COMPLETE MUSIC · YOUR OWN PACE

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  1. 01
    Moonlight Before My BedMoonlight and homesickness cross languages in an English-sung encounter with Tang poetry.Full recording & story ↗
  2. 02
    One More Cup at Yang PassThe farewell cup stays within a new song as Mary carries its parting words to listeners in English.Full recording & story ↗
  3. 03
    Spring Over a Broken CountryLandscape, spring and human longing meet in Male Slow's English-sung Tang-poetry experiment.Full recording & story ↗
  4. 04
    Bring In The WineAn English-sung meeting of Tang poetry and a Bollywood voice, beginning with poetry's invitation to drink.Full recording & story ↗
  5. 05
    Dream of Ten YearsFrom the Chinese poem to an English response, Male Slow lets ten years of longing echo between two languages.Full recording & story ↗
  6. 06
    The Ballad of Mulan · Another EditionThe familiar story of Mulan finds another voice. This edition stands beside the existing recording, with complete playback for each.Full recording & story ↗
  7. 07
    Echoes of When You Are Old · MaryFirelight, distant hills and companionship: Mary's Mandarin Celtic song and full film with its horse-riding outro.Full recording & story ↗
  8. 08
    Lotus in the WindA complete Mandarin song and music film carrying Zhou Bangyan’s lyric imagery into present-day listening.Full recording & story ↗
  9. 09
    When You Are OldA complete 4:39 English-language Yeats song with an on-site film and a verified work-level YouTube path.Full recording & story ↗
  10. 10
    The Green Hills Cannot Be HiddenA complete 3:45 on-site song and film carrying Xin Qiji’s landscape and historical memory into a contemporary slow song.Full recording & story ↗
  11. 11
    Autumn in the Han PalaceAcross a complete 3:03, Male Slow carries Ma Zhiyuan's circular Yuan-drama lament while keeping drama, historical record and the source-native lyric film distinct.Full recording & story ↗
  12. 12
    The South Wind Knows My HeartAcross a complete 4:12, Dai Amei sings twenty-six lines from Xizhou Qu with a disclosed contemporary refrain, preserving the boundaries among original poem, adaptation and virtual voice.Full recording & story ↗
  13. 13
    Farewell at the Long Pavilion · LingwanHear Lingwan's Farewell at the Long Pavilion, 02A: a Kunqu-inflected setting of Wang Shifu, with a complete lyric film and the quiet ache of an autumn farewell.Full recording & story ↗
  14. 14
    Incense from the Jade Burner · LingwanHear Lingwan's Incense from the Jade Burner, 01D: red candle, wutong rain and a long night in a delicate setting of Wen Tingyun, with a complete lyric film.Full recording & story ↗
  15. 15
    Donghuang Taiyi · Dai AmeiHear Dai Amei's Donghuang Taiyi: a Nine Songs ballad with a complete lyric film.Full recording & story ↗
  16. 16
    Hebo · Dai AmeiHear Dai Amei's Hebo: a Nine Songs ballad with a complete lyric film.Full recording & story ↗
  17. 17
    Yunzhong Jun · Dai AmeiHear Dai Amei's Yunzhong Jun: a Nine Songs ballad with a complete lyric film.Full recording & story ↗
  18. 18
    Baidi Light Boat · Dai AmeiHear Dai Amei's Baidi Light Boat: a new setting of Li Bai's Early Departure from Baidi City, with the complete song in a static-image film.Full recording & story ↗
  19. 19
    Could Jiangnan Ever Be Forgotten? · Dai AmeiAcross a complete 3:24, Dai Amei opens Classical Waterside II with all fifteen lines of Bai Juyi's three lyrics, repetitions, two textual-variant loci, a contemporary refrain and the film's stale flag kept distinct.Full recording & story ↗
  20. 20
    Meeting at NightAcross a complete 3:45, Bollywood Male sings both Browning stanzas before clearly marked new intro, refrain, bridge and outro turn grey sea, yellow moon, sand and matchlight into one night journey.Full recording & story ↗
  21. 21
    Across the Water · JianjiaAcross a complete 4:28, Dai Amei sings all three stanzas of the Book of Songs poem Jianjia while keeping the classical text distinct from a new intro, two contemporary refrains and an outro. Hulusi, bamboo flute and Dai colour are source arrangement cues, not claims to represent a living community.Full recording & story ↗
  22. 22
    Lotus Songs at Southern PondAcross a complete 4:14, Dai Amei joins Wang Changling's four-line Lotus-Picking Song to Li Bai's eight-line poem of the same title. The repeated ancient couplet, two textual-variant loci and new refrains remain visibly distinct.Full recording & story ↗
  23. 23
    Farewell at the Long Pavilion · Lingwan 01AAcross a complete 3:02, Lingwan carries twenty-two selected Wang Shifu lines into an accessible Yuan-drama narrative ballad. It shares text and Persona with the Kunqu-inflected 02A yet retains an independent source ID, tag brief, duration and media hashes, making the two directly comparable without treating either as a replacement.Full recording & story ↗
  24. 24
    Gold Flickers over Painted Hills · LingwanAcross a complete 3:15, Lingwan sings all eight lines of Wen Tingyun's Pusa Man while the four-line contemporary refrain, repetitions and mixed-script source captions remain separately identified. Exact 01C Suno work, two-version catalogue boundary, public Persona, complete media and mirror film are documented; Late-Tang palace-ballad, pipa and guqin language remains a generation brief rather than an ancient-score or human-performance claim.Full recording & story ↗
  25. 25
    Lord of the East · Dawn over FusangAcross a complete 2:45, Dai Amei sings twelve of twenty-four lines from Qu Yuan's Dong Jun. Ten contemporary performed line positions, eight distinct new lines, one direct reuse of the source and the omitted range remain explicit. The exact Suno work, two-version catalogue boundary with only one verifiable ID, embedded public Persona, voice root, complete media and Fusang-tree lyric film are documented. Hulusi and Dai-voice language remain contemporary cross-cultural generation cues—not a Chu-rite or living Dai-tradition claim.Full recording & story ↗
  26. 26
    Great Master of Fate · Dark Clouds at Heaven's GateAcross a complete 2:44, Dai Amei sings nine of fourteen couplet-lines—eighteen clauses—from Qu Yuan's Da Siming, with four contemporary intro/refrain lines and five omitted couplets separately identified. The exact Suno work, two-version catalogue boundary with only one verifiable ID, embedded public Persona, voice root, complete media and rain-cloud stone-gate source-lyric film are documented. Hulusi and Dai-voice language remain contemporary cross-cultural generation cues—not a Chu rite, real heritage-site or living Dai-tradition claim.Full recording & story ↗
  27. 27
    Xiang Jun · Long Waters, Light Cassia BoatAcross a complete 3:10, Dai Amei sings fourteen of thirty-eight clauses from Qu Yuan's Xiang Jun, with 望夫君兮未來 repeated once; two recomposed intro lines and four distinct contemporary lines remain explicit. The exact Suno work, two-version catalogue boundary with only one verifiable ID, public Persona, voice root, complete media and white-lotus / wet-stone source-lyric film are documented. The female voice is not treated as proof of the ancient deity's gender, and Dai-voice language is not a Chu-rite or living-tradition claim.Full recording & story ↗
  28. 28
    Shao Siming · Autumn Orchids Grow GreenAcross a complete 3:07, Dai Amei sings sixteen of twenty-six clauses from Qu Yuan's Shao Siming, with the parting/new-knowledge couplet repeated; two recomposed intro lines and two contemporary lines remain explicit. The exact Suno work, two-version catalogue boundary with only one verifiable ID, public Persona, voice root, complete media and cyanotype-orchid source-lyric film are documented. The female voice is not treated as proof of the ancient deity's identity or gender, and Dai-voice language is not a Chu-rite or living-tradition claim.Full recording & story ↗
  29. 29
    Xiang Furen · Dongting Waves, Falling LeavesAcross a complete 2:43, Dai Amei sings fourteen of forty received clauses from Qu Yuan's Xiang Furen, with 洞庭波兮木葉下 repeated once; four recomposed and three contemporary lines remain explicit. The exact Suno work, two-version catalogue boundary with only one verifiable ID, public Persona, voice root, complete media and cyanotype water-and-leaves source-lyric film are documented. The female voice is not treated as proof of the ancient deity's identity, and Dai-voice language is not a Chu-rite or living-tradition claim.Full recording & story ↗
  30. 30
    Mountain Spirit · A Spirit Dwells in the MountainAcross a complete 3:34, Dai Amei sings twelve of twenty-seven received clauses from Mountain Spirit; three source clauses repeat and seven recomposed or contemporary lines remain explicit. The exact Suno work has a blank source title while the catalogue registers two versions as 山鬼 inside 楚辞神话祭歌. The public Persona, voice root, complete media and forest-rain source-lyric film are documented. The female voice is not treated as proof of the spirit's identity or gender, and Dai-voice language is not a Chu-rite or living-tradition claim.Full recording & story ↗
  31. 31
    After New Rain in the Empty MountainsAcross a complete 3:27, Dai Amei sings all eight lines of Wang Wei's Autumn Evening in the Mountains, while five verbatim reprises and nine recomposed or contemporary lines remain explicitly separate. The exact Suno work, public Persona, independently readable voice root, complete MP3, full source-lyric film and painted post-rain stream artwork are evidenced. “Dai folk colour” remains a contemporary design cue—not a Tang score, human performance or living-tradition claim.Full recording & story ↗
  32. 32
    Sun and Rain in a Bamboo-Branch SongAcross a complete 2:48, Dai Amei resets the first of Liu Yuxi's Two Bamboo-Branch Lyrics: three source lines remain verbatim, 唱歌聲 becomes 踏歌聲 in the second, and nine recomposed or contemporary lines stay explicit. The exact Suno work, public Persona and voice root, complete MP3, full source-lyric film and painted waterside artwork are evidenced. “Dai ethnic female voice” remains a contemporary cross-cultural cue—not a Tang score, Bayu folk reconstruction, human performance or living Dai tradition.Full recording & story ↗
  33. 33
    Moon over Mount EmeiAcross a complete 3:32, Dai Amei resets Li Bai's Moon over Mount Emei: all four poem lines remain across eight exact performed positions, while ten recomposed or contemporary positions stay explicit. The exact Suno work, public Persona and voice root, complete MP3, full two-panel source-lyric film and media hashes are evidenced. Dai folk voice, hulusi, bamboo flute and guqin remain contemporary cross-cultural cues—not a Tang score, human performance, Emei folk tradition or living Dai tradition.Full recording & story ↗
  34. 34
    Hengtang RoadAcross a complete 3:35, Dai Amei resets He Zhu's Qingyu An: eight distinct verbatim source clauses occur thirteen times, four source locations are altered and five distinct contemporary lines occupy six positions, with historical-witness variants disclosed separately. The exact Suno work, public Persona and voice root, complete MP3, full cyanotype-style source-lyric film and media hashes are evidenced. Dai folk voice, hulusi, bamboo flute and guqin remain contemporary cross-cultural cues—not a Song score, human performance, Hengtang field record or living Dai tradition.Full recording & story ↗
  35. 35
    One Moon over Chang’anAcross a complete 3:15, Dai Amei resets Li Bai’s Autumn Song: all six poem lines appear across eight exact positions, while twelve recomposed or contemporary positions remain separately accounted. The exact Suno work, public Persona and voice root, complete MP3, full source-lyric film and media hashes are evidenced. Tang Chang’an, the Jade Gate, Dai folk colour and instrument cues remain contemporary cross-cultural direction. The black-and-white source artwork mistakes clothes-beating for a mortar and pestle; that AI visual mistranslation is disclosed rather than presented as Tang material culture or reconstruction.Full recording & story ↗
  36. 36
    Spring River under the MoonAcross a complete 2:42, Dai Amei resets the first eight lines of Zhang Ruoxu’s Spring River, Flowers, Moon, Night. Ten exact source-line positions, one 遶 / 繞 graphic-variant position and four contemporary refrain lines remain separately accounted. The exact Suno work, public Persona and voice root, complete MP3, full source-prompt film and media hashes are evidenced. Spring river, sea moon, Dai folk voice and instrument cues remain contemporary cross-cultural direction; the crayon riverscape is not presented as Tang reality.Full recording & story ↗
  37. 37
    Crossing the River for LotusA complete 3:37 carries all eight lines of Poem VI from the Nineteen Old Poems. Ten exact positions, three 採 / 采 variants, four adaptations and seven additions remain separate; disputed attribution, exact Suno work, Dai Amei Persona and voice root, media and hashes are evidenced. Dai-folk remains a contemporary cue.Full recording & story ↗
  38. 38
    Lotus Picking at Southern Pond in AutumnA complete 3:26 carries four consecutive Xizhou Qu lines across five performed positions into a contemporary waterside continuation. Four exact positions, one 採 / 采 graphic variant and twenty-three adapted or new positions remain separate. The exact Suno work, two-version catalogue family, Dai Amei Persona and voice root, complete media and hashes are evidenced; Dai-folk, hulusi and the crayon lotus pond remain contemporary cues and source imagery.Full recording & story ↗
  39. 39
    Frontier MoonA complete 3:38 joins one exact Wang Changling line, two recomposed Wang Zhihuan allusions and twenty-eight contemporary positions under the same moon. The exact Suno work, two-version catalogue family, Dai Amei Persona and voice root, complete media and hashes are evidenced. Qiang flute, hulusi, frontier and bamboo-house imagery remain contemporary cross-cultural direction—not a Tang score or living-community record.Full recording & story ↗
  40. 40
    Wild Grass · Autumn NightA complete 2:19 carries Lingwan from two date trees into an uncannily high sky. Selected Lu Xun text and the contemporary ‘night so high, dream so cold’ refrain remain distinct; exact Suno work, full media, 48 kHz stereo, hashes and no-two-second-silence master are verified.Full recording & story ↗
  41. 41
    Wild Grass · SnowMary's 1:47 Wild Grass · Snow moves from moist Jiangnan snow to northern wilderness. Explicitly complete at source, it is a short finished work rather than a preview; selected Lu Xun text, exact Suno work, full media, hashes and its single anti-preview exception are documented.Full recording & story ↗
  42. 42
    Wild Grass · Shadow's FarewellA complete 2:30 lets Male Slow's bass refuse heaven, hell and the golden world. Selected Lu Xun language and the contemporary self-farewell remain distinct; exact Suno work, full media, hashes and no-two-second-silence master are verified.Full recording & story ↗
  43. 43
    Amei Sings Late AutumnDai Amei's complete 4:16 setting carries all eight received lines of Li Qingzhao's A Twig of Plum Blossom into a contemporary waterside ballad. New refrain and variation remain distinct from the Song lyric; exact Suno work, full MP3, full vertical lyric film, media hashes and the no-two-second-silence master are verified—not a 45-second preview.Full recording & story ↗
  44. 44
    Three Verses on the Handkerchief · Lament of EmptinessA complete 3:27 keeps a restrained female voice close to Daiyu while a male echo recedes like a reply that never arrives, joining song, film and character essay. by @liwei · made with Suno.Full recording & story ↗
  45. 45
    Qingwen's Song · Lament of EmptinessA complete 3:23 carries Qingwen's purity, pride and refusal to bow through a slow melody that keeps its edge, then opens into the full film and character essay. by @liwei · made with Suno.Full recording & story ↗
  46. 46
    Hard for the World to Bear · Lament of EmptinessA complete 3:02 lets Miaoyu's purity, solitude and ordeal unfold through bell, breath and silence, with an alternate publicly shared visual doorway. by @liwei · made with Suno.Full recording & story ↗
  47. 47
    The Injustice to Dou E · Jingkun MaryMary completes an appeal to heaven in 1:48: recitative, aria and final percussion form a short, finished dramatic arc, with Jingkun as a contemporary creative direction. by @liwei · made with Suno.Full recording & story ↗
  48. 48
    The Flower-Burial Song · Full-Text ChaptersCao Xueqin's Flower-Burial Song runs from first chapter to final line across 7:06, with female lead, male response and duet preserving the long poem's complete fate. by @liwei · made with Suno.Full recording & story ↗
  49. 49
    A Lifelong Mistake · The Wood-and-Stone VowThe golden-and-jade match meets the wood-and-stone vow in a 4:02 male-female duet, carrying the received lyric and contemporary bridge through the final unrest. by @liwei · made with Suno.Full recording & story ↗
  50. 50
    Moon over the Mountain PassMediterranean Male answers Li Bai's frontier moon through oud, ney and flamenco guitar across 3:14.Full recording & story ↗
  51. 51
    When You Are Old · Chinese VersionYeats's enduring gaze enters a 5:06 Chinese re-imagining through firelight, Celtic harp and bansuri.Full recording & story ↗
  52. 52
    Lady in the MeadowKeatsian dark romance keeps beauty and danger together across a 5:05 English cinematic folk ballad.Full recording & story ↗
  53. 53
    A Patient SpiderWhitman-like solitude casts another thread into the unknown across a 4:56 English road ballad.Full recording & story ↗
  54. 54
    Loveliest of TreesHousman's blossom and finite years open into a 5:13 English spring pastoral ballad.Full recording & story ↗
  55. 55
    Thrush at Winter DuskHardy's winter dusk hears a hope without guarantee across a 4:54 English cinematic ballad.Full recording & story ↗
  56. 56
    Higher Than the SkylarkShelley's skylark rises through a 4:18 English art-pop ballad without sudden octave shortcuts.Full recording & story ↗
  57. 57
    To Strive, To SeekTennyson's resolve to strive, seek and not yield sails through a complete 4:34 cinematic sea ballad.Full recording & story ↗
  58. 58
    Season of MistsKeats's mist, orchards and late light enter a complete 4:22 English pastoral ballad.Full recording & story ↗
  59. 59
    King of Broken SandShelley's Ozymandias carries ruin, pride and empty sand through a complete 4:44 desert narrative.Full recording & story ↗
  60. 60
    Gold to Airy Thinness BeatDonne's gold and compass turn distance into widening rather than fracture across a complete 3:52 love ballad.Full recording & story ↗
  61. 61
    Jianjia · LingwanLingwan carries all three Jianjia stanzas through 2:17 of guzheng, pipa, xiao and river mist beside the existing title-linked work.Full recording & story ↗
  62. 62
    Autumn Window in Wind and RainDaiyu's long poem unfolds in full across 4:49 of autumn lamp, tearful candle and night-long rain.Full recording & story ↗
  63. 63
    Song of Purple Caltrop IsleAutumn pond, unfinished chess and sibling farewell fill a complete 3:58.Full recording & story ↗
  64. 64
    Red Bean Longing · Green Hills EndureRed-bean longing meets enduring green hills in a complete 4:12 duet.Full recording & story ↗
  65. 65
    A Legacy of GraceAn act of grace returns across a family's rise and fall in a complete 3:07 duet.Full recording & story ↗
  66. 66
    Late Splendour · Near the Yellow SpringsLate splendour meets its ending across a complete 3:24 arc from brightness into chill.Full recording & story ↗
  67. 67
    Happy Enemies · The Zhongshan WolfYingchun's gentleness and the Zhongshan wolf's approach form a stark 3:44 character duet.Full recording & story ↗
  68. 68
    Old Moon over Liangzhou · MaryMary brings frontier verse, Celtic fiddle and low whistle beneath one old moon across a complete 2:49 setting.Full recording & story ↗
  69. 69
    The Ballad of Mulan · Bollywood MaleBollywood Male lets courage and tenderness travel together across a complete 3:22 reimagining of Mulan.Full recording & story ↗
  70. 70
    The Lotus-Gathering Girl of YexiYexi, lotus leaves and laughter on water return to present-day listening across a complete 3:37 classical water song.Full recording & story ↗
  71. 71
    Stone Walls Cannot Hold the SkyStone walls, iron bars and an inward sky meet across a complete 4:24 Mandarin poetry song.Full recording & story ↗
  72. 72
    The World Is Too MuchSea, moon and a quieter music cross a complete 5:25 English poetry song.Full recording & story ↗
  73. 73
    Rain on the Wutong · Male SlowRain taps the wutong leaves until dawn across a complete 3:04 Yuan-drama bass lament.Full recording & story ↗
  74. 74
    Autumn in the Han Palace · Male SlowMale Slow crosses empty palace corridors through a complete 2:51 autumn-night lament.Full recording & story ↗
  75. 75
    The Solitary ReaperBollywood Male carries Wordsworth's Highland song through a complete 4:42 poetry setting.Full recording & story ↗
  76. 76
    Wild Grass · Autumn Night: Two Early Trees · LingwanLingwan turns two trees rising into the night into the first complete 3:12 movement of Autumn Night.Full recording & story ↗
  77. 77
    Wild Grass · Autumn Night: The Little Pink Flower · MaryMary carries the little pink flower through cold stares and darkness in a complete 3:03 literary song.Full recording & story ↗
  78. 78
    Wild Grass · Autumn Night: Night Sky and Dark Birds · Male SlowMale Slow gives the strange sky and dark birds their weight across a complete 3:03 bass song.Full recording & story ↗
  79. 79
    Wild Grass · Autumn Night: In Memory of the Heroes · Male SlowThe closing image of Autumn Night settles into a quiet complete 3:23 bass memorial.Full recording & story ↗
  80. 80
    Wild Grass · The Shadow's Farewell · Male Slow Voice EditionAnother bass melody carries The Shadow's Farewell through a complete 2:55, standing beside rather than replacing the earlier take.Full recording & story ↗
  81. 81
    Wild Grass · Snow · Mary CountryMary Country completes the journey from southern to northern snow in 1:50; short and whole, not a preview.Full recording & story ↗
  82. 82
    The Burden of Cleverness · Lament of EmptinessWang Xifeng's schemes and the falling mansion reach their conclusion through a complete 3:22 duet.Full recording & story ↗
  83. 83
    Awakening from Empty BlossomsXichun sees through the spring seasons and finds her path in a complete 2:37 duet.Full recording & story ↗
  84. 84
    All Good Things End · Spring Falls to Fragrant DustSpring ends beneath painted beams as the Ning household's fate unfolds through a complete 4:00 duet.Full recording & story ↗
  85. 85
    Each Bird Returns to Its Forest · A Vast White FinaleAn ensemble of fates finds its ending across a complete 5:29 finale on a vast white earth.Full recording & story ↗
  86. 86
    Qixi × When You Are OldA Mandarin reunion and Yeats's gaze from old age alternate across a complete 5:50 bilingual mashup.Full recording & story ↗
  87. 87
    Climbing High · End Credits · Male SlowAutumn river, far sky and bass complete a 3:28 classical-poetry end-credits ballad.Full recording & story ↗
  88. 88
    The Moment You Appeared · MaryA literary spark, piano and Mary's warm mezzo complete a 3:41 Mandarin romantic ballad.Full recording & story ↗
  89. 89
    A Time for Everything · LingwanLingwan carries English and Mandarin through Ecclesiastes-inspired seasons across a complete 2:53.Full recording & story ↗
  90. 90
    Psalm 23 · Male SlowGreen pastures, still waters and the valley meet in Male Slow's complete 2:42 bilingual bass ballad.Full recording & story ↗
  91. 91
    A Rose Left in the BookAn old book, handwriting in the margin and a rose that refuses to fade meet in Mary's complete 4:02 English Celtic literary ballad.Full recording & story ↗
  92. 92
    Winter Star above the MoorA winter moor, starlight on snow and an ember under stone keep their direction in Mary's complete 3:49 English Celtic ballad.Full recording & story ↗
  93. 93
    Bells at the Edge of EveningBells, a ferryman's lamp and a river that keeps moving loosen grief in Mary's complete 4:04 English dusk song.Full recording & story ↗
  94. 94
    The Willow Learns the RainBending, loss and renewed roots become a river in Mary's complete 3:56 English Celtic ballad of resilience.Full recording & story ↗
  95. 95
    The River Keeps No CrownA river without a crown, old mills and broken clouds under willow shade cross Mary's complete 3:55 English Celtic river ballad.Full recording & story ↗
  96. 96
    The Last Window of AutumnA gold window, copper rain and lamps on distant shores complete Mary's 3:34 English Celtic six-part cycle.Full recording & story ↗
  97. 97
    Tengwang Pavilion · Autumn Water, Boundless SkyWang Bo’s balanced prose turns from autumn skies toward farewell and resolve, holding grandeur and longing together.Full recording & story ↗
  98. 98
    Wang Zhen · A Night of TremblingA trembling earth interrupts a night of poetry; turning back brings fear and care into focus.Full recording & story ↗
  99. 99
    GoddessQuestions of beauty and talent give way to flickering night lights, letting admiration unfold in verse.Full recording & story ↗
  100. 100
    Liangzhou Verse · Spring Wind at Jade GateWang Zhihuan’s lone city and flute meet new lines of travel and longing.Full recording & story ↗
  101. 101
    Record of Yueyang Tower · Care Before JoyChanging weather over Dongting carries private feeling toward wider care.Full recording & story ↗
  102. 102
    Pipa Song · Bai JuyiA riverside farewell and a pipa player’s story unfold in a free-rhythm Chinese female-alto direction.Full recording & story ↗
  103. 103
    A Faint Red at the WristA March cord lasts through summer; its faint mark holds two feelings that seem opposed.Full recording & story ↗
  104. 104
    A Pale Line at the WristWhere red once rested, a pale line gives an unresolved feeling a small place.Full recording & story ↗
  105. 105
    A Faint Red Line at the WristA cord that lasted through summer lets lightness and weight meet in a slow voice.Full recording & story ↗
  106. 106
    The Red CordFrom March to summer, a quiet request keeps memory in a shaded corner.Full recording & story ↗
  107. 107
    The Red Cord's Faint MarkA cord from March to summer lets release and keeping coexist.Full recording & story ↗
  108. 108
    Snow TrailA classical farewell becomes English words: blossom-like snow, a frozen red flag and a departing friend leave a trail behind.Full recording & story ↗
  109. 109
    River MoonSpring tides, flowers, a lone boat and a tower mirror meet English verse and harp ripples.Full recording & story ↗
  110. 110
    Harder Than Reaching the Sky · Roots DubAn ancient path, sheer cliffs and thunderous ravines unfold inside spacious pauses.Full recording & story ↗
  111. 111
    Harder Than Climbing to Heaven · Roots DubLi Bai’s peaks and perilous Shu road meet bass, dropouts and distant delay.Full recording & story ↗
  112. 112
    A Fierce Resolve · Taiko EnsembleDust, roads and moonlight meet a widening drum ensemble and brief male responses.Full recording & story ↗
  113. 113
    Dear Unknown FriendEsperanto, English, Mandarin and French travel through a letter, making strangers less strange.Full recording & story ↗
  114. 114
    Carry My Dream to Xizhou · RomancePlum blossoms, a crossing and red lotus hold longing in a low female voice’s flexible phrases.Full recording & story ↗
  115. 115
    Carry My Dream to Xizhou · Russian RomanceLotus gathering and distant geese from Xi Zhou Qu enter low female voice and Russian plucked strings.Full recording & story ↗
  116. 116
    Pilgrim SoulEnglish verses begin with a book by the fire and turn love from beauty toward the soul and its changing sorrows.Full recording & story ↗
  117. 117
    Crossing the River for Lotus FlowersGathered lotus flowers cannot yet reach the distant beloved. An old poem’s backward glance continues through a new refrain.Full recording & story ↗
  118. 118
    Crossing the River for Lotus · Plainchant & OrganumA classical poem’s shared heart and separate homes enter free phrases and a low vocal drone.Full recording & story ↗
  119. 119
    Farewell at the Pavilion · Yue-Opera Art BalladPavilion rain, clasped hands and a waning moon let classical lines meet new replies.Full recording & story ↗
  120. 120
    The Xin’an Official · Three Officials NarrativeA wartime road links conscription, a night visit and a fortress in three poetic encounters.Full recording & story ↗
  121. 121
    The Xin’an Officer · Three Officers NarrativeA muster, a door at night and a pass bring the separation in old poems close to the present.Full recording & story ↗
  122. 122
    Red Cliff Rhapsody · Guqin Cross-Cultural BalladWind, waterlight and a boat-bound dialogue move from transience toward a night that can be shared.Full recording & story ↗
  123. 123
    Ode to the Red Cliff · River-Wind BaritoneOne small boat moves from celebration to sorrow, then finds room in water and moon.Full recording & story ↗
  124. 124
    An Everlasting Summer · Lute and HarpMay flowers and change in Chinese verse meet a brief English reply about what remains.Full recording & story ↗
  125. 125
    The Ganges Station and Summer Gold · Bilingual RepliesMandarin river imagery and English summer images take turns, sharing a space for distance and time.Full recording & story ↗
  126. 126
    Summer Gold · Chinese-text editionBeginning with the summer imagery of Shakespeare’s Sonnet 18, the Chinese text sets fading flowers beside a wish for lasting love.Full recording & story ↗
  127. 127
    The Fire Still Waits for You · LingwanEnglish lines from W. B. Yeats’s When You Are Old meet added fireside refrains, keeping passing years beside a fading lamp.Full recording & story ↗
  128. 128
    Pots and a Salt Road · Two River LessonsA pot and a salt road tell two river stories.Full recording & story ↗
  129. 129
    The Ant and the Dove · A Leaf and a WingA leaf and a helping act bring kindness back.Full recording & story ↗
  130. 130
    Lotus and Home WatersLotus and home.Full recording & story ↗
  131. 131
    The Fox and the Crow·A Voice and a FeatherPraise and attention.Full recording & story ↗
  132. 132
    Autumn Stars and BellsStars and bells.Full recording & story ↗
  133. 133
    The Fox and the Crow·A Voice and a FeatherPraise and attention.Full recording & story ↗
  134. 134
    Apricot Village and Southern RainRoads and rain.Full recording & story ↗
  135. 135
    Spring Flowers to River MoonFlowers to moonlight.Full recording & story ↗
  136. 136
    Waterfall and River GatesWaterfall and sail.Full recording & story ↗
  137. 137
    For Wang Lun · A Farewell SongA friend’s farewell.Full recording & story ↗
  138. 138
    Returning to Garden and Fields · Back to NatureOld woods, familiar water, village smoke and household sounds give a returning heart something tangible.Full recording & story ↗
  139. 139
    Returning to Garden and Fields · Back to NatureOld woods, familiar water, village smoke and household sounds give a returning heart something tangible.Full recording & story ↗
  140. 140
    Letter to Song Yuansi · River and MountainsClear water, rapids, peaks and branches give one journey both ease and urgency.Full recording & story ↗
  141. 141
    Letter to Song Yuansi · River and MountainsClear water and rapids lead attention into the mountains.Full recording & story ↗
  142. 142
    Sai Weng Loses His Horse · Turns of FortuneA lost horse returns; fortune keeps changing direction.Full recording & story ↗
  143. 143
    Sai Weng Loses His Horse · Turns of FortuneA lost horse returns; fortune keeps changing direction.Full recording & story ↗
  144. 144
    An Unadorned Room · Green at the CurtainMoss and a plain zither give a modest room its light.Full recording & story ↗
  145. 145
    Li Sao 01 · Ancestry and a NameNames and ancestry open the journey. Fragrant plants express an ideal of character, while passing time turns self-cultivation toward concern for the road ahead.Full recording & story ↗
  146. 146
    Li Sao 02 · A Garden of OrchidsLoyalty meets misunderstanding, yet the planting continues. The garden becomes both a landscape and a hope for character and those who follow.Full recording & story ↗
  147. 147
    Li Sao 03 · No Regret, Even in DeathGrief for others meets rumour and an insistence on integrity. Read the hurt and the choices around the famous vow, not the vow alone.Full recording & story ↗
  148. 148
    Li Sao 04 · Clothed in LotusLotus leaves and blossoms become clothing for an inner conviction. A relative’s counsel brings that ideal face to face with practical danger.Full recording & story ↗
  149. 149
    Li Sao 05 · A Mirror in Earlier RulersThe rise and fall of ancient rulers becomes a mirror for the present: whom to trust, how to act, and what a worthy order might be.Full recording & story ↗
  150. 150
    Li Sao 06 · Seeking Above and BelowA statement of conviction opens into a journey through the heavens. Sun, wind, cloud and birds accompany the search, but closed gates remain.Full recording & story ↗
  151. 151
    Li Sao 07 · Searching at the Jade TerraceJourneys and searches change direction, but hoped-for encounters repeatedly fail. Read the mythic scenes together as a lonely search for understanding.Full recording & story ↗
  152. 152
    Li Sao 08 · Counsel from Lingfen and WuxianLingfen and Wuxian offer counsel: the world is wide, and one place need not hold every hope. The speaker still hesitates between departure and attachment.Full recording & story ↗
  153. 153
    Li Sao 09 · When Orchids ChangeOrchids lose their fragrance, and familiar ideals appear altered. Returning to the ornaments he carries, the speaker asks what remains worth keeping.Full recording & story ↗
  154. 154
    Li Sao 10 · Departure and the Glimpse of HomeDragons and cloud banners carry the journey outward, until a glimpse of home arrests it. The final resolve still carries an attachment that will not disappear.Full recording & story ↗
FOLLOW A FEELING · HEAR THE WHOLE SONG

A map, not a pile of songs.

Start anywhere among 1376 complete songs. Follow a mood, a scene or a story; every song has its own full listening page.

Explore all complete music ↗
01

A little quiet

Leave a little space in the day for slow songs, small lights and a moment to breathe.

707 complete songs ↗02

Under lamps and moons

Rain, starlight, dark seas and thoughts beside a window meet here.

460 complete songs ↗03

The road ahead

Mountain paths, city streets, departures and returns: choose a song for the way ahead.

242 complete songs ↗04

The way home

Home places, family, warm meals and everyday company give familiar things a new light.

476 complete songs ↗05

Words find a voice

Classical verse, Red Chamber characters and English-language poetry step from the page into headphones.

154 complete songs ↗06

Across languages

A different language, voice or cultural doorway can reveal another shape of a familiar feeling.

362 complete songs ↗07

Our shared world

Listen from everyday human relations towards civic life, shared futures and possibility.

148 complete songs ↗

A song can belong to more than one landscape. These paths follow existing stories and theme tags, not a promise to change how you feel.