ORIGINAL VERSE · WILD GRASS · NEW WRITING
LONG-RUNNING CULTURAL MUSIC SERIES
Lu Xun Series
鲁迅系列Neither textbook accompaniment nor new lyrics disguised as recovered text. Twelve public work families move from the dry humour of My Lost Love into the night, shadow and snow of Wild Grass; four Autumn Night movements and two paired recordings make Mary, Lingwan and Male Slow directly comparable.
The source remains visible. Every new melody keeps its own life.
Selected source verse
Mary and Lingwan sing the first three stanzas of Lu Xun's My Lost Love. The opening preserved by the source is 我的所爱在山腰—not 深山. Each edition then adds a clearly separated contemporary bridge and refrain.
Read My Lost Love at Wikisource ↗Contemporary inspired writing
Old Hat through the Busy Market, Song of the Spectators and A Glimmer in the Iron House continue through irony, onlookers and the iron-house image. They are new songs inspired by Lu Xun—not recovered prose, quotations or historical reportage.
Two roads, many complete recordings
Ten satire-cycle sources meet fourteen public Wild Grass takes. A/B labels distinguish recordings; the site lets alternate melodies stand beside one another instead of forcing one to erase the rest.
Three first studies become a four-movement Autumn Night.
Fourteen complete public Suno recordings carry seven work families through Lingwan, Mary and Male Slow. Nine complete songs and films can now play here without leaving the series.
Read Wild Grass at Wikisource ↗Autumn Night · First Study · Lingwan
LINGWAN · 2 versionsSelects sky, departure and date-tree imagery from Autumn Night, with a clearly contemporary refrain.
Open first public source ↗The Shadow's Farewell · Male Slow
MALE SLOW · 2 versionsSets selected passages from The Shadow's Farewell; the refrain about bidding oneself farewell between light and dark is contemporary.
Open first public source ↗Snow · Mary
MARY-COUNTRY · 2 versionsBuilt chiefly from selected Snow passages, preserving the source's closing image of lonely snow, dead rain and the spirit of rain.
Open first public source ↗Two Date Trees · Lingwan
LINGWAN · 2 versionsThe two takes do not share an identical prompt: one preserves 枣树 from the source, while one substitutes 早树 as a pronunciation workaround; contemporary refrains remain separate.
Open first public source ↗The Small Pink Flower · Mary
MARY-COUNTRY · 2 versionsPlaces Autumn Night's small pink flower beside contemporary connective lines and refrains; the whole lyric is not labelled as Lu Xun's text.
Open first public source ↗Night Sky & Night Bird · Male Slow
MALE SLOW · 2 versionsSource passages coexist with contemporary connective writing; both registered takes are now public.
Open first public source ↗A Memorial to the Heroes · Male Slow
MALE SLOW · 2 versionsExpands from Autumn Night's closing memorial image with contemporary verses and refrains, never presenting the expansion as source text.
Open first public source ↗枣树 and 早树 open two singable paths.
One Two Date Trees take preserves Lu Xun's 枣树; another uses the homophone 早树 after a generation-pronunciation problem. Both melodies remain available and the source text keeps its own name.
The same title can carry another complete melody.
Both Night Sky and Dark Birds takes are now public. Alternate Snow and Shadow's Farewell recordings stand beside the earlier editions instead of replacing them.
2:18.64 · COMPLETE · PUBLIC
02LINGWAN · TAKE BYACAO-VOICE-01A 秋夜 灵婉女声2:18.60 · COMPLETE · PUBLIC
03MALE SLOW · TAKE AYACAO-VOICE-01B 影的告别 Male slow2:29.68 · COMPLETE · PUBLIC
04MALE SLOW · TAKE BYACAO-VOICE-01B 影的告别 Male slow2:49.64 · COMPLETE · PUBLIC
05MARY-COUNTRY · TAKE AYACAO-VOICE-01C 雪 Mary-country1:46.72 · COMPLETE · PUBLIC
06MARY-COUNTRY · TAKE BYACAO-VOICE-01C 雪 Mary-country1:44.64 · COMPLETE · PUBLIC
07LINGWAN · TAKE AYECAO-QIUYE-01 两株早树 灵婉3:07.32 · COMPLETE · PUBLIC
08LINGWAN · TAKE BYECAO-QIUYE-01 两株早树 灵婉2:57.12 · COMPLETE · PUBLIC
09MARY-COUNTRY · TAKE AYECAO-QIUYE-02 小粉红花 Mary2:44.04 · COMPLETE · PUBLIC
10MARY-COUNTRY · TAKE BYECAO-QIUYE-02 小粉红花 Mary2:58.60 · COMPLETE · PUBLIC
11MALE SLOW · TAKE BYECAO-QIUYE-03 夜空与恶鸟 Male slow3:08.20 · COMPLETE · PUBLIC
12MALE SLOW · TAKE AYECAO-QIUYE-04 敬奠英雄们 Male slow3:13.40 · COMPLETE · PUBLIC
13MALE SLOW · TAKE BYECAO-QIUYE-04 敬奠英雄们 Male slow3:17.96 · COMPLETE · PUBLIC
14MALE SLOW · TAKE AYECAO-QIUYE-03 夜空与恶鸟 Male slow2:58.00 · COMPLETE · PUBLIC
Begin with the whole song.
9 complete masters are present on this public site and can be heard from first sound to final tone. No unavailable archive path is rendered as a player.
Wild Grass · Autumn Night: Two Early Trees · Lingwan
野草·秋夜：两株早树·灵婉First of four Autumn Night movements · Lingwan · complete MP3 / full film · 3:12
Wild Grass · Autumn Night: The Little Pink Flower · Mary
野草·秋夜：小粉红花·MarySecond of four Autumn Night movements · Mary · complete MP3 / full film · 3:03
Wild Grass · Autumn Night: Night Sky and Dark Birds · Male Slow
野草·秋夜：夜空与恶鸟·Male SlowThird of four Autumn Night movements · Male Slow · complete MP3 / full film · 3:03
Wild Grass · Autumn Night: In Memory of the Heroes · Male Slow
野草·秋夜：敬奠英雄们·Male SlowFinal movement of Autumn Night · Male Slow · complete MP3 / full film · 3:23
Wild Grass · The Shadow's Farewell · Male Slow Voice Edition
野草·影的告别·Male Slow 声线版A distinct recording beside the earlier edition · complete MP3 / full film · 2:55
Wild Grass · Snow · Mary Country
野草·雪·Mary CountryBeside the earlier edition · short and complete · complete MP3 / full film · 1:50
Wild Grass · Autumn Night
野草·秋夜Selected Lu Xun text and a contemporary refrain · Lingwan · complete MP3 / full source-lyric film · 2:19
Wild Grass · Snow
野草·雪Selected Lu Xun text · Mary · verified short complete work · complete MP3 / full source-lyric film · 1:47
Wild Grass · Shadow's Farewell
野草·影的告别Selected Lu Xun text and a contemporary closing line · Male Slow · complete MP3 / full source-lyric film · 2:30
One literary route, three unmistakable characters.
Mary's warmer lower weight holds sorrow beneath the dry joke; Lingwan's clear restraint keeps the edge agile; Male Slow grounds Wild Grass in a bass body. Three distinct virtual voices give this shared literary journey their own warmth.
MARY-COUNTRY
warm lower weight that steadies the hurt inside satireLike a light that stays on all the way home.
Open singer archive ↗02Clear lyrical female voiceLINGWAN
clear restraint that keeps the wit light on its feetClear without floating away; delicate without losing her spine.
Open singer archive ↗03BassMALE SLOW
bass weight that grounds night, shadow and farewell in the bodyHe does not hurry the feeling; the low voice lays out the night road slowly.
Open singer archive ↗Twelve work families. Twenty-four public sources. Nine complete songs here.
My Lost Love and three contemporary satire studies now meet three first settings from Wild Grass and a four-movement Autumn Night suite. Source verse, new writing, singer identity, pronunciation workaround and generation visibility remain separately named.
One Poem, Two Lead Voices
Mary and Lingwan each sing three selected stanzas from My Lost Love with a distinct contemporary bridge. Source verse, new writing and two same-prompt takes remain separate rather than being inflated into ten songs.
Old Hat, Spectators & the Iron House
Three contemporary originals continue through Lu Xun-like severity, irony and human warmth, while every work remains labelled as inspired writing rather than a recovered text.
Three First Studies from Wild Grass
Autumn Night, The Shadow's Farewell and Snow enter through Lingwan, Male Slow and Mary. Every setting names its source selections and contemporary additions separately.
Four Movements of Autumn Night
Date trees, the small pink flower, the night sky and night bird, and the memorial to heroes form four narrative centres. All fourteen registered takes are now public.
Twelve verified work families, each returning to a public source
Twelve families now meet twenty-four complete public Suno recordings. The four-part Autumn Night and paired Snow and Shadow's Farewell editions make alternate melodies directly listenable without erasing one another.
Virtual singer · MARY-COUNTRY
02鲁迅系列 · 本站策展组LUXUN-SATIRE-01B 我的失恋 灵婉Virtual singer · LINGWAN
03鲁迅系列 · 本站策展组LUXUN-SATIRE-02A 旧帽过闹市 灵婉Virtual singer · LINGWAN
04鲁迅系列 · 本站策展组LUXUN-SATIRE-02B 看客小调 灵婉Virtual singer · LINGWAN
05鲁迅系列 · 本站策展组LUXUN-SATIRE-02C 铁屋微光 MaryVirtual singer · MARY-COUNTRY
06鲁迅系列 · 野草子档案YACAO-VOICE-01A 秋夜 灵婉女声Virtual singer · LINGWAN
07鲁迅系列 · 野草子档案YACAO-VOICE-01B 影的告别 Male slowVirtual singer · MALE SLOW
08鲁迅系列 · 野草子档案YACAO-VOICE-01C 雪 Mary-countryVirtual singer · MARY-COUNTRY
09鲁迅系列 · 野草《秋夜》四章YECAO-QIUYE-01 两株早树 灵婉Virtual singer · LINGWAN
10鲁迅系列 · 野草《秋夜》四章YECAO-QIUYE-02 小粉红花 MaryVirtual singer · MARY-COUNTRY
11鲁迅系列 · 野草《秋夜》四章YECAO-QIUYE-03 夜空与恶鸟 Male slowVirtual singer · MALE SLOW
12鲁迅系列 · 野草《秋夜》四章YECAO-QIUYE-04 敬奠英雄们 Male slowVirtual singer · MALE SLOW
Every generation keeps its own door.
These ten links preserve the earlier satire cycle separately from Wild Grass. Duration comes from each source response. Matching fingerprints show that both takes inside each of these five families share one prompt; they are two recordings, not two newly invented compositions.
2:47.80 · COMPLETE · PUBLIC
02MARY-COUNTRY · TAKE BLUXUN-SATIRE-01A 我的失恋 Mary2:48.28 · COMPLETE · PUBLIC
03LINGWAN · TAKE ALUXUN-SATIRE-01B 我的失恋 灵婉3:06.48 · COMPLETE · PUBLIC
04LINGWAN · TAKE BLUXUN-SATIRE-01B 我的失恋 灵婉3:06.04 · COMPLETE · PUBLIC
05LINGWAN · TAKE ALUXUN-SATIRE-02A 旧帽过闹市 灵婉2:51.76 · COMPLETE · PUBLIC
06LINGWAN · TAKE BLUXUN-SATIRE-02A 旧帽过闹市 灵婉2:59.44 · COMPLETE · PUBLIC
07LINGWAN · TAKE ALUXUN-SATIRE-02B 看客小调 灵婉2:26.80 · COMPLETE · PUBLIC
08LINGWAN · TAKE BLUXUN-SATIRE-02B 看客小调 灵婉2:35.52 · COMPLETE · PUBLIC
09MARY-COUNTRY · TAKE ALUXUN-SATIRE-02C 铁屋微光 Mary3:09.24 · COMPLETE · PUBLIC
10MARY-COUNTRY · TAKE BLUXUN-SATIRE-02C 铁屋微光 Mary2:44.44 · COMPLETE · PUBLIC
Why sing Wild Grass today?
Twelve work families, twenty-four public sources and nine complete songs become one listening route: four Autumn Night movements plus paired Snow and Shadow's Farewell recordings.
Read and hear all nine works ↗Nine complete songs. Four movements. Two pairs of alternate recordings.
Lingwan, Mary and Male Slow now carry nine complete Wild Grass songs and films. Four Autumn Night movements play in sequence; Snow and Shadow's Farewell each retain two distinct recordings.
Every player reaches the work's real ending.