One work a day, from first sound to final decay. 95 complete masters rotate on a stable UTC calendar—without a popularity chart, personal tracking or pretending that today's turn is a new release.
Sat, December 19, 2026CYCLE DAY 20 / 95 · UTC
TODAY'S COMPLETE RECORDING · 3:15One Moon over Chang’an长安一片月
TODAY'S COMPLETE RECORDING · 3:15
One Moon over Chang’an
长安一片月
Under the Chang’an moon, households beat cloth while autumn wind carries longing toward the Jade Gate. The song keeps all six lines of Li Bai’s Autumn Song before adding city walls, clothing and a hoped-for return. Its black-and-white source image mistakes clothes-beating for a mortar and pestle; the AI visual error stays disclosed rather than being passed off as Tang-life reconstruction.
WHY THIS WORK STAYS · BEYOND THE ARTWORK
Hear it whole first. Then read why it remains.
01 · ALL SIX POEM LINES, EIGHT EXACT POSITIONS
All six Li Bai lines are sung; repetitions, recomposition and new writing stay line-by-line distinct
The public source prompt contains thirty-one lines, 242 characters and 530 UTF-8 bytes, hashing to a1357e41f70534bed8d1746534c96387efad5c3af6ba9eb8e933f517996572fc. Removing structural labels and blank lines leaves twenty performed lines, 161 characters and 445 UTF-8 bytes, hashing to 562c600170e0ae9d85ed1461570d5b1b1326783c8ecda951554b55176cb043f6. Against Li Bai’s Autumn Song in volume 21 of Complete Tang Poems on Chinese Wikisource, all six source lines enter the master verbatim. The first two lines each occur twice and the remaining four once—eight exact source-line positions. The other twelve positions are recomposed or contemporary; one new line returns, leaving eleven distinct contemporary lines. 秋風吹不盡思念 keeps only the opening five characters of a source line and adds ‘longing’, so it is not counted as a verbatim poem line. Wikisource’s standalone poem page writes 擣衣 while volume 21 writes 搗衣. This dossier uses the exactly matching volume-21 witness but discloses the graphic variant rather than claiming one exclusive text.
02 · A CONTEMPORARY CROSS-CULTURAL BRIEF
Chang’an, the Jade Gate and Dai Amei meet in a contemporary brief—not a Tang or living-community document
The 253-character source tag brief says ‘Tang dynasty moonlit frontier longing ballad with Dai folk color’ and asks for a delicate clear female vocal, hulusi, bamboo flute, guqin, soft low drum, Chang’an moon, clothes-beating sound, Yumen Pass, a slow sorrowful Mandarin melody, and no rap, EDM or martial drums. It hashes to b0f2e4c2ea633924345cc3ca3f91c57d74d4610fe8f0910b202a0c619afe0388. The archive records this as William Lee’s contemporary AI-music direction—not evidence of a Tang score, Li Bai-era singing, historical Chang’an or Jade Gate soundscape, human instrumental performance, living Dai tradition, military field record or direct record of women’s historical labour. ‘Dai folk color’ is a cross-cultural generation cue, not community representation or authorization.
SEVEN-DAY WINDOW · COMPLETE SONGS ONLY
Three days either side. Every ending intact.
These dates are not release dates; they are shared listening coordinates. Open any day and the Chinese and English editions land on the same verified master.
UTC · 95-DAY STABLE ROTATION · NO PERSONAL TRACKING
Not a chart. A daily promise to hear one work properly.
The rotation claims neither hottest, best nor newest, stores no personal taste profile and never recounts a work because it appears under another dated URL. The same stable order returns after 95 days.
PASS ONE COMPLETE SONG ON
Hear Dai Amei’s One Moon over Chang’an in full: a 3:15 Mandarin setting retaining all six lines of Li Bai’s Autumn Song across eight exact positions, followed by twelve separately documented recomposed or contemporary positions. Complete MP3, full source-lyric film and the mortar-and-pestle visual mistranslation are all disclosed.
Today's Complete Listen｜One Moon over Chang’an｜Weiyang Sound
