a window are the ordinary things a child once thought would never end. Luggage, distance and a hospital corridor later turn the plea for mother to stay into words that cannot be finished. This slow song moves gently through memory. It does not resolve loss with an easy farewell; it learns to live in a world without her while carrying her words forward. Pain remains, alongside a tenderness that time cannot take away.Full recording & story ↗
  59. 59
    Rain on the Plane-Tree Road · LingwanAfter the rain, a plane-tree road shines with water. Ink scents the school gate, and someone beneath a blue umbrella softly calls your name. Lingwan’s delicate voice brings guitar, piano, light strings and flute into an atmosphere of 1980s school memories. A small lamp at the gatehouse, newspapers on the window and an essay called My Dream belong to a time when the future was still a blurred horizon. Years later, rain against a window brings that road back, and youth brightens again in the sound of a name.Full recording & story ↗
  60. 60
    Moon over the Old Trade RoadCamel bells, sand and a lamp beneath a city gate set longing along a long road. Colours of oud, santur, ney flute and frame drum open a wider night sky around a Chinese ballad. A spacious introduction and instrumental interlude give the journey time to breathe. The lyric imagines a meeting beyond mountains and rivers, but love is not a loud declaration: it is a quiet flame, and a wish to follow the moonlight back to someone’s side.Full recording & story ↗
  61. 61
    A Tenderness That Does Not IntrudeThe last train is about to leave. A phone lights up and goes dark, while a journey never taken remains between two people. Sparse piano, reversed electric-guitar overtones and a slow bass pulse turn loss into intimate dream pop. A breathy mezzo stops asking for answers without pretending to have let go. It learns, slowly, to keep tenderness without intruding. Hazy harmonies widen the room, but farewell still rests in a message window that no longer answers.Full recording & story ↗
  62. 62
    Evening Wind over the Bridge · September Yueju EditionThe boatman puts away his oar, lamplight rocks on the water, and mossy steps and a candlelit window make the night feel gentle. Bowed fiddle, pipa and guzheng surround a solo voice. Yueju-shaped phrase endings leave room for silence and the closeness of a small theatre. This edition does not press longing for an answer: it casts a thought into the water, listens to the moon remember its own youth, and returns to a bridge that still holds the sound of laughter.Full recording & story ↗
  63. 63
    Passing Through 2 · The Right-Hand Seat (Rustic Folk Edition)At dusk in a small town, cooking smoke rises and someone by a wooden door points north: the road ends at the home you are looking for. Banjo and restrained acoustic guitar follow a slow sway, giving the idea of passing through the warmth of old wood and a nearby room. Mud beneath the feet, words once spoken and a summer that cannot return all move gently past. What remains is an old song still singing within. This distinct rendition keeps its own place beside the other Passing Through 2 editions.Full recording & story ↗
  64. 64
    Ya Layl Al-QamarA call to night and moon leads to an old doorway and a sandy road. Lingwan opens this world-folk journey with Arabic words and a quiet invitation to listen.Full recording & story ↗
  65. 65
    Ay IsigindaWind from an old road carries a name once more. In this Turkish-language song, Lingwan brings moonlight, memory and a trembling heart close together.Full recording & story ↗
  66. 66
    Dalbit GanggaeseoA voice calls from a moonlit riverbank, and the water seems to answer. Korean lyrics give Lingwan's journey a quiet place to pause and remember.Full recording & story ↗
  67. 67
    Doi Mua NhoLight rain falls over an old river, where someone waits on the bank. Lingwan follows Vietnamese words through a rain-soaked landscape, leaving a moment of waiting in the river breeze.Full recording & story ↗
  68. 68
    Khuen Chan RakA declaration of love keeps company with streetlights still awake in the rain. Lingwan's Thai-language song leaves a little warmth at the end of this journey through moonlight and rain roads.Full recording & story ↗
  69. 69
    Spring Over a Broken CountryLandscape, spring and human longing meet in Male Slow's English-sung Tang-poetry experiment.Full recording & story ↗
  70. 70
    Echoes of When You Are Old · MaryFirelight, distant hills and companionship: Mary's Mandarin Celtic song and full film with its horse-riding outro.Full recording & story ↗
  71. 71
    When You Are OldA complete 4:39 English-language Yeats song with an on-site film and a verified work-level YouTube path.Full recording & story ↗
  72. 72
    The Green Hills Cannot Be HiddenA complete 3:45 on-site song and film carrying Xin Qiji’s landscape and historical memory into a contemporary slow song.Full recording & story ↗
  73. 73
    A Return in the Night RainA complete 3:54 original Mandarin slow song and on-site film about an old city, return and change.Full recording & story ↗
  74. 74
    Le Vent Nous RamèneA complete 4:29 French-language cinematic ballad and on-site film of sea wind, rain-lit streets and return, with language review visibly pending.Full recording & story ↗
  75. 75
    The Nameless · On the RoadMary spends a complete 4:03 beside night drivers, late shifts, factory lights and people missing home—the first fully verified on-site master from the Four-Lead Suites.Full recording & story ↗
  76. 76
    Moonlit Bamboo HouseAcross a complete 5:00, Dai Amei gathers stilt house, peacock and hulusi around one waiting lamp while keeping real cultural roots distinct from the contemporary AI-assisted song.Full recording & story ↗
  77. 77
    Baidi Light Boat · Dai AmeiHear Dai Amei's Baidi Light Boat: a new setting of Li Bai's Early Departure from Baidi City, with the complete song in a static-image film.Full recording & story ↗
  78. 78
    The Last Row Is Singing Too · LingwanAcross a complete 4:20, Lingwan carries schoolyard wind, rain on a desk and a paper plane into a crowd chorus, with the public Persona, two-version catalogue record, complete media and progressing captions all evidenced at work level.Full recording & story ↗
  79. 79
    Sing the Wound into Light · MaryAcross a complete 4:28, Mary's warm mezzo grounds a wheatfield at dusk, figures disappearing into rain and a lamp toward home before a gospel-like choir answers; the public Persona, two-version catalogue record, complete media and progressing captions are evidenced at work level.Full recording & story ↗
  80. 80
    Keep the Fire from Going Out · Lin JuyiAcross a complete 4:09, Lin Juyi carries shoe dust, an old pocket, tears before dawn and echoes at the city's edge toward we are here, with the public Persona, two-version catalogue record, complete media and progressing captions evidenced at work level.Full recording & story ↗
  81. 81
    The Nameless · Far AwayAcross a complete 4:54, Cyber's clear tenor carries morning, the long road and countless ordinary lives toward mutual light. The 03D finale, v5.5 source, complete media and progressing captions are evidenced at work level. Conflicting Persona metadata supports the voice label Cyber Tenor, not an invented public Persona page.Full recording & story ↗
  82. 82
    Meeting at NightAcross a complete 3:45, Bollywood Male sings both Browning stanzas before clearly marked new intro, refrain, bridge and outro turn grey sea, yellow moon, sand and matchlight into one night journey.Full recording & story ↗
  83. 83
    The Stars Are Near · Male Slow Moonlit BassAcross a complete 4:59, Male Slow lowers the shared lyric and 七夕 parent into a restrained bass voice. Exact 01E B belongs to a verified lineage of 11 singers and 14 complete recordings, with 14 takes by 11 singers now playing in full. It returns no Persona object, and that boundary stays visible.Full recording & story ↗
  84. 84
    The Stars Are Near · Mary's Country-Pop WarmthAcross a complete 4:50, Mary carries the shared Qixi lyric through warm mezzo, acoustic guitar, cello, soft strings and country-pop tenderness. Exact 01B Mary-country B belongs to the verified 11-singer / 14-recording lineage; 14 takes by 11 singers now play in full. The work returns no Persona object, so no ID is borrowed from Mary's other works.Full recording & story ↗
  85. 85
    Bamboo House AntiphonAcross a complete 4:08, Dai Amei carries a contemporary call-and-response original through bamboo-house lamplight, waiting across water and a homeward path. The source labels female, male and shared parts, while the catalogue and public Persona register Dai Amei alone; no second virtual singer is invented.Full recording & story ↗
  86. 86
    Moon over the Mountain RoadAcross a complete 5:38, Bajiao turns departure, an old settlement, bamboo house, city crowds and one backward glance into a road-loop ballad. The 33-line Chinese lyric, public Persona, two-version family and complete media are verified; southwest and South Asian tags remain composition cues.Full recording & story ↗
  87. 87
    Lights of the Human World · Waiting for You to Come HomeAcross a complete 4:39, Mary carries food warming on the stove, moonlight at the door, a road of mud and frost and one lamp finding another through Lights of the Human World 02B. Twenty-seven contemporary lines, a public Mary-country Persona, a two-version family and complete media are verified; healing and homecoming are not presented as disaster documentation.Full recording & story ↗
  88. 88
    The Same Beam of Light · StormAcross a complete 4:43, Lin Juyi carries a night road, a small fire in the chest, iron gates and high walls toward “the same beam of light” in The Same Beam of Light 01C. Twenty-seven contemporary original lines, an embedded public Persona, a two-version family and complete media are verified; storm, city and crowd remain creative metaphors rather than claims of a real disaster, rally, political event or field recording.Full recording & story ↗
  89. 89
    The Same Beam of Light · Long RoadAcross a complete 4:28, Mary carries headlights, a lit window, wheat at dusk, an old letter and “the same beam of light” through The Same Beam of Light 01B. Twenty-eight contemporary original lines, an embedded public Mary-country Persona, a public voice root, a two-version family and complete media are verified; the road, homecoming and healing remain creative images rather than folklore, personal testimony or field recording.Full recording & story ↗
  90. 90
    Gold Flickers over Painted Hills · LingwanAcross a complete 3:15, Lingwan sings all eight lines of Wen Tingyun's Pusa Man while the four-line contemporary refrain, repetitions and mixed-script source captions remain separately identified. Exact 01C Suno work, two-version catalogue boundary, public Persona, complete media and mirror film are documented; Late-Tang palace-ballad, pipa and guqin language remains a generation brief rather than an ancient-score or human-performance claim.Full recording & story ↗
  91. 91
    Xiang Jun · Long Waters, Light Cassia BoatAcross a complete 3:10, Dai Amei sings fourteen of thirty-eight clauses from Qu Yuan's Xiang Jun, with 望夫君兮未來 repeated once; two recomposed intro lines and four distinct contemporary lines remain explicit. The exact Suno work, two-version catalogue boundary with only one verifiable ID, public Persona, voice root, complete media and white-lotus / wet-stone source-lyric film are documented. The female voice is not treated as proof of the ancient deity's gender, and Dai-voice language is not a Chu-rite or living-tradition claim.Full recording & story ↗
  92. 92
    Mountain Spirit · A Spirit Dwells in the MountainAcross a complete 3:34, Dai Amei sings twelve of twenty-seven received clauses from Mountain Spirit; three source clauses repeat and seven recomposed or contemporary lines remain explicit. The exact Suno work has a blank source title while the catalogue registers two versions as 山鬼 inside 楚辞神话祭歌. The public Persona, voice root, complete media and forest-rain source-lyric film are documented. The female voice is not treated as proof of the spirit's identity or gender, and Dai-voice language is not a Chu-rite or living-tradition claim.Full recording & story ↗
  93. 93
    After New Rain in the Empty MountainsAcross a complete 3:27, Dai Amei sings all eight lines of Wang Wei's Autumn Evening in the Mountains, while five verbatim reprises and nine recomposed or contemporary lines remain explicitly separate. The exact Suno work, public Persona, independently readable voice root, complete MP3, full source-lyric film and painted post-rain stream artwork are evidenced. “Dai folk colour” remains a contemporary design cue—not a Tang score, human performance or living-tradition claim.Full recording & story ↗
  94. 94
    Sun and Rain in a Bamboo-Branch SongAcross a complete 2:48, Dai Amei resets the first of Liu Yuxi's Two Bamboo-Branch Lyrics: three source lines remain verbatim, 唱歌聲 becomes 踏歌聲 in the second, and nine recomposed or contemporary lines stay explicit. The exact Suno work, public Persona and voice root, complete MP3, full source-lyric film and painted waterside artwork are evidenced. “Dai ethnic female voice” remains a contemporary cross-cultural cue—not a Tang score, Bayu folk reconstruction, human performance or living Dai tradition.Full recording & story ↗
  95. 95
    Moon over Mount EmeiAcross a complete 3:32, Dai Amei resets Li Bai's Moon over Mount Emei: all four poem lines remain across eight exact performed positions, while ten recomposed or contemporary positions stay explicit. The exact Suno work, public Persona and voice root, complete MP3, full two-panel source-lyric film and media hashes are evidenced. Dai folk voice, hulusi, bamboo flute and guqin remain contemporary cross-cultural cues—not a Tang score, human performance, Emei folk tradition or living Dai tradition.Full recording & story ↗
  96. 96
    Hengtang RoadAcross a complete 3:35, Dai Amei resets He Zhu's Qingyu An: eight distinct verbatim source clauses occur thirteen times, four source locations are altered and five distinct contemporary lines occupy six positions, with historical-witness variants disclosed separately. The exact Suno work, public Persona and voice root, complete MP3, full cyanotype-style source-lyric film and media hashes are evidenced. Dai folk voice, hulusi, bamboo flute and guqin remain contemporary cross-cultural cues—not a Song score, human performance, Hengtang field record or living Dai tradition.Full recording & story ↗
  97. 97
    Clear Water RiverA complete 2:48 contemporary Mandarin original travels from commuters, city-river lights and phone-stored photographs toward an inward home. Twenty-eight performed lines, four repeated anchors, the exact Suno work, Dai Amei Persona and voice root, complete media and hashes are evidenced. The river is lyrical imagination; Dai colour and hulusi remain contemporary generation cues.Full recording & story ↗
  98. 98
    Silver Bells to the GangesA complete 3:27 lets hulusi ask from a bamboo grove and bansuri answer in the night. Thirty contemporary lines link bells, a bamboo house, moonlight and the Ganges as imagined geography. The exact Suno work, two-version catalogue family, Dai Amei Persona and voice root, complete media and hashes are evidenced; instrument names remain generation directions—not human-performance, travel, religious, ethnographic or living-tradition claims.Full recording & story ↗
  99. 99
    Let the Moon Rest on Your ShoulderA complete 3:48 lets Breathy Female turn ‘not every passionate love must be shouted into the centre of the world’ into close-mic confession. Thirty contemporary positions, the exact Suno work, two-version catalogue family, public Persona and voice root, complete media and hashes are evidenced. Bansuri, tabla, tanpura, sitar and Hindustani ornament remain generation directions—not human-performance, travel, religious, ethnographic or living-tradition claims.Full recording & story ↗
  100. 100
    The Nameless · MorningA complete 3:58 lets Lingwan find city light without applause in a metro entrance, corridor, school gate and morning bowl. Twenty-five contemporary positions, exact 03A, the two-version catalogue family, public Persona and voice root, complete media and hashes are evidenced. It completes The Nameless as the first 4 / 4 Four-Lead suite; the generated carriage and blurred figures are not real people, a real metro or labour documentary.Full recording & story ↗
  101. 101
    Golden Coast · Symphonic HighlightViolin, cello, horn, piano and strings complete a 3:23 pure-instrumental coastal arc—no vocals and no suggestion that instrumental music is unfinished. by @liwei · made with Suno.Full recording & story ↗
  102. 102
    From the Bamboo House to the GangesBajiao joins bamboo house, rainforest, hulusi and bansuri across a 5:38 ballad over mountains.Full recording & story ↗
  103. 103
    The Right-Hand Passenger Seat × Meeting YouMary turns passenger seat, evening wind and an old gas station into homecoming across a 4:11 country-acoustic mashup.Full recording & story ↗
  104. 104
    Moon over the Mountain PassMediterranean Male answers Li Bai's frontier moon through oud, ney and flamenco guitar across 3:14.Full recording & story ↗
  105. 105
    A Patient SpiderWhitman-like solitude casts another thread into the unknown across a 4:56 English road ballad.Full recording & story ↗
  106. 106
    Oblivion · Chinese Edition3 a.m. calls, rain-lit streets and car-window dust move toward a clear departure across a complete 3:54 Mandarin urban ballad.Full recording & story ↗
  107. 107
    Red Bean Longing · Green Hills EndureRed-bean longing meets enduring green hills in a complete 4:12 duet.Full recording & story ↗
  108. 108
    A Legacy of GraceAn act of grace returns across a family's rise and fall in a complete 3:07 duet.Full recording & story ↗
  109. 109
    Happy Enemies · The Zhongshan WolfYingchun's gentleness and the Zhongshan wolf's approach form a stark 3:44 character duet.Full recording & story ↗
  110. 110
    Museum of Returning Stones · Male SlowMale Slow carries return and reconciliation beyond the glass case in a complete 3:52 four-language bass narrative.Full recording & story ↗
  111. 111
    The Rowan Light · LingwanLingwan follows a northern rain road toward old light beside a rowan tree in a complete 3:34 English folk song.Full recording & story ↗
  112. 112
    White Night · LingwanLingwan follows snow, an old bridge and one lit window across a complete 4:23 Russian romance.Full recording & story ↗
  113. 113
    Stelo Super Rivero · LingwanLingwan lets one star find someone far away across a complete 3:45 Esperanto folk song.Full recording & story ↗
  114. 114
    La Strada dei Limoni · LingwanLemon scent, a lit window and village evening write return across Lingwan's complete 3:53 Italian folk song.Full recording & story ↗
  115. 115
    Old Train in the Rain · MaryMary waits for an old train carrying yesterday across a complete 3:50 Celtic-country ballad.Full recording & story ↗
  116. 116
    The Ballad of Mulan · Bollywood MaleBollywood Male lets courage and tenderness travel together across a complete 3:22 reimagining of Mulan.Full recording & story ↗
  117. 117
    Chasing Light under the MoonMoonlight, distant mountains and drums keep moving forward across a complete 3:08 Eastern cinematic song.Full recording & story ↗
  118. 118
    The Lotus-Gathering Girl of YexiYexi, lotus leaves and laughter on water return to present-day listening across a complete 3:37 classical water song.Full recording & story ↗
  119. 119
    Moon over the Rainy Lane · Lin JuyiLin Juyi brings Moon over the Mountain Road into a complete 6:16 old-city rainy-lane voice edition.Full recording & story ↗
  120. 120
    Old Lamp on the Mountain Road · Male SlowMale Slow carries distance home to an old lamp across a complete 6:15 bass ballad.Full recording & story ↗
  121. 121
    Silver Bells over the Mountain Road · BajiaoBajiao carries silver bells, hulusi and moonlight along a complete 6:19 mountain-road song.Full recording & story ↗
  122. 122
    Wild Grass · Snow · Mary CountryMary Country completes the journey from southern to northern snow in 1:50; short and whole, not a preview.Full recording & story ↗
  123. 123
    Awakening from Empty BlossomsXichun sees through the spring seasons and finds her path in a complete 2:37 duet.Full recording & story ↗
  124. 124
    Each Bird Returns to Its Forest · A Vast White FinaleAn ensemble of fates finds its ending across a complete 5:29 finale on a vast white earth.Full recording & story ↗
  125. 125
    Golden After · Bilingual MashupAn English female voice and Cyber Tenor complete a 5:07 bilingual call and response across a coastline.Full recording & story ↗
  126. 126
    Silver Bells through the Rainforest · BajiaoRainforest light and silver-bell echoes travel through a complete 5:37 Bajiao ballad.Full recording & story ↗
  127. 127
    Night Boat on the Lancang River · BajiaoBlack water, a boat light and an echo on shore cross a complete 4:36 Bajiao river-night song.Full recording & story ↗
  128. 128
    Moon Road of Tea and Horses · BajiaoA moonlit ridge, tea fragrance and horse bells move through a complete 5:00 Bajiao mountain-road narrative.Full recording & story ↗
  129. 129
    Homecomer at the Lantern Market · BajiaoA city of lanterns and one doorway light recognise each other across a complete 5:34 Bajiao homecoming ballad.Full recording & story ↗
  130. 130
    The Little Yunnan Train · BajiaoMountainside rails, an old station in mist and a slow train window cross a complete 4:47 Bajiao travel-folk song.Full recording & story ↗
  131. 131
    An Old Letter in the Sea Fog · MarySea fog, an old letter and Celtic strings move through a complete 4:07 Mary coastal ballad.Full recording & story ↗
  132. 132
    The Distant Hills Bring You Home · MaryDistant hills, dusk and the road home unfold across a complete 3:57 Mary folk song.Full recording & story ↗
  133. 133
    Fishing Lights through the Rainy Night · MaryRain-dark sea, fishing lights and a homeward course cross a complete 4:13 Mary harbour-night song.Full recording & story ↗
  134. 134
    A White Sail Passes through Dusk · MaryOne white sail and the last light pass through a complete 4:09 Mary coastal folk song.Full recording & story ↗
  135. 135
    Wind over the Blue Headland · MaryA blue headland and open line of wind complete a 4:06 Mary Celtic-coast finale.Full recording & story ↗
  136. 136
    Road after Rain · MaryA rain-washed road, wheat-field moonlight and an old filling station unfold across a complete 3:33 Mary country-folk ballad.Full recording & story ↗
  137. 137
    An Old Letter by the Ganges · MaryAn old letter returns through Ganges moonlight across a complete 3:47 Mary cinematic ballad.Full recording & story ↗
  138. 138
    A Letter Returning from the Distant Hills · MaryRain on distant hills, low whistle and fiddle return across a complete 3:59 Mary Celtic-country ballad.Full recording & story ↗
  139. 139
    Hills That Bring You Back · MaryGreen hills beyond mist open a road home through a complete 4:09 English Celtic ballad.Full recording & story ↗
  140. 140
    The White Sail at Dusk · MaryA receding white sail and the last light pass through a complete 3:54 English coastal ballad.Full recording & story ↗
  141. 141
    Wind over the Blue Headland · Mary · English EditionA blue headland and open-water wind complete Mary's 4:15 English Celtic-coast finale.Full recording & story ↗
  142. 142
    Vojoj sub la Ĉielo · Bollywood MaleEsperanto and Mandarin travel land and sea routes in a complete 3:46 world-civilisation song.Full recording & story ↗
  143. 143
    Mountain Road, Star BridgeMoonlit roads meet a bridge of stars in a complete 5:08 Mandarin duet derived through mashup exploration.Full recording & story ↗
  144. 144
    Night Train through the North · Male SlowRails, distant lights and a low-voiced return cross a complete 3:42 Male Slow night song.Full recording & story ↗
  145. 145
    The Light at the Old Harbor · Male SlowAn old harbor, returning boats and a light left burning meet in a complete 3:36 Male Slow homecoming ballad.Full recording & story ↗
  146. 146
    Rainy-Night Gas Station · Male SlowRain, headlights and a brief roadside stop form a complete 3:44 Male Slow night-road ballad.Full recording & story ↗
  147. 147
    Golden Coastline · Cyber TenorMorning coast, highway and lighthouse open toward distance in a complete 3:13 Cyber Tenor ballad.Full recording & story ↗
  148. 148
    White Highway · Cyber TenorSalt lake, highway and horizon shape a complete 3:19 Cyber Tenor road-film ballad.Full recording & story ↗
  149. 149
    Old City Station · Bollywood MaleA rainlit platform, old suitcase and light pointing home unfold across a complete 4:59 Mandarin life ballad.Full recording & story ↗
  150. 150
    Father's Old Bicycle · Bollywood MaleA bicycle bell, old street and a father's silence cross a complete 4:46 Mandarin song for a father.Full recording & story ↗
  151. 151
    The Wind on the Old Highway · LingwanLow clouds, an old road and an unsent letter travel through a 3:09 Mandarin country-road ballad.Full recording & story ↗
  152. 152
    Red Roses on the Old Street · LingwanRain on stone streets and roses beneath a clock tower hold a 3:33 old-city echo.Full recording & story ↗
  153. 153
    Showa Night Radio · LingwanA midnight radio, rain-lit neon and a departing taxi illuminate a 3:49 Showa-kayokyoku nocturne.Full recording & story ↗
  154. 154
    Until the World Lights Up · Cyber TenorCoast, electric piano and clear tenor carry a complete 3:22 dawn ballad.Full recording & story ↗
  155. 155
    Last Train · End Credits · Male SlowThe last train, an empty carriage and bass unfold a complete 3:44 English end-credits road.Full recording & story ↗
  156. 156
    Lettre à celle qui revient · MaryAn old letter, piano and warm mezzo complete a 3:46 French–Mandarin song of return.Full recording & story ↗
  157. 157
    A Floral Sash in the Mist · BajiaoWaterside mist, a floral sash and a clear voice unfold across a complete 3:33 southwest-coloured ballad.Full recording & story ↗
  158. 158
    Ganges Moon Vow · Bollywood MaleThe feeling of Moon over the Mountain Road enters Ganges moonlight in a complete 6:02 Mandarin cinematic ballad.Full recording & story ↗
  159. 159
    Choir over a Sea of LightsCountless lights and people heading home illuminate one another across a complete 4:23 Mandarin choral finale.Full recording & story ↗
  160. 160
    Half a Lifetime on the RoadMisty hills, old letters and backward glances travel through Mary's complete 4:13 Mandarin Celtic road ballad.Full recording & story ↗
  161. 161
    Homeland Wakes in the WindA childhood road, the tree by the door and supper in the wind wake in Mary's complete 4:05 homecoming song.Full recording & story ↗
  162. 162
    Give the Heart to Distant MountainsAcceptance, distant mountains and an open breath complete Mary's 4:08 Mandarin Celtic-life cycle.Full recording & story ↗
  163. 163
    The Last Window of AutumnA gold window, copper rain and lamps on distant shores complete Mary's 3:34 English Celtic six-part cycle.Full recording & story ↗
  164. 164
    The Passenger-Seat LightAn old coat, a slow radio and convenience-store coffee make the night road an unhurried companionship.Full recording & story ↗
  165. 165
    Liangzhou Verse · Spring Wind at Jade GateWang Zhihuan’s lone city and flute meet new lines of travel and longing.Full recording & story ↗
  166. 166
    A Little Train in YunnanTea hills, a rainy season and a white flower kept in an old book preserve an unhurried journey.Full recording & story ↗
  167. 167
    The River Says, Take Your TimeA riverside singer, a banyan tree and one string place a travelling heart inside a wandering rhythm.Full recording & story ↗
  168. 168
    Kai Kou Zui · female-voice 2:35 editionA cool, sorrowful moon and recurring short lines invite distant voices to sing toward dawn.Full recording & story ↗
  169. 169
    Kai Kou Zui · female-voice 2:34 editionThe same Mandarin words of wandering, evening breeze and shared singing keep a second 153.84-second edition.Full recording & story ↗
  170. 170
    Sing the Days Out LoudHarmonica and bar-band colour make the shared toast to tomorrow a communal chorus.Full recording & story ↗
  171. 171
    Half Full of Goodbyes · 3:27 editionOld boats, new tides and autumn leaves turn departure into a distance that voices can cross.Full recording & story ↗
  172. 172
    Before the Rain StopsThe same toast to tomorrow enters a 78 BPM rainy-night blues-rock setting.Full recording & story ↗
  173. 173
    The Old-Timers’ GatheringFour old friends, breakfast and machines turn a mock-serious march into Mandarin pop-punk self-satire.Full recording & story ↗
  174. 174
    Shotgun on the RightFrom an old Mazda to a newer Tesla, banjo leads an English country story about the road and the person beside you.Full recording & story ↗
  175. 175
    Do Not Turn Back Before the Rain StopsAn old street corner and changed phone numbers carry ordinary courage toward tomorrow.Full recording & story ↗
  176. 176
    Shotgun on the Right · English country editionAn old Mazda, an uneven radio and a newer car turn lasting company into a road song.Full recording & story ↗
  177. 177
    Take the Long WayTraffic lights change, an old song escapes a car, and two people need not hurry.Full recording & story ↗
  178. 178
    Come One EveningTea, a door and evening streetlights let a small wait open into a broad chorus.Full recording & story ↗
  179. 179
    Turn All the Lights OnOpen the curtains, lift your shoulders and let a dancing pulse bring your voice into the light.Full recording & story ↗
  180. 180
    The Long Way Round the LakeThey skip the ten-minute shortcut. A grey stone and the lake on the left give company an unhurried afternoon.Full recording & story ↗
  181. 181
    Keep Shining Your WayA ferry lamp asks for no thanks, yet steadies a night crossing. Farther on, you can become your own light.Full recording & story ↗
  182. 182
    A Toast to Tomorrow · Folk RockAn old street, changed phone numbers and a remembered goodbye lead into a communal refrain.Full recording & story ↗
  183. 183
    The Sea Wind Is Just RightA sunset beach, rising lights and a circle of people hold a summer inside one song.Full recording & story ↗
  184. 184
    A Toast to Tomorrow · Roots RockTremolo guitar, full bass and soul responses give an old-street story a step forward.Full recording & story ↗
  185. 185
    Campus FlowerA suitcase, a new map and roommates laughing let a new life begin with being welcomed.Full recording & story ↗
  186. 186
    A Toast to Tomorrow — Guzheng Folk EditionNight wind, scattered friends and a remembered farewell raise a song to ordinary courage.Full recording & story ↗
  187. 187
    Lotus Leaves and a UniformAn old lotus-picking poem meets marching brass, with a mother’s words and warm rice beyond the ranks.Full recording & story ↗
  188. 188
    The Third Song by the Sea · v6Carry shoes along the shore, let wind tune the strings, and leave today a lighter song.Full recording & story ↗
  189. 189
    The Ferry Was Half an Hour LateA late ferry in fog and a wave from the other bank become a sentence remembered years later.Full recording & story ↗
  190. 190
    Long After the Porch Light’s OnA life packed in half a day and generations who stay give a country ballad the weight of attachment.Full recording & story ↗
  191. 191
    On Your Side of the DistanceA name held in a palm, village lights and a wooden door give a long road an answering voice.Full recording & story ↗
  192. 192
    One More RiverA snowbound pass and a broken bridge cannot quiet the name carried toward daylight.Full recording & story ↗
  193. 193
    Take the Low RoadSunset behind a hill, wind lifting sand and a slow road let waiting avoid becoming pressure.Full recording & story ↗
  194. 194
    Every Road Leads to YouSeven cities, an unfamiliar language and a spinning compass keep a name returning.Full recording & story ↗
  195. 195
    Long After the Porch Light’s OnA returning answer beneath the porch light makes staying a habit carried from mother and grandmother.Full recording & story ↗
  196. 196
    The Road You TookA late ferry, lights across the water and counted days let one road hold changed people.Full recording & story ↗
  197. 197
    On the Side Where You AreA name held in the palm, village lights and the final miles give a long journey a destination where someone waits.Full recording & story ↗
  198. 198
    One More RiverA snowed-in pass, a broken bridge and a held name turn a long journey into another step.Full recording & story ↗
  199. 199
    The Unclaimed BicycleThe third bicycle at the station, and a key elsewhere, give absence a quiet shape.Full recording & story ↗
  200. 200
    La Vojo HejmenEsperanto words follow a childhood route: nobody waits, but the door knows the hand.Full recording & story ↗
  201. 201
    The Stone StaysA boundary stone and an unspoken understanding between families keep their place in a repeated refrain.Full recording & story ↗
  202. 202
    Meet Me HalfwayAn unfamiliar town and the last open restaurant make room for words a phone could not hold.Full recording & story ↗
  203. 203
    Meet Me HalfwayAn unfamiliar town, a bad hotel and the one open restaurant make room for what the phone could not hold.Full recording & story ↗
  204. 204
    You Can Have the WindowEleven hours on a rough road, two seats and one view turn a small seat choice into quiet care.Full recording & story ↗
  205. 205
    Walk a While, Rest a WhileSalt sacks, horse bells and a kept fire bring the mountain traveller and the waiting room together.Full recording & story ↗
  206. 206
    The Way Back Is ShorterThe same turns and sky somehow feel shorter on the way back.Full recording & story ↗
  207. 207
    Below the BridgeOne current rushes from the hills; another crosses the plain slowly. Below a bridge they meet.Full recording & story ↗
  208. 208
    Meet Me Halfway · Celtic DuetFour hundred miles each lead to an unfamiliar town and words that never came out by phone.Full recording & story ↗
  209. 209
    Meet Me Halfway · Celtic DuetTwo four-hundred-mile journeys reach a strange town where the unsaid can sit down.Full recording & story ↗
  210. 210
    The Water Does Not Know UsAn old ferryman, a new bridge upstream and a boat becoming a story hold experience that cannot be written down.Full recording & story ↗
  211. 211
    That Is Not a ProblemThe fence leans further each year. A small Americana song leaves room for things that need not be fixed.Full recording & story ↗
  212. 212
    I'm Fine, I'm FineA station wave, open windows and a coffee cup let “I’m fine” keep its unfinished meaning.Full recording & story ↗
  213. 213
    Still HereLetters in a coat, a café window and a kept light widen the echo of a feeling that has stayed.Full recording & story ↗
  214. 214
    Far Away, but Not at HeartWave-like longing and a smile on a phone meet a weathered porch-blues direction.Full recording & story ↗
  215. 215
    Far Away, Still Close at Heart · Delta BluesA smile on a phone and waves of longing meet the rough replies of slide guitar.Full recording & story ↗
  216. 216
    Autumn Wind, Do Not Grieve for Me · Rock Power BalladRegret at a familiar street corner finds an outlet in high male voice and sustained guitar.Full recording & story ↗
  217. 217
    After the Storm · Celtic Folk RockNot for medals or applause: the song’s resolve wants feeling to find an answer.Full recording & story ↗
  218. 218
    Moonlit Tea-Horse Road · Celtic FolkAn old tea tree, a posting house and receding bells make a voice harder to forget than moonlight.Full recording & story ↗
  219. 219
    Passing Through · Country EditionTown dusk, a hand pointing north and a pause at a wooden door turn a journey toward memory.Full recording & story ↗
  220. 220
    Passing Through 2 · Country VersionTown smoke, a hand pointing north and a banjo introduction turn asking directions into a memory.Full recording & story ↗
  221. 221
    What the Mechanic SaidA few words at a roadside shop bring someone in a hurry back to the present.Full recording & story ↗
  222. 222
    Everything I Own in the BootTwo boxes and a chair make room for a destination not yet decided.Full recording & story ↗
  223. 223
    Drums in the Rain Lane · v6A lane home finds fresh rhythm in a cart’s wheels and a flower seller’s smile.Full recording & story ↗
  224. 224
    The Old Truck by the Sea · v6Tides, old songs and a worn passenger seat let moving onward remember those who came along.Full recording & story ↗
  225. 225
    People Look Back After Crossing · v6Stones keep a trace of footsteps while the bridge stands: looking back and moving on need not conflict.Full recording & story ↗
  226. 226
    The Last Bus by the Harbour · Mary-country VersionNeon, two empty seats and extra stops leave a solitary journey with a gentler night.Full recording & story ↗
  227. 227
    The Wolf Really CameScreens, driverless vehicles and office lights become urgent questions in an English stadium-pop-rock direction.Full recording & story ↗
  228. 228
    The Yellow River Runs On · Classical-Duet BriefThe flowing ending gives an imagined male–female exchange a shared direction.Full recording & story ↗
  229. 229
    The Yellow River’s Embrace · Soprano Brief, 3:57Spring, riverbanks and hope for many homes enter a Mandarin soprano brief.Full recording & story ↗
  230. 230
    Folded into the YearsA folded map, station tea and two sets of bowls put away let a farewell retain the warmth of care.Full recording & story ↗
  231. 231
    Half Full of Goodbyes · 3:30 editionThe same English lyric and modern-pop direction keep an exact 209.96-second recording.Full recording & story ↗
  232. 232
    Sea Wind over Lion Rock · Cyber TenorHarbour lights, hilltop wind and a promise of company put a hurried world at a distance.Full recording & story ↗
  233. 233
    Song of the Yellow River · Driving-Rhythm EditionMist at an old ferry opens towards broad earth; the refrain carries countless calls into the distance.Full recording & story ↗
  234. 234
    Song of the Yellow River · Orchestral Anthem, 3:54A river singing from plateau to plain gathers spring and lights in many homes.Full recording & story ↗
  235. 235
    The Yellow River’s Embrace · Soprano Brief, 4:02The same broad lyric retains its own course in another soprano source.Full recording & story ↗
  236. 236
    The Last Bus DriverA sleeper, someone crying and someone travelling far share the city’s last bus into the night.Full recording & story ↗
  237. 237
    Song of the Yellow River · Layered-Voice Brief, 3:56From earth in a palm to a distant corridor, repeated calls open the horizon.Full recording & story ↗
  238. 238
    Song of the Yellow River · Bass Brief, 4:04Mist, earth and willow banks unfold through a deep-bass arrangement idea.Full recording & story ↗
  239. 239
    Song of the Yellow River · Bass Brief, 4:07The shared river lyric retains another breathing space in this separate bass source.Full recording & story ↗
  240. 240
    Song of the Yellow River · Lyric-Tenor Brief, 3:53Riverbanks and dawn meet a warm lyric-tenor bel canto idea.Full recording & story ↗
  241. 241
    Song of the Yellow River · Lyric-Tenor Brief, 3:57Willow banks, a long corridor and golden waves echo in a separate tenor brief.Full recording & story ↗
  242. 242
    Evening Wind beneath the Bridge · Mary-country VersionMoonlight on the bank, distant boats and a shared coat let tenderness arrive before a declaration.Full recording & story ↗
  243. 243
    Someone Waits Beyond the MountainsA stream, green through the window and a bridge-side light give the mountain road a direction: toward a person, not merely a place.Full recording & story ↗
  244. 244
    The Wind Widens the PathGrass crowds the shoes and mountains fill the sky. Looking a little higher lets the next step begin before the road grows smooth.Full recording & story ↗
FOLLOW A FEELING · HEAR THE WHOLE SONG

A map, not a pile of songs.

Start anywhere among 1376 complete songs. Follow a mood, a scene or a story; every song has its own full listening page.

Explore all complete music ↗
01

A little quiet

Leave a little space in the day for slow songs, small lights and a moment to breathe.

723 complete songs ↗02

Under lamps and moons

Rain, starlight, dark seas and thoughts beside a window meet here.

460 complete songs ↗03

The road ahead

Mountain paths, city streets, departures and returns: choose a song for the way ahead.

244 complete songs ↗04

The way home

Home places, family, warm meals and everyday company give familiar things a new light.

494 complete songs ↗05

Words find a voice

Classical verse, Red Chamber characters and English-language poetry step from the page into headphones.

154 complete songs ↗06

Across languages

A different language, voice or cultural doorway can reveal another shape of a familiar feeling.

362 complete songs ↗07

Our shared world

Listen from everyday human relations towards civic life, shared futures and possibility.

148 complete songs ↗

A song can belong to more than one landscape. These paths follow existing stories and theme tags, not a promise to change how you feel.