Weiyang Sound is William Lee’s cross-cultural AI music project, connecting Chinese slow songs, classical poetry, English-language verse and multilingual world music through a cast of 12 virtual singers.
WEIYANG SOUND · MEDIA / PRESS KITA living sound archive
A living sound archive
deserves to travel.
100PUBLIC WORKS
200PUBLIC VERSIONS
12VIRTUAL SINGERS
12CONTINUING SERIES
77BILINGUAL LONG READS
91COMPLETE TRACKS
PROJECT IDENTITYAI is the instrument.
AI is the instrument.
Human choice makes the work.
Weiyang Sound begins with Chinese slow songs and classical verse, then travels into English, French, Esperanto, world music and cross-cultural cinematic sound. It is both a working studio and a living archive that keeps organizing evidence and making boundaries public.
CREATOR STATEMENT · WILLIAM LEE“I do not want to make a song whose purpose is merely to demonstrate AI. I want a song that can enter a car stereo and still invite one more replay after the second listen. AI has given me an orchestra unlike any I could have had before—and almost infinite branches. The human part is knowing why we set out and taking responsibility for every choice.”
QUOTABLE PROJECT BIOSThree useful lengths.
Three useful lengths.
Ready to quote.
Use the one-line version for listings and social bios, the standard version for a story opening, and the full background for podcasts, curatorial notes and features. Counts derive from the current public models.
Weiyang Sound is an AI music and cultural-archive project created by William Lee. Its public site organizes 100 Suno works, 200 public versions, 12 virtual singers, 12 continuing series and 77 substantial bilingual music essays, alongside 91 complete MP3 and music-film sets verified on site. The project begins with Chinese slow songs and classical poetry while travelling into English, French, Esperanto, Dream of the Red Chamber character music and world-music collisions.
Weiyang Sound does not set out to prove that AI can write a song. It asks what human choice means after generation becomes abundant: why one version should remain, why a particular voice belongs to a character, and why an old line is still worth singing all the way through. William Lee treats Suno as a studio of many possible players while returning literary experience, listening memory and cultural responsibility to the centre of editing. The public archive currently organizes 100 works, 200 versions, 12 virtual singers with distinct registers and narrative roles, 12 continuing series, 77 substantial Chinese–English long reads and 91 songs that can be heard from first sound to final decay. Chinese classical verse, British and American poetry, Dream of the Red Chamber, Mandarin slow song, Esperanto, French, South Asian cinematic melody and world music meet without losing their names or evidence boundaries.
DOWNLOADABLE EPK · PDFTwo electronic press kits.
Two electronic press kits.
Ready to forward.
The Chinese and English editions are 17-page A4 documents with verified facts, creative method, editorial angles, complete recordings, the twelve-singer cast, twelve series, public links and rights boundaries.
Chinese electronic press kit
A print-ready Chinese edition for media, podcasts, programme notes and cultural organizations.
A4 · 17 pages · embedded fonts · live linksDownload PDF ↓English electronic press kit
A print-ready English edition for international media, curators, researchers and music communities.
A4 · 17 pages · embedded fonts · live linksDownload PDF ↓EDITORIAL ANGLES16 editorial doors.
16 editorial doors.
Each with an evidence boundary.
These are not campaign slogans. Each angle is traceable to existing works, long reads, series and verified media.
How cultures meet without erasing the seam
Four complete journeys let Mandarin slow song, Yeats and Browning, English, French, Esperanto and five rivers illuminate one another without collapsing source, singer and style into one vague international mood.
EVIDENCE BOUNDARY4 journeys contain 15 editorial positions, deduplicated to 13 masters and 51:24. When You Are Old answers three questions while remaining one recording; every route keeps literary source, language relation, virtual-singer identity and living-tradition boundaries visible.
Open the feature route ↗Returning classical Chinese poetry to ordinary headphones
Tang poetry, Song lyrics, Yuan drama and Songs of Chu are not wrapped in decorative ‘ancient style’; contemporary slow song, character-led voices and complete films give them time again.
EVIDENCE BOUNDARY100 Chinese Classical Poems is a continuing horizon, not a claim that one hundred finished songs already exist. Its first thirty verified masters play 30 / 30 in full, and Amei Sings Late Autumn carries the route onward to thirty-one. The new work retains all eight lines of Li Qingzhao's A Twig of Plum Blossom while separating its contemporary refrain and variation. Frontier Moon, Lotus Picking at Southern Pond in Autumn and Crossing the River for Lotus likewise preserve boundaries among source, recomposition, variants and new writing; Lingwan's Wen Tingyun pair, the same-text Long Pavilion pair and all nine Nine Songs dossiers remain playable in full.
Open the feature route ↗Cross-language poetry music through Yeats and Browning
Original-language singing, Chinese editorial context and South Asian cinematic melody can meet while the poem’s linguistic origin stays visible.
EVIDENCE BOUNDARYBoth public poetry works—When You Are Old and Meeting at Night—now carry complete on-site media; the former also has a verified YouTube path.
Open the feature route ↗Twelve virtual singers—not twelve genre labels
Tenor, bass, mezzo, soprano and narrative voices keep stable character routes. Cyber is a male tenor, Male Slow a bass; rock is only a style they may enter.
EVIDENCE BOUNDARY12 singers carry 202 mapped vocal records.
Open the feature route ↗Character and fate before Dream of the Red Chamber style
Qingwen, Daiyu, Baoyu and the garden’s rise and fall are treated as lived character experience rather than interchangeable classical symbols.
EVIDENCE BOUNDARYThe seven current bilingual long reads have no work-level catalogue mapping, so the site generates no false player.
Open the feature route ↗Traceable crossings through Esperanto, French and world music
Languages meet a Qixi same-lyric lineage, South Asian, Mediterranean, southwest-borderland and cinematic sound. Exact sources verify 14 recordings by 11 singers with one lyric and parent; 14 recordings by 11 singers now play completely on site. Lin Juyi's Ten Thousand Voices beneath the Stars and Lingwan's Magpie Bridge Air remain distinct new-lyric sister songs. The latter uses Huangmei- and Yue-opera-inspired cues without claiming traditional repertory.
EVIDENCE BOUNDARY4 explicit language codes appear in the current public catalogue.
Open the feature route ↗No 45-second false completeness: a song deserves an ending
On-site players appear only for masters verified for duration, file identity and audio–video alignment. Delivery may use a lightweight local copy or a verified site doorway to the identical public source file; an ordinary Suno link or preview never impersonates complete playback.
EVIDENCE BOUNDARY91 verified complete songs, approximately 354:28 in total; 87 use source-verified delivery.
Open the feature route ↗When a virtual singer leaves classical watersides for the evening commute
Clear Water River moves Dai Amei from classical watersides and borderland imagination into ordinary urban homesickness through an earbud, phone-stored photographs, river lights and tomorrow’s work.
EVIDENCE BOUNDARYThe 2:48 master, twenty-eight-line contemporary original, exact Suno work, public Persona and voice root are verified. The title is not a real river name; Dai colour and hulusi remain generation cues.
Open the feature route ↗Not a complete poem setting: how four old lines grow into a new song
Lotus Picking at Southern Pond in Autumn places four consecutive Xizhou Qu lines inside a contemporary Dai Amei ballad while separating source lines, graphic variation, adaptation and addition—letting the melody travel without hiding present-day authorship behind an old poem.
EVIDENCE BOUNDARYThe 3:26 master, four received lines across five source positions, twenty-three adapted or new positions, 採 / 采 and 清 / 青 textual boundaries, exact Suno work, public Persona, voice root and complete media hashes are verified; the work is not described as a complete setting of all thirty-two Xizhou Qu lines or one definitive witness.
Open the feature route ↗How one moon lets Qiang flute and hulusi answer across distance
Frontier Moon does not flatten frontier poetry and Dai-folk colour into decoration. One exact line, two allusions and twenty-eight contemporary positions keep their names, while hulusi answers rather than replaces the Qiang flute.
EVIDENCE BOUNDARYThe 3:38 master, one exact Wang Changling position, two recomposed Wang Zhihuan positions, exact Suno work, public Dai Amei Persona / voice root, source prompt, media hashes and full triptych moonlight lyric film are verified. No Tang score, human player, frontier field record or living Dai tradition is invented.
Open the feature route ↗Why passion does not have to shout to the world
Let the Moon Rest on Your Shoulder turns Breathy Female's hook into a quiet reversal: the more passionate the feeling, the closer it may be sung. Close-mic breath, a clear vocal core and a South Asian slow sway all serve one contemporary Mandarin original.
EVIDENCE BOUNDARYThe 3:48 master, thirty contemporary performed positions, exact Suno work, public Breathy Female Persona / 深深浅浅 voice root, source prompt, media hashes and full window-bell lyric film are verified. Bansuri, tabla, tanpura, sitar and Hindustani ornament remain generation directions only.
Open the feature route ↗The light and song remain: how an AI slow song earns a memorable ending
The Dim-Lit Tavern avoids a belted or oversized climax. ‘Until the heart can forgive’, ‘until even tears grow warm’ and its last two lines move unfinished love from hurt toward the possibility of continuing.
EVIDENCE BOUNDARYThe 3:27 master, thirty-two contemporary performed positions, exact Suno work, public Breathy Female Persona / 深深浅浅 voice root, source prompt, media hashes and full cold-blue-glass lyric film are verified. Cabaret, accordion, upright bass, brushed snare and film noir remain generation directions only.
Open the feature route ↗Why closer rain can make an absent person feel nearer
Rain by My Ear condenses Breathy Female's character method into listening distance. An umbrella by the door, a photograph between pages and words left unfinished need not become literal reality; when rain draws close, memory briefly sits beside the listener.
EVIDENCE BOUNDARYThe 3:19 master, thirty-two contemporary performed positions, exact Suno work, public Breathy Female Persona / 深深浅浅 voice root, source prompt, media hashes and full old-album lyric film are verified. Close-mic breath, piano, nylon guitar, room reverb and rain remain generation directions only.
Open the feature route ↗How four virtual singers carry one ordinary day to completion
The Nameless does not merely place four voices side by side. Lingwan opens the city at Morning, Mary walks On the Road, Lin Juyi lets ordinary care Rise, and Cyber Tenor carries that light Far Away. With 03A public, all four chapters can be heard in narrative order as the first complete 4 / 4 suite.
EVIDENCE BOUNDARYFour exact Suno works, four lead virtual singers, four complete MP3 / film sets and four chapter dossiers are verified. 03A contains twenty-five contemporary positions and a public Lingwan Persona; its ordinary-work theme is not presented as real experience or social documentary.
Open the feature route ↗More than a song launch: how twelve chapters become three complete Four-Lead narratives
When Lights of the Human World · Sing the Wall Open fills the final gap, all twelve chapters led by Lingwan, Mary, Lin Juyi and Cyber Tenor become fully playable across The Same Beam of Light, Lights of the Human World and The Nameless.
EVIDENCE BOUNDARYTwelve exact Suno works, four lead virtual singers, twelve complete MP3 / film sets and twelve bilingual dossiers are verified. New 02C's twenty-seven contemporary positions, public Lin Juyi Persona and voice root are evidenced; its ruins, city and square are not presented as a real disaster or public event.
Open the feature route ↗Let instruments answer instead of stacking exotic colour
Silver Bells to the Ganges lets hulusi ask from a bamboo grove and bansuri answer at night. Thirty contemporary lines turn a cross-cultural collision into a relationship one can hear while keeping the Ganges inside imagined geography.
EVIDENCE BOUNDARYThe 3:27 master, thirty contemporary performed lines, exact Suno work, public Dai Amei Persona / voice root, prompt and media hashes are verified. Instrument names remain generation directions—not human-performance, travel, religious, ethnographic or living Dai / Indian-tradition claims.
Open the feature route ↗OUTREACH STARTERS · UNSENTFour audiences.
Four audiences.
Four adaptable pitches.
Short proposals for podcasts, culture media, AI-music researchers and international curators use public facts only. Copy and send them under your own identity; this site never impersonates you in external outreach.
Story idea: When AI offers infinite versions, why choose one slow song?
Hello - I would like to suggest Weiyang Sound creator William Lee for a conversation about AI, music and human choice. The project is not a demonstration that “AI can write songs”; it asks why one version, one voice and one old line should remain after generation becomes abundant. Its public media room documents 100 works, 12 virtual singers, 77 bilingual long reads and 91 recordings that can be heard from first sound to final decay. A conversation could begin with Chinese slow song, creative motivation and the project’s character-led vocal cast: https://weiyang-sound.liwei999.chatgpt.site/en/press
Feature lead: Returning classical poetry to ordinary headphones
Hello - Weiyang Sound is developing a long-form poetry-and-music experiment in which Tang and Song verse, Songs of Chu, British and American poetry, and the character destinies of Dream of the Red Chamber enter contemporary slow song, virtual voices and complete music films. The project resists turning those sources into interchangeable “ancient-style” decoration and clearly separates finished work from long-term horizons. Quotable facts, editorial routes and complete listening are available here: https://weiyang-sound.liwei999.chatgpt.site/en/press
Research case: Evidencing 200 AI-music versions and a 12-singer virtual cast
Hello - Weiyang Sound offers a public case study in editing, archiving and responsibility after generation. It currently organizes 100 Suno works, 200 public versions, 12 virtual singers and 12 continuing series; only 91 recordings verified for file identity, duration and audio-video alignment receive complete on-site players. The media room also publishes source fingerprints, unknown fields and boundaries against automatic guessing, supporting discussion of AI-music authorship, character continuity and verifiable archives: https://weiyang-sound.liwei999.chatgpt.site/en/press
Curatorial proposal: Chinese slow song meets Esperanto, French and world music
Hello - Weiyang Sound is a growing cross-language AI-music archive that begins with Chinese slow song and classical Chinese verse, then travels through English, French, Esperanto, South Asian cinematic melody and multilingual music films. Its twelve virtual singers keep stable registers and narrative routes: Cyber is a male tenor, while rock is a style he may enter rather than a singer identity. The English media room, complete recordings and series routes are available for curatorial review: https://weiyang-sound.liwei999.chatgpt.site/en/press
COMPLETE LISTENING · 354:28Hear the complete songs
Hear the complete songs
before deciding how to write them.
91 verified complete works provide approximately 354:28 of listening. Each has on-site MP3, full vertical film, poster and independent cultural context; singer attribution appears only when supported.
3:43 · Mandarin Chinese
Lotus in the Wind
Zhou Bangyan · Song-dynasty lyric imagery
4:39 · English-language song
When You Are Old
W. B. Yeats · British & American poetry route
3:45 · Mandarin Chinese
The Green Hills Remain
Xin Qiji · landscape and historical memory
3:54 · Original Mandarin slow song
A Return in the Night Rain
old city · return · what time changes
3:20 · Mandarin Chinese × Esperanto
The Stars Are Near
Qixi · encounter · a shared multilingual sky
4:29 · French-language song
Le Vent Nous Ramène
French cinematic ballad · sea wind · return
3:47 · Mandarin Chinese
The Sun Rises over the Sea
cinematic arena rock · sea · scars · collective voice
2:37 · Mandarin Chinese × French
La pluie près de toi
Mandarin–French close-mic night ballad · Paris rain · an unsent letter
4:58 · Mandarin Chinese
A Soul Reborn
Qixi multi-voice experiment · sister-song divergence · dark cinematic ballad
4:33 · Mandarin Chinese
The Stars Are Near · Forever
Qixi · vows · enduring companionship
5:03 · Mandarin Chinese
Rainforest Night Song
southwest rainforest imagination · South Asian cinematic collision · living-community boundary
4:03 · Mandarin Chinese
The Nameless · On the Road
ordinary workers · Four-Lead Suite · Chinese heartland-rock ballad
4:04 · Mandarin Chinese
Lights of the Human World · The First Lamp
everyday care · Four-Lead Suite · cinematic Chinese rock ballad
3:03 · Mandarin Chinese
Autumn in the Han Palace
Ma Zhiyuan's Yuan drama · Male Slow · bass Mandarin ballad
4:47 · Mandarin Chinese
The Stars Are Near · Mediterranean Moon Bridge
Qixi bridge motif · Mediterranean Male · Arab-Andalusian colour collision
3:54 · Mandarin Chinese
The Same Beam of Light · Daybreak
Four-Lead Suite finale · cinematic arena rock · Cyber Tenor
4:12 · Mandarin Chinese
The South Wind Knows My Heart
Excerpts from the Southern Dynasties yuefu song Xizhou Qu with a contemporary refrain · Dai Amei
4:08 · Mandarin Chinese · one Lao greeting
Moon over the Mekong
Lancang–Mekong river imagination · contemporary original · Dai Amei
5:00 · Mandarin Chinese
Moonlit Bamboo House
Contemporary slow song shaped by Yunnan Dai imagery · Dai Amei
3:49 · Mandarin Chinese
Rainy Night Tavern · Breathy Female
one-song / four-voice benchmark · 01C · Breathy Female
2:20 · Mandarin Chinese · traditional-character source captions
Farewell at the Long Pavilion · Lingwan
Wang Shifu · Romance of the Western Chamber · 02A · Lingwan
3:24 · Mandarin Chinese · source lyric captions
Incense from the Jade Burner · Lingwan
Wen Tingyun · Geng Lou Zi (Incense from the Jade Burner) · 01D · Lingwan
2:28 · Mandarin Chinese · traditional-character source captions
Donghuang Taiyi · Dai Amei
Qu Yuan · Donghuang Taiyi from Nine Songs, excerpted with contemporary refrains · Dai Amei
2:44 · Mandarin Chinese · traditional-character source captions
Hebo · Dai Amei
Qu Yuan · Hebo from Nine Songs, excerpted with contemporary refrains · Dai Amei
3:18 · Mandarin Chinese · traditional-character source captions
Yunzhong Jun · Dai Amei
Qu Yuan · Yunzhong Jun from Nine Songs in full with a contemporary intro and refrains · Dai Amei
3:14 · Mandarin Chinese · traditional-character source lyric card
Baidi Light Boat · Dai Amei
Li Bai · Early Departure from Baidi City in full, one textual variant and contemporary refrains · Dai Amei
3:24 · Mandarin Chinese · traditional-character source captions
Could Jiangnan Ever Be Forgotten? · Dai Amei
Bai Juyi · all fifteen lines of the three Memories of Jiangnan lyrics, two textual-variant loci and a contemporary refrain · Dai Amei
4:20 · Mandarin Chinese · source lyric captions
The Last Row Is Singing Too · Lingwan
original campus-memory stadium rock · Lingwan's clear female lead and choir wave
4:28 · Mandarin Chinese · source lyric captions
Sing the Wound into Light · Mary
original heartland arena rock · Mary's warm mezzo and gospel-like choir
4:09 · Mandarin Chinese · source lyric captions
Keep the Fire from Going Out · Lin Juyi
original arena-rock anthem · Lin Juyi's deep female lead and a choir takeover in the final third
4:50 · Mandarin Chinese · source lyric captions
The Stars Are Near · Cyber Choir Finale
Qixi motif variant 01D B · Cyber's clear tenor · cathedral-like choir outro
4:54 · Mandarin Chinese · source lyric captions
The Nameless · Far Away
Four-Lead Suite 03D finale · Cyber's clear tenor · gradually entering crowd choir
5:24 · English · source lyric captions
After the Storm
Cinematic Female · English end-credit ballad · orchestra and gradually entering choir
5:03 · Mandarin Chinese × English · source lyric captions
The Final Dialogue
Cinematic Female · Chinese–English end-credit ballad · piano, strings and distant choir
3:58 · Mandarin Chinese · source lyric captions
Lights of the Human World · After Daybreak
Cyber's clear tenor · Four-Lead 02D finale · cinematic arena rock and crowd choir
3:44 · Mandarin Chinese × French × one English couplet · source lyric captions
Café under the Near Stars
Mary's warm mezzo · Qixi Sister crossover 02A · rainy-night chanson
3:45 · English · source lyric captions
Meeting at Night
Robert Browning · Bollywood Male · moonlit crossing and matchlight at the pane
4:52 · Mandarin Chinese · source lyric captions
The Stars Are Near · Lin Juyi
Lin Juyi's deep female voice · Qixi multi-voice study 03C · cover divergence
4:49 · Mandarin Chinese · source lyric captions
A New Dream on the Magpie Bridge · Lingwan
Lingwan's clear female voice · Qixi multi-voice study 03B · cover divergence from the same 七夕 parent
4:47 · Mandarin Chinese · source lyric captions
The Galaxy Remains · Bollywood Male
Bollywood Male virtual singer · Qixi multi-voice study 03A · same-lyric, same-parent three-voice comparison
4:54 · Mandarin Chinese · source lyric captions
The Stars Are Near · Bajiao South Asian Crossing
Bajiao virtual singer · Qixi multi-voice study 01I · Southwest–South Asian arrangement crossing
4:19 · Mandarin Chinese · source lyric captions
The Stars Are Near · Breathy Nocturne
Breathy Female virtual singer · Qixi multi-voice study 01H · close-mic nocturne arrangement
4:29 · Mandarin Chinese · source lyric captions
The Stars Are Near · Widescreen End Theme
Hollywood Female virtual singer · Qixi multi-voice study 01G B · widescreen end-theme arrangement
4:49 · Mandarin Chinese · source lyric captions
The Stars Are Near · Lin Juyi Cinematic Take
Lin Juyi virtual singer · Qixi multi-voice study 01F B · same-character A/B recording study
4:59 · Mandarin Chinese · source lyric captions
The Stars Are Near · Male Slow Moonlit Bass
Male Slow bass · Qixi multi-voice study 01E Male slow B · same-lyric lineage
4:53 · Mandarin Chinese · source lyric captions
The Stars Are Near · Lingwan by the Window Lamp
Lingwan's clear female voice · Qixi multi-voice study 01C Lingwan B · same-lyric lineage
4:50 · Mandarin Chinese · source lyric captions
The Stars Are Near · Mary's Country-Pop Warmth
Mary's warm mezzo · Qixi multi-voice study 01B Mary-country B · same-lyric lineage
4:55 · Mandarin Chinese · source lyric captions
The Stars Are Near · Bollywood Duet Bridge
Bollywood Male registered lead · Qixi multi-voice study 01A Plus Bollywood · same-lyric lineage
4:28 · Mandarin Chinese · Traditional-Chinese source lyric captions
Across the Water · Jianjia
Dai Amei · all three stanzas of Jianjia from the Qin Airs of the Book of Songs
4:14 · Mandarin Chinese · mixed-script source lyric captions
Lotus Songs at Southern Pond
Dai Amei · a joined setting of two Tang-dynasty Lotus-Picking Songs by Wang Changling and Li Bai
4:08 · Mandarin · source-labelled call-and-response
Bamboo House Antiphon
Dai Amei · a contemporary bamboo-house call-and-response ballad
4:22 · Mandarin Chinese · source lyric captions
Silver Jewelry and the Ganges Moon
Bajiao · a contemporary imaginative crossing of southwest-borderland and South Asian cinematic colour
5:38 · Mandarin Chinese · source lyric captions
Moon over the Mountain Road
Bajiao · a contemporary road ballad spanning mountain paths, the Lancang and Ganges moonlight
5:04 · Mandarin Chinese · source lyric captions
The Nameless · Rise
Lin Juyi · The Nameless Four-Lead Suite 03C · dramatic arena-rock ballad
4:39 · Mandarin Chinese · source lyric captions
Lights of the Human World · Waiting for You to Come Home
Mary · Lights of the Human World Four-Lead Suite 02B · warm-mezzo heartland-rock ballad
4:43 · Mandarin Chinese · source lyric captions
The Same Beam of Light · Storm
Lin Juyi · The Same Beam of Light Four-Lead Suite 01C · dramatic arena-rock ballad
4:28 · Mandarin Chinese · source lyric captions
The Same Beam of Light · Long Road
Mary · The Same Beam of Light Four-Lead Suite 01B · warm heartland-rock ballad
4:14 · Mandarin Chinese · source lyric captions
The Same Beam of Light · Prologue
Lingwan · The Same Beam of Light Four-Lead Suite 01A · cinematic Chinese rock ballad
3:49 · Mandarin Chinese · source lyric captions
Rainy Night Tavern · Cinematic Female
one-song / four-voice benchmark · 01B · Cinematic Female
3:38 · Mandarin Chinese · source lyric captions
Rainy Night Tavern · Forever Female
one-song / four-voice benchmark · 01A · Forever Female
3:54 · Mandarin Chinese · source lyric captions
Ten Thousand Voices beneath the Stars · Lin Juyi
Qixi sister-song crossing · 02C · Lin Juyi
3:36 · Mandarin Chinese · source lyric captions
Magpie Bridge Air · Lingwan
Qixi sister-song crossing · 02B · Lingwan
3:02 · Mandarin Chinese · traditional-character source captions
Farewell at the Long Pavilion · Lingwan 01A
Wang Shifu · Romance of the Western Chamber · Yuan-drama ballad 01A · Lingwan
3:15 · Mandarin Chinese · mixed-script source captions
Gold Flickers over Painted Hills · Lingwan
Wen Tingyun · Pusa Man: Xiaoshan Chongdie Jin Mingmie · Late-Tang 01C · Lingwan
2:45 · Mandarin Chinese · traditional-character source captions
Lord of the East · Dawn over Fusang
Qu Yuan · Dong Jun from Nine Songs, excerpted with contemporary intro and refrains · Dai Amei
2:44 · Mandarin Chinese · traditional-character source captions
Great Master of Fate · Dark Clouds at Heaven's Gate
Qu Yuan · Da Siming from Nine Songs, excerpted with a contemporary intro and refrain · Dai Amei
3:10 · Mandarin Chinese · traditional-character source captions
Xiang Jun · Long Waters, Light Cassia Boat
Qu Yuan · Xiang Jun from Nine Songs, excerpted with a recomposed intro and contemporary refrains · Dai Amei
3:07 · Mandarin Chinese · simplified-character source captions
Shao Siming · Autumn Orchids Grow Green
Qu Yuan · Shao Siming from Nine Songs, excerpted with a recomposed intro and contemporary refrain · Dai Amei
2:43 · Mandarin Chinese · mixed-script source captions
Xiang Furen · Dongting Waves, Falling Leaves
Qu Yuan · Xiang Furen from Nine Songs, excerpted with a recomposed intro and contemporary refrain · Dai Amei
3:34 · Mandarin Chinese · simplified-character source captions
Mountain Spirit · A Spirit Dwells in the Mountain
Qu Yuan · Mountain Spirit from Nine Songs, excerpted with a recomposed intro and contemporary variation · Dai Amei
3:27 · Mandarin Chinese · simplified-character source captions
After New Rain in the Empty Mountains
Wang Wei · the complete Autumn Evening in the Mountains, source-line reprises and contemporary refrains · Dai Amei
2:48 · Mandarin Chinese · traditional-character master / simplified source captions
Sun and Rain in a Bamboo-Branch Song
Liu Yuxi · three verbatim lines and one altered line from the first of Two Bamboo-Branch Lyrics, with contemporary refrains · Dai Amei
3:32 · Mandarin Chinese · traditional-character master / simplified source captions
Moon over Mount Emei
Li Bai · all four lines of Moon over Mount Emei retained with contemporary refrains · Dai Amei
3:35 · Mandarin Chinese · traditional-character master / simplified source captions
Hengtang Road
He Zhu · eight distinct verbatim source clauses, four altered source locations and contemporary refrains · Dai Amei
3:15 · Mandarin Chinese · traditional-character master / simplified source captions
One Moon over Chang’an
Li Bai · all six lines of Autumn Song, contemporary refrains and Dai Amei
2:42 · Mandarin Chinese · traditional-character master / simplified source-prompt captions
Spring River under the Moon
Zhang Ruoxu · the opening eight lines of Spring River, Flowers, Moon, Night, one graphic modernization, contemporary refrain and Dai Amei
3:37 · Mandarin Chinese · mixed traditional/simplified source-prompt captions
Crossing the River for Lotus
Poem VI of the Nineteen Old Poems · disputed attribution · source verse, adaptation and a contemporary lotus refrain
2:48 · Mandarin Chinese · contemporary urban-homecoming original
Clear Water River
city river, evening commuters, old photographs and an inward home · a Dai Amei boundary expansion
3:26 · Mandarin Chinese · four-line Southern Dynasties yuefu excerpt with contemporary continuation
Lotus Picking at Southern Pond in Autumn
four lotus-picking lines from Xizhou Qu, Southern Pond autumn water and waiting for a return · a Dai Amei boundary expansion
3:38 · Mandarin Chinese · one exact Tang line, two recomposed frontier-poetry allusions and contemporary writing
Frontier Moon
one Wang Changling line, Wang Zhihuan frontier imagery and moonlight over a bamboo house · Dai Amei Native Trigger
3:27 · Mandarin Chinese · contemporary writing and a Dai / South Asian sound collision
Silver Bells to the Ganges
contemporary original · imagined hulusi / bansuri call-and-response · Dai Amei Native Trigger
3:48 · Mandarin Chinese · breathy female intimacy and a South Asian slow sway
Let the Moon Rest on Your Shoulder
contemporary original · whisper Bollywood / Hindustani generation direction · Breathy Female Native Trigger
3:27 · Mandarin Chinese · breathy female intimacy and a dim cabaret ballad
The Dim-Lit Tavern
contemporary original · dim cabaret / film-noir generation direction · Breathy Female Native Trigger
3:19 · Mandarin Chinese · Breathy Female and a close-mic rain ballad
Rain by My Ear
contemporary original · whisper-ballad generation direction · Breathy Female Native Trigger
3:58 · Mandarin Chinese · Lingwan opens a city-at-morning suite
The Nameless · Morning
contemporary original · Four-Lead Suite 03A · cinematic Mandarin rock ballad
3:47 · Mandarin Chinese · Lin Juyi and a choir wave above imagined ruins
Lights of the Human World · Sing the Wall Open
contemporary original · Four-Lead Suite 02C · dramatic arena-rock ballad
3:59 · Mandarin Chinese · contemporary writing and Dai peacock imagery
By the Peacock River
contemporary original · peacock, riverbank, silver and hearth imagery · Dai Amei Native Trigger
2:19 · Mandarin Chinese · selected Lu Xun text and a contemporary refrain
Wild Grass · Autumn Night
Lu Xun's Autumn Night · Lingwan · dark chamber-art ballad
1:47 · Mandarin Chinese · selected text from Lu Xun's Snow
Wild Grass · Snow
Lu Xun's Snow · Mary mezzo · Chinese chamber folk
2:30 · Mandarin Chinese · selected Lu Xun text and a contemporary closing line
Wild Grass · Shadow's Farewell
Lu Xun's Shadow's Farewell · Male Slow bass · dark art ballad
4:16 · Mandarin Chinese · Li Qingzhao's complete lyric with a contemporary refrain and variation
Amei Sings Late Autumn
Li Qingzhao's A Twig of Plum Blossom · Dai Amei · waterside folk-inflected ballad
THE VIRTUAL CASTTwelve voices.
Twelve voices.
One virtual-singer cast.
Each singer is built through register, narrative role and a continuing body of work. Style may change; identity cannot be replaced by style.
LINGWAN
Clear lyrical female voiceClear without floating away; delicate without losing her spine.
13 PUBLIC WORKSSinger dossier ↗MARY-COUNTRY
Warm mezzo voiceLike a light that stays on all the way home.
8 PUBLIC WORKSSinger dossier ↗LIN JUYI
Deep, androgynous female voiceThe weight of fate in the voice—and enough force to sing a wall open.
10 PUBLIC WORKSSinger dossier ↗CYBER TENOR
Clear male tenorNot a neon label, but a tenor who carries the song toward daylight.
5 PUBLIC WORKSSinger dossier ↗MALE SLOW
BassHe does not hurry the feeling; the low voice lays out the night road slowly.
3 PUBLIC WORKSSinger dossier ↗BOLLYWOOD MALE
South Asian cinematic male voiceBeginning in South Asian cinema, then walking into Mandarin, English and Esperanto.
5 PUBLIC WORKSSinger dossier ↗CINEMATIC FEMALE
Wide-screen female voiceWhen she enters, the picture seems to widen inside the headphones.
6 PUBLIC WORKSSinger dossier ↗BREATHY FEMALE
Close-mic breathy female voiceBreath becomes texture without allowing the voice to disappear.
6 PUBLIC WORKSSinger dossier ↗BAJIAO
Southwest-borderland female voiceA small vocal path from southwest rainforests toward South Asian moonlight.
5 PUBLIC WORKSSinger dossier ↗MEDITERRANEAN MALE
Mediterranean male voiceThe first complete moon bridge now stands; the next sea is still taking shape.
1 PUBLIC WORKSSinger dossier ↗FOREVER FEMALE
Folk-gospel female voiceShe does not sing a moment of heat; she sings how one sentence stays for years.
2 PUBLIC WORKSSinger dossier ↗DAI AMEI
Clear folk-inflected female voiceBeginning by the water, she makes old poems clear without making them weightless.
36 PUBLIC WORKSSinger dossier ↗CONTINUING SERIESTwelve continuing routes
Twelve continuing routes
turn scattered works into worlds.
The directory includes literary and cultural themes as well as singer collections. ‘100’ in a title names a continuing horizon, never a completed count.
100 Chinese Classical Poems
Tang poetry, Song lyrics, Yuan drama and Songs of Chu return to present-day headphones through five verified catalogue routes.
40 public works · 7 bilingual classical long-form music notesSeries route ↗100 British & American Poems
Yeats, Browning, Shakespeare and Wordsworth open two doors through original-language song and Chinese re-imagining, with four verified public films now returned individually.
2 public works · 4 verified films · 7 poetry film storiesSeries route ↗Dream of the Red Chamber Music Experiment
Six verified public films and seven bilingual character essays now return to one archive. Qingwen, Daiyu, Baoyu and the novel’s rise and fall remain lives and fates—not decorative ‘ancient style.’
6 verified public films · 7 bilingual long reads · 0 currently mapped Suno worksSeries route ↗Four-Lead Suites
Lingwan, Mary, Lin Juyi and Cyber pass the narrative across three multi-part suites; all twelve chapters now play in full and every suite is complete 4 / 4.
12 public suite works · 3 themesSeries route ↗World Music & Multilingual Crossroads
Esperanto, French, English, Chinese–English, South Asian collisions and cinematic voices meet inside one evidence-led archive.
38 public works · 13 bilingual world-theme long readsSeries route ↗Rainy Night Tavern Voice Bench
One Mandarin slow song passes through four lead virtual singers—Breathy Female, Cinematic Female, Forever Female and Bajiao—so character distance, not preset labels, shapes the voice.
4 public works · 8 registered versions · 3 complete on-site mastersSeries route ↗Rock Choir Wave
Lin Juyi, Mary, Cyber and Lingwan each enter stadium rock, testing whether a choir can enlarge character instead of flattening four voices into one generic scale.
4 public works · 8 registered versions · 4 complete on-site mastersSeries route ↗Lingwan Collection
From school-day memory and classical poetry to Kunqu-inflected slowness, a recognizable clear female character keeps growing.
13 public worksSeries route ↗Mary Collection
A warm mezzo route crosses Chinese, English, French and multilingual work, meeting in journeys home and lived experience.
8 public worksSeries route ↗Male Slow Collection
A low male register and restrained pacing move from human slow songs into Yuan drama and long historical nights.
3 public worksSeries route ↗Cyber Tenor Collection
Cyber is a clear male tenor, not a genre label. Sea, sky, stars and first light shape his continuing vocal route.
5 public worksSeries route ↗Lu Xun Series
Twelve verified work families separate selected Lu Xun verse, contemporary inspired writing and seven Wild Grass sound studies. Autumn Night, Snow and Shadow's Farewell now open one complete master each through Lingwan, Mary and Male Slow.
12 public work families · 23 public complete source records · 3 complete on-site mastersSeries route ↗DOWNLOADABLE MEDIA ASSETS
Downloadable brand and recording assets.
The landscape card suits websites, articles and link previews; 91 vertical posters suit programme notes and mobile coverage. Preserve recording titles and credit when quoting.
1024 × 1024
Lights of the Human World · Waiting for You to Come Home source artwork
Download original ↓PRESS USE & EVIDENCE
Credit, links and usage boundaries
- Preferred credit
- William Lee / Weiyang Sound
- Project website
- https://weiyang-sound.liwei999.chatgpt.site ↗
- Creator blog
- https://liweinlp.com ↗
- YouTube channel
- https://www.youtube.com/channel/UCHk_aCREMVahhsUtBMetGXQ ↗
- 01
This room claims no unverified audience, subscriber, award, chart or press-coverage figure.
- 02
Only 91 on-site media sets are verified complete; other works retain real Suno URLs as their evidence path.
- 03
Dai Amei, Bajiao and the wider cast are virtual-singer identities, not representatives of living ethnic communities or traditional performers.
- 04
Press may quote the fact sheets and page copy; further commercial use of audio, film or poster assets still requires separate rights confirmation.